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Mozart and Enlightenment Semiotics.
In this groundbreaking, historically-informed semiotic study of late eighteenth-century music, Stephen Rumph focuses on Mozart to explore musical meaning within the context of Enlightenment sign and language theory. Illuminating his discussion with French, British, German, and Italian writings on si...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Berkeley :
University of California Press,
2011.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Rumph, Stephen. | |
| 245 | 1 | 0 | |a Mozart and Enlightenment Semiotics. |
| 260 | |a Berkeley : |b University of California Press, |c 2011. | ||
| 300 | |a 1 online resource (284 pages) | ||
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| 505 | 0 | |a Cover; Mozart and Enlightenment Semiotics; Title; Copyright; Dedication; Epiograph; Contents; List of Music Examples; Acknowledgments; Introduction; 1. From Rhetoric to Semiotics; 2. The Sense of Touch in Don Giovanni; 3. Topics in Context; 4. Mozart and Marxism; 5. A Dubious Credo; 6. Archaic Endings; Epilogue; Notes; Bibliography; Index. | |
| 520 | |a In this groundbreaking, historically-informed semiotic study of late eighteenth-century music, Stephen Rumph focuses on Mozart to explore musical meaning within the context of Enlightenment sign and language theory. Illuminating his discussion with French, British, German, and Italian writings on signs and language, Rumph analyzes movements from Mozart's symphonies, concertos, operas, and church music. He argues that Mozartian semiosis is best understood within the empiricist tradition of Condillac, Vico, Herder, or Adam Smith, which emphasized the constitutive role of signs within human cogni. | ||
| 588 | 0 | |a Print version record. | |
| 504 | |a Includes bibliographical references (pages 239-256) and index. | ||
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| 600 | 1 | 0 | |a Mozart, Wolfgang Amadeus, |d 1756-1791 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Mozart, Wolfgang Amadeus, |d 1756-1791. |2 fast |0 (OCoLC)fst00050702 |
| 650 | 0 | |a Music |y 18th century |x History and criticism. | |
| 650 | 0 | |a Music |x Semiotics. | |
| 650 | 0 | |a Enlightenment. | |
| 650 | 6 | |a Musique |y 18e siècle |x Histoire et critique. | |
| 650 | 6 | |a Sémiotique et musique. | |
| 650 | 6 | |a Siècle des Lumières. | |
| 650 | 7 | |a Enlightenment (18th-century western movement) |2 aat | |
| 650 | 7 | |a BIOGRAPHY & AUTOBIOGRAPHY |x Composers & Musicians. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Individual Composer & Musician. |2 bisacsh | |
| 650 | 7 | |a Enlightenment. |2 fast |0 (OCoLC)fst00912527 | |
| 650 | 7 | |a Music. |2 fast |0 (OCoLC)fst01030269 | |
| 650 | 7 | |a Music |x Semiotics. |2 fast |0 (OCoLC)fst01030442 | |
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| 650 | 7 | |a Aufklärung |2 gnd | |
| 650 | 7 | |a Semiotik |2 gnd | |
| 648 | 7 | |a 1700-1799 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 776 | 0 | 8 | |i Print version: |a Rumph, Stephen. |t Mozart and Enlightenment Semiotics. |d Berkeley : University of California Press, ©2011 |z 9780520260863 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.1525/j.ctt1pn974 |z Texto completo |
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