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|a UAMI
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|a Watson, Angus,
|d 1932-
|e author.
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|a Beethoven's chamber music in context /
|c Angus Watson.
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|a Woodbridge :
|b Boydell,
|c 2010.
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|a 1 online resource (xii, 306 pages) :
|b music
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|a text
|b txt
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|a computer
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|2 rdamedia
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|a online resource
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|a data file
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|a Includes bibliographical references (pages 292-296) and indexes.
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|a pt. 1. Context ; Arrival and relaunch in Vienna, 1792 ; Beethoven, pianist and string player ; Amateurs, patrons and professionals ; The spirit of the composition -- pt. 2. 1793-9 ; 1793-5: three piano trios, op. 1 ; 1796: two cello sonatas, op. 5 ; 1797-8: three violin sonatas, op. 12 ; 1794?-1798: five string trios, op. 3, op. 8, op. 9 ; 1795?-1799: chamber music for wind, strings and piano ; 1798-1800: six string quartets, op. 18 -- pt. 3. 1800-1803 ; 1800-1801: two violin sonatas, op. 23 and op. 24 ; 1801: string quintet in C major, op. 29 ; 1802: three violin sonatas, op. 30 ; 1802-3: Violin sonata in A major, op. 47 (Kreutzer) -- pt. 4. 1804-9 ; 1804-6: in the wake of Fidelio ; 1806: three string quartets, op. 59 (Razumovsky) ; 1807-8: cello sonata in A major, op. 69 ; 1808: two piano trios, op. 70 ; 1809: string quartet in E flat major, op. 74 (Harp) -- pt. 5. 1810-15 ; 1810: string quartet in F minor, op. 95 (Quartetto serioso) ; 1810-11: piano trio in B flat major, op. 97 (Archduke) ; 1812: violin sonata in G major, op. 96 ; 1815: two cello sonatas, op. 102 -- pt. 6. 1816-27 ; 1815-24: the late string quartets--background and context ; 1824-5: string quartet in E flat major, op. 127 ; 1825: string quartet in A minor, op. 132 ; 1825- 6: string quartet in B flat major, op. 130 ; 1825-6: Grosse fuge, op. 133 ; 1926: string quartet in C sharp minor, op. 131 ; 1826: string quartet in F major, op. 135.
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|a Watson provides professional and amateur musicians, and music lovers generally, with a complete survey of Beethoven's chamber music and the background to each individual work - the loyalty of patrons, musicians and friends on the one hand; increasing deafness and uncertain health on the other. Attention is paid to the influence of such large-scale compositions as the Eroica Symphony and Fidelio on the chamber music of his middle years and the Missa Solemnis and the Ninth Symphony on his late quartets. The author examines Beethoven's ever-increasing freedom of form - largely a result of his mastery of improvisation and a powerful symbol of the fusion of classical discipline with the subversive spirit of romantic adventure which characterizes his mature music. --From publisher's description.
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|a Print version record.
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Beethoven, Ludwig van,
|d 1770-1827
|x Criticism and interpretation.
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|a Beethoven, Ludwig van,
|d 1770-1827
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|a Chamber music
|z Germany
|y 18th century
|x History and criticism.
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|a Chamber music
|z Germany
|y 19th century
|x History and criticism.
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|a Musique de chambre
|z Allemagne
|y 18e siècle
|x Histoire et critique.
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|a Musique de chambre
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|y 19e siècle
|x Histoire et critique.
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|a MUSIC
|x Genres & Styles
|x Chamber.
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|a MUSIC
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|a Chamber music
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|a Criticism, interpretation, etc.
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|i Print version:
|a Watson, Angus, 1932-
|t Beethoven's chamber music in context.
|d Woodbridge : Boydell, 2010
|z 9781843835776
|w (DLC) 2010564848
|w (OCoLC)515481058
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|u https://jstor.uam.elogim.com/stable/10.7722/j.ctt14brt70
|z Texto completo
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|a Askews and Holts Library Services
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