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Cinema and Fascism : Italian Film and Society, 1922-1943.
This study considers Italian filmmaking during the Fascist era and offers an original and revealing approach to the interwar years. Steven Ricci directly confronts a long-standing dilemma faced by cultural historians: while made during a period of totalitarian government, these films are neither pro...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
CA :
University of California Press,
2008.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 1 | 0 | |a Cinema and Fascism : |b Italian Film and Society, 1922-1943. |
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| 520 | |a This study considers Italian filmmaking during the Fascist era and offers an original and revealing approach to the interwar years. Steven Ricci directly confronts a long-standing dilemma faced by cultural historians: while made during a period of totalitarian government, these films are neither propagandistic nor openly "Fascist." Instead, the Italian Fascist regime attempted to build ideological consensus by erasing markers of class and regional difference and by circulating terms for an imaginary national identity. Cinema and Fascism investigates the complex relationship between the totalit. | ||
| 505 | 0 | 0 | |g Machine generated contents note: |g 1. |t Amnesia and Historical Memory -- |g 2. |t Political Economy of Italian Cinema, 1922-1943 -- |g 3. |t Leisure Time, Historiography, and Spectatorship -- |g 4. |t Italy and America: Fascination and (Re)Negotiation -- |g 5. |t Fascist Codex -- |t Epilogue. Resistance and the Return of the Local. |
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