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|z (OCoLC)962591068
|z (OCoLC)966211968
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|b JSTOR
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|a n-us---
|a e-uk---
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|a PN1995.9.F54
|b S6855 2011
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|a ART
|x 057000
|2 bisacsh
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|2 22
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|a UAMI
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|a Stanfield, Peter,
|d 1958-
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245 |
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|a Maximum movies--pulp fictions :
|b film culture and the worlds of Samuel Fuller, Mickey Spillane, and Jim Thompson /
|c Peter Stanfield.
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260 |
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|a New Brunswick, N.J. :
|b Rutgers University Press,
|c ©2011.
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|a 1 online resource (xiii, 227 pages) :
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Includes bibliographical references and index.
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|a Introduction : yours till the boys come home -- Position papers : in defense of pulp movies -- A genealogy of pulp : Black mask to Mickey Spillane -- A world of small insanities : the critical reception of Kiss me deadly -- American primitive : Samuel Fuller's pulp politics -- Authenticating pulp : Jim Thompson adaptations and neo-noir -- Conclusion : hiding out in cinemas.
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|a Maximum Movies--Pulp Fictions describes two worlds. One of these worlds comprises a clutch of noisy, garish pulp movies, pumped out for the grind houses at the end of the urban exhibition chain by the studios' B-divisions and fly-by-night independents. The other is occupied by critics, intellectuals, cinephiles, and filmmakers who championed the cause of these movies. Against the legitimate, and in defense of the illegitimate, in an insolent and unruly manner, they agitated for the recognition of lurid sensational crime stories, war pictures, fast-paced Westerns, thrillers, and gangste.
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a Fuller, Samuel,
|d 1912-1997
|x Criticism and interpretation.
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|a Spillane, Mickey,
|d 1918-2006
|x Criticism and interpretation.
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1 |
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|a Spillane, Mickey,
|d 1918-2006
|x Film adaptations.
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600 |
1 |
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|a Thompson, Jim,
|d 1906-1977
|x Criticism and interpretation.
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600 |
1 |
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|a Thompson, Jim,
|d 1906-1977
|x Film adaptations.
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1 |
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|a Fuller, Samuel,
|d 1912-1997
|2 fast
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1 |
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|a Spillane, Mickey,
|d 1918-2006
|2 fast
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1 |
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|a Thompson, Jim,
|d 1906-1977
|2 fast
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|a Film noir
|x History and criticism.
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650 |
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|a Film criticism
|z United States
|x History
|y 20th century.
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650 |
|
0 |
|a Film criticism
|z Great Britain
|x History
|y 20th century.
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650 |
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|a Detective and mystery stories
|x Film adaptations.
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650 |
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|a Detective and mystery stories, American
|x History and criticism.
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650 |
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|a Films noirs
|x Histoire et critique.
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|a Critique cinématographique
|z États-Unis
|x Histoire
|y 20e siècle.
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|a Critique cinématographique
|z Grande-Bretagne
|x Histoire
|y 20e siècle.
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|a ART
|x Film & Video.
|2 bisacsh
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|
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|a PERFORMING ARTS
|x Film & Video
|x Reference.
|2 bisacsh
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|
7 |
|a PERFORMING ARTS
|x Film & Video
|x Direction & Production.
|2 bisacsh
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650 |
|
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|a Detective and mystery stories
|2 fast
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|
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|a Detective and mystery stories, American
|2 fast
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|a Film criticism
|2 fast
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|a Film noir
|2 fast
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|a Great Britain
|2 fast
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|a United States
|2 fast
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|a 1900-1999
|2 fast
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|a Criticism, interpretation, etc.
|2 fast
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|a Film adaptations
|2 fast
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|a History
|2 fast
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776 |
0 |
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|i Print version:
|z 9780813550619
|z 0813550610
|w (DLC) 2010041968
|
856 |
4 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt5hjg3p
|z Texto completo
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