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The Shocking Miss Pilgrim : a Writer in Early Hollywood /
"Freddie Maas's revealing memoir offers a unique perspective on the film industry and Hollywood culture in their early days and illuminates the plight of Hollywood writers working within the studio system. An ambitious twenty-three-year-old, Maas moved to Hollywood and launched her own wri...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Lexington :
University Press of Kentucky,
2010, ©1999.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Maas, Frederica Sagor, |d 1900-2012. | |
| 245 | 1 | 4 | |a The Shocking Miss Pilgrim : |b a Writer in Early Hollywood / |c Frederica Sagor Maas. |
| 260 | |a Lexington : |b University Press of Kentucky, |c 2010, ©1999. | ||
| 300 | |a 1 online resource (296 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 505 | 0 | |a Cover; THE SHOCKING MISS PILGRIM; Title; Copyright; To the "Swell Fish" that my husband, Ernest, and I parented-creative works that never saw the light of day.; Contents; Foreword; Acknowledgments; Prologue; 1 Family Roots; 2 From Columbia to Universal; 3 Story Editor; 4 Purchase of The Plastic Age; 5 My Introduction to Hollywood; 6 Hollywood Parties; 7 My Friend, Riza; 8 The Troublemaker; 9 Meeting Ernest Maas; 10 Honor Among Thieves; 11 The Maases Go to Europe; 12 "Swell Fish"; 13 The Depression Years; 14 Marriage in Crisis; 15 Motion Picture Peddler; 16 World War II. | |
| 505 | 8 | |a 17 The Desecration of Miss Pilgrim's Progress18 Civil War Stories Are Out; Epilogue; Index; Illustrations follow page. | |
| 520 | |a "Freddie Maas's revealing memoir offers a unique perspective on the film industry and Hollywood culture in their early days and illuminates the plight of Hollywood writers working within the studio system. An ambitious twenty-three-year-old, Maas moved to Hollywood and launched her own writing career by drafting a screenplay of the bestselling novel The Plastic Age for ""It"" girl Clara Bow. On the basis of that script, she landed a staff position at powerhouse MGM studios. In the years to come, she worked with and befriended numerous actors and directors, including Norma Shearer, Joan Crawfo. | ||
| 588 | 0 | |a Print version record. | |
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
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| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 600 | 1 | 0 | |a Maas, Frederica Sagor, |d 1900-2012. |
| 600 | 1 | 7 | |a Maas, Frederica Sagor, |d 1900-2012 |2 fast |0 (OCoLC)fst01798962 |
| 651 | 0 | |a Hollywood (Los Angeles, Calif.) |x History. | |
| 651 | 0 | |a Hollywood (Los Angeles, Calif.) |x Social life and customs. | |
| 650 | 0 | |a Motion picture industry |z California |z Los Angeles. | |
| 650 | 0 | |a Women screenwriters |z United States |v Biography. | |
| 650 | 6 | |a Cinéma |x Industrie |z Californie |z Los Angeles. | |
| 650 | 6 | |a Femmes scénaristes |z États-Unis |v Biographies. | |
| 650 | 7 | |a ART |x Film & Video. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Reference. |2 bisacsh | |
| 650 | 7 | |a DRAMA |x American. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Screenwriting. |2 bisacsh | |
| 650 | 7 | |a Manners and customs. |2 fast |0 (OCoLC)fst01007815 | |
| 650 | 7 | |a Motion picture industry. |2 fast |0 (OCoLC)fst01027150 | |
| 650 | 7 | |a Women screenwriters. |2 fast |0 (OCoLC)fst01178516 | |
| 651 | 7 | |a California |z Los Angeles. |2 fast |0 (OCoLC)fst01204540 | |
| 651 | 7 | |a California |z Los Angeles |z Hollywood. |2 fast |0 (OCoLC)fst01312041 | |
| 651 | 7 | |a United States. |2 fast |0 (OCoLC)fst01204155 | |
| 655 | 7 | |a Biographies. |2 fast |0 (OCoLC)fst01919896 | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 776 | 0 | 8 | |i Print version: |a Maas, Frederica. |t Shocking Miss Pilgrim : A Writer in Early Hollywood. |d Lexington : The University Press of Kentucky, ©2010 |z 9780813121222 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt2jck58 |z Texto completo |
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