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Reconsidering Olmec visual culture : the unborn, women, and creation /
Annotation
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Austin :
University of Texas Press,
©2012.
|
| Colección: | William & Bettye Nowlin series in art, history, and culture of the Western Hemisphere.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Tate, Carolyn Elaine. | |
| 245 | 1 | 0 | |a Reconsidering Olmec visual culture : |b the unborn, women, and creation / |c by Carolyn E. Tate. |
| 260 | |a Austin : |b University of Texas Press, |c ©2012. | ||
| 300 | |a 1 online resource (xvii, 339 pages) : |b illustrations, plans | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file | ||
| 490 | 1 | |a The William and Bettye Nowlin series in art, history, and culture of the western hemisphere | |
| 505 | 0 | |a Rediscovering women and gestation in Olmec visual culture. A cradle of civilization ; Mesoamerica and its visual culture ; Early interpretations of the first known Olmec sculptures ; New questions in Olmec studies ; Is gender or gestation the compelling issue? ; How the book develops : content and methodologies -- The tale of the were-jaguar. The birth of the were-jaguar ; One were-jaguar or many deities? ; The first attempt to slay the were-jaguar ; The were-jaguar as a shamanic alter ego ; Monstrous congenital anomalies ; Pantheons of deities or symbols of vital forces? ; Shamanism in an ecological context ; The rebirth of the maize deity ; Signs of life -- The sowing and dawning of the human-maize seed. Images of the unborn ; The formative Mesoamerican embryo and its matrix of associations ; Ethnographic analogies ; Hollow babies ; A contemporary baby in a boat : Niñopa ; Conclusions about embryos, fetuses, and babies -- Tracking gender, gestation, and narrativity through the early formative. The archaic period, 10,000 to 2000 BC : the beginning of visual symbols ; The initial formative, circa 1900 to 1400 BC ; The early formative, circa 1400-900 BC ; Fluctuations in visual culture during the initial and early formative periods ; Discussion : Maize technology. 1, Fermentation ; Discussion : Maize technology. 2, Nixtamalization -- La Venta's buried offerings : women and other revelations. Topography and sources of stone ; Discovery, excavation, and chronology of La Venta ; Surveying La Venta's visual culture through time ; Women and the unborn return to prominence -- Female water and earth supernaturals : the massive offerings, mosaic pavements, and Mixe "work of the earth". Why construct massive offerings? ; Mixe beliefs in earth, water, and thunder supernormal entities ; La Venta's mosaic pavements ; Offerings inseminating the flowering earth ; Massive offerings : contained water ; Mixe healers, midwives, and rituals, and their Olmec antecedents ; Female shamans ; The mosaic pavements as conventionalized symbols ; Politics, protection, and healing -- A processional visual narrative at La Venta. Previous investigations of Olmec creation narratives ; Patterns for the distribution of monumental sculptures ; A processional visual narrative -- La Venta's creation and origins narrative. An approach to visual narratives from preliterate societies ; The narrative stations (Station one: A womb with three fetuses ; Station two: A quincunx of thrones ; Station three: The dawning of human-maize ; Station four: The female sources of life : earth and water ; Station five: The bodiless heads ; Station six: The phallic column) ; Inserting politics into the creation and origins narrative ; Alternative reading orders ; Conclusions and questions -- A scattering of seeds. Assessing arguments for some major points ; Modes of communication ; Where did Olmec ideas go? ; Asking and answering the fundamental questions -- Appendix 1. La Venta monuments by format -- Appendix 2. Comparison of Mesoamerican creation and origins narratives -- Appendix 3. Shape-shifters and werewolves to were-jaguars : a brief chronology. | |
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 520 | 8 | |a Annotation |b Recently, scholars of Olmec visual culture have identified symbols for umbilical cords, bundles, and cave-wombs, as well as a significant number of women portrayed on monuments and as figurines. In this study, Carolyn Tate demonstrates that these subjects were part of a major emphasis on gestational imagery in Formative Period Mesoamerica. | |
| 546 | |a English. | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a Olmec art. | |
| 650 | 0 | |a Olmec sculpture. | |
| 650 | 0 | |a Olmec mythology. | |
| 650 | 0 | |a Indian women in art. | |
| 651 | 0 | |a La Venta Site (Mexico) | |
| 650 | 6 | |a Art olmèque. | |
| 650 | 6 | |a Sculpture olmèque. | |
| 650 | 6 | |a Femmes des Peuples autochtones dans l'art. | |
| 651 | 6 | |a La Venta (Mexique : Site archéologique) | |
| 650 | 7 | |a ART |x American |x General. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE |x Archaeology. |2 bisacsh | |
| 650 | 7 | |a Indian women in art. |2 fast |0 (OCoLC)fst01903587 | |
| 650 | 7 | |a Olmec art. |2 fast |0 (OCoLC)fst01045545 | |
| 650 | 7 | |a Olmec mythology. |2 fast |0 (OCoLC)fst01045547 | |
| 650 | 7 | |a Olmec sculpture. |2 fast |0 (OCoLC)fst01045550 | |
| 651 | 7 | |a Mexico |z La Venta Site. |2 fast |0 (OCoLC)fst01276844 | |
| 776 | 0 | 8 | |i Print version: |a Tate, Carolyn Elaine. |t Reconsidering Olmec visual culture. |d Austin : University of Texas Press, ©2012 |z 9780292728523 |w (DLC) 2011021407 |w (OCoLC)714734771 |
| 830 | 0 | |a William & Bettye Nowlin series in art, history, and culture of the Western Hemisphere. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.7560/728523 |z Texto completo |
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