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New Zealand film and television : institution, industry and cultural change /
This title is authored by well known researchers and authors in the field. Notwithstanding the challenges of a limited population size and the struggle to fund such costly forms of screen production as high-end film and television, both of these New Zealand screen industries have been the site of si...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bristol, U.K. :
Intellect,
2011.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Glossary of Māori terms
- List of abbreviations
- Introduction. New Zealand screen production and political economy
- 'New Zealand-domiciled' feature film and television drama
- The institutional ecology for New Zealand-domiciled screen production
- 'Localness' and 'universality'
- New Zealand screen production and cultural considerations
- Research questions and chapter organisation
- 1. Television in the era of public monopoly (1960-88). Introduction
- Television and national culture
- The inception of television
- The single-channel era (1960-74)
- The two-channel independence (1975-79)
- Two-channel complementarity: the first years of TVNZ (1980-88)
- 'Public service' objectives in programming
- Māori television
- Locally-produced TV drama in the monopoly era
- The institutional culture for TV drama production
- Three landmark TV drama productions
- Pukemanu (1971-72)
- The governor (1977)
- Erebus the aftermath (1987)
- Conclusion
- 2. Pioneers, mavericks and the inception of a national cinema (1960-88). Introduction
- Cinema, industry and national culture
- The Film Industry Working Party
- Television and the emergence of a fledgling film industry
- The development of the New Zealand Film Commission
- The NZFC's founding act of Parliament
- Halcyon days: the first years of the NZFC (1978-82)
- The tax shelter years (1982-84): a production boom and bust
- NZFC policy directions in the mid-1980s
- Neo-liberal politics and some initial impacts
- New Zealand film-making: the achievement of a production industry and a distinctive voice?
- New Zealand feature films: three contrasting examples
- Sleeping dogs (1977)
- Vigil (1984)
- Ngāti (1987)
- Conclusions
- 3. Television, neo-liberalism and the advent of competition (1988-99). Introduction
- The neo-liberal turn and 'New Zealand experiment'
- Neo-liberalism and television
- The restructuring and deregulation of broadcasting
- The new broadcasting legislation
- The creation and role of New Zealand on Air
- NZoA's funding allocation strategies
- Success and failures: the first decade of competition
- The proposal to sell TVNZ
- Commissioning culture after deregulation
- The independent sector, local-content and South Pacific Pictures
- TV drama production in the 1990s
- Case study of Shortland street (1992- )
- Conclusions
- 4. Neo-liberalism and the consolidation of a national film industry (1988-97). Introduction
- Challenges for the NZFC in the late 1980s
- The emergence of an NZFC Development Policy
- Changes in television, New Zealand on Air and new horizons for the film industry
- Alternative forms and related strategies: short films and one-off dramas
- Renewed production, consolidation and success
- Changes of direction for the NZFC
- The 'low budget film' and other developments in NZFC funding criteria
- International collaborations
- Further changes to NZFC directions and policy: the Ruth Harley era
- Case studies of An angel at my table (1990) and The piano (1983)
- Case studies of Once were warriors (1994) and Heavenly creatures (1994)
- Conclusions
- 5. Television after 2000: digital 'plenty' in a small market. Public television post-2000: the TVNZ Charter and other initiatives
- Establishing a Māori Television Network
- Unrealistic expectations and conflicting objectives: the failure of the TVNZ Charter
- Intensifying competition in a deregulated television market
- Free-to-air digital television and new digital channels
- The post-2000 context for TV drama production
- Locally-produced TV drama and the influence of New Zealand on Air
- Case study of Outrageous fortune (2005-10)
- Conclusions
- 6. New Zealand cinema and internationalism (1998-2010). Introduction
- Film industry criticisms of the NZFC
- Cultural considerations and a change of government
- The Film Production Trust Fund: operation and outcomes
- The Screen Industry Task Force and other government initiatives
- Branding New Zealand: Peter Jackson and 'Wellywood'
- Enticing international investment: the Large Budget Screen Production Grant
- The implications of an international presence
- Facilitating local production: the Screen Production Investment Fund
- Maintaining New Zealand-domiciled feature film
- The NZFC and Māori-themed feature films
- Case study of Whale rider (2002)
- Case study of Boy (2010)
- Evaluating the changing context for New Zealand film production (2008-10)
- Conclusions. Institutional and cultural change in television
- Institutional and cultural change in film
- Key influences on New Zealand-domiciled feature film and TV drama.