Cargando…
Musical ImagiNation : U.S-Colombian Identity and the Latin Music Boom.
Long associated with the pejorative clichés of the drug-trafficking trade and political violence, contemporary Colombia has been unfairly stigmatized. In this pioneering study of the Miami music industry and Miami's growing Colombian community, María Elena Cepeda boldly asserts that popular m...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
NYU Press,
2010.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000Mi 4500 | ||
|---|---|---|---|
| 001 | JSTOR_ocn779828280 | ||
| 003 | OCoLC | ||
| 005 | 20231005004200.0 | ||
| 006 | m o d | ||
| 007 | cr |n|---||||| | ||
| 008 | 120312s2010 nyu o 000 0 eng d | ||
| 040 | |a EBLCP |b eng |e pn |c EBLCP |d OCLCQ |d MHW |d DKC |d OCLCO |d OCLCQ |d OCLCF |d OCLCO |d OCLCQ |d OCLCO |d JSTOR |d OCL |d OCLCQ |d OCLCO |d ZCU |d MERUC |d IOG |d U3W |d EZ9 |d OCLCQ |d ICG |d OCLCQ |d TKN |d OCLCQ |d OCLCO |d OCLCQ |d OCLCO | ||
| 020 | |a 9780814772904 |q (electronic bk.) | ||
| 020 | |a 0814772900 |q (electronic bk.) | ||
| 029 | 1 | |a AU@ |b 000055798255 | |
| 029 | 1 | |a DEBBG |b BV044162952 | |
| 035 | |a (OCoLC)779828280 | ||
| 037 | |a 22573/ctt8jvgxd |b JSTOR | ||
| 043 | |a n-us-fl |a s-ck--- |a n-us--- | ||
| 050 | 4 | |a ML3917.U6 C46 2010 | |
| 072 | 7 | |a SOC031000 |2 bisacsh | |
| 082 | 0 | 4 | |a 780.89 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Cepeda, Maria Elena. | |
| 245 | 1 | 0 | |a Musical ImagiNation : |b U.S-Colombian Identity and the Latin Music Boom. |
| 260 | |a New York : |b NYU Press, |c 2010. | ||
| 300 | |a 1 online resource (268 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Acknowledgments; Introduction: Colombian Connections: Tracing the Boundaries of the Colombian Musical ImagiNation; 1 La crisis colombiana: Contextualizing the Political Moment; 2 A Miami Sound Machine: Deconstructing the Latin(o) Music Boom of the Late 1990s; 3 Shakira as the Idealized Transnational Citizen: Media Perspectives on Colombianidad in Transition; 4 Florecita rockera: Gender and Representation in Latin(o) American Rock and Mainstream Media; 5 The Colombian Vallenato acá y allá: Allegory for a Musical ImagiNation. | |
| 505 | 8 | |a 6 The Colombian Transcultural Aesthetic Recipe: Music Video in the "New" American StudiesAfterword: U.S.-Colombian Popular Music and Identity: Acknowledging the Transnational in the National; Notes; References; Discography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z; About the Author. | |
| 520 | |a Long associated with the pejorative clichés of the drug-trafficking trade and political violence, contemporary Colombia has been unfairly stigmatized. In this pioneering study of the Miami music industry and Miami's growing Colombian community, María Elena Cepeda boldly asserts that popular music provides an alternative common space for imagining and enacting Colombian identity. Using an interdisciplinary analysis of popular media, music, and music video, Cepeda teases out issues of gender, sexuality, race, ethnicity, and transnational identity in the Latino/a music industry and among its most. | ||
| 588 | 0 | |a Print version record. | |
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Identity (Psychology) and mass media. | |
| 650 | 0 | |a Music trade |z Florida |z Miami. | |
| 650 | 0 | |a Popular music |z Colombia |x History and criticism. | |
| 650 | 0 | |a Popular music |z Florida |z Miami |x History and criticism. | |
| 650 | 0 | |a Music |x Social aspects |z United States |x History |y 20th century. | |
| 650 | 6 | |a Identité (Psychologie) et médias. | |
| 650 | 6 | |a Musique |x Industrie |z Floride |z Miami. | |
| 650 | 6 | |a Musique populaire |z Colombie |x Histoire et critique. | |
| 650 | 6 | |a Musique populaire |z Floride |z Miami |x Histoire et critique. | |
| 650 | 6 | |a Musique |x Aspect social |z États-Unis |x Histoire |y 20e siècle. | |
| 650 | 7 | |a SOCIAL SCIENCE |x Discrimination & Race Relations. |2 bisacsh | |
| 650 | 7 | |a Identity (Psychology) and mass media |2 fast | |
| 650 | 7 | |a Music |x Social aspects |2 fast | |
| 650 | 7 | |a Music trade |2 fast | |
| 650 | 7 | |a Popular music |2 fast | |
| 651 | 7 | |a Colombia |2 fast | |
| 651 | 7 | |a Florida |z Miami |2 fast | |
| 651 | 7 | |a United States |2 fast | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Cepeda, Maria Elena. |t Musical ImagiNation : U.S-Colombian Identity and the Latin Music Boom. |d New York : NYU Press, ©2010 |z 9780814716915 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt9qg0k0 |z Texto completo |
| 938 | |a EBL - Ebook Library |b EBLB |n EBL865881 | ||
| 994 | |a 92 |b IZTAP | ||