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General consent in Jane Austen : a study of dialogism /
"Readings of Jane Austen tend to be polarized: she is seen either as conformist - the prevalent view - or quietly subversive. In General Consent in Jane Austen Barbara Seeber overcomes this critical stalemate, arguing that general consent does not exist as a given in Austen's texts. Instea...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Montreal ; Ithaca [NY] :
McGill-Queen's University Press,
©2000.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Seeber, Barbara Karolina, |d 1968- |e author. | |
| 245 | 1 | 0 | |a General consent in Jane Austen : |b a study of dialogism / |c Barbara K. Seeber. |
| 260 | |a Montreal ; |a Ithaca [NY] : |b McGill-Queen's University Press, |c ©2000. | ||
| 300 | |a 1 online resource (x, 160 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references (pages 143-153) and index. | ||
| 505 | 0 | |a "I see every thing -- as you can desire me to do" : the scolding and schooling of Marianne Dashwood in Sense and sensibility -- " Exactly the something which her home required" : the "unmerited punishment of Harriet Smith in Emma -- "A corrupted, vitiated mind" : the decline of Mary Crawford in Mansfield Park -- "You are never sure of a good impression being durable" : the fall of Louisa Musgrove in Persuasion -- "An itch for acting" : Playing with Polyphony in Mansfied Park -- "Surely this comparison must have its use" : the "very strong resemblance" in Sense and sensibility -- "My expressions startle you" : an "injured, angry woman" in Persuasion -- "We must forget it" : the "unhappy truth" in Pride and prejudice -- "No tread of violence was ever heard" : Silent suffering in Mansfield Park -- "Unnatural and overdrawn" : "Alarming violence" in Northanger Abbey -- "This ill-used girl, this heroine of distress" : the "diabolical scheme" in Lady Susan. | |
| 520 | 1 | |a "Readings of Jane Austen tend to be polarized: she is seen either as conformist - the prevalent view - or quietly subversive. In General Consent in Jane Austen Barbara Seeber overcomes this critical stalemate, arguing that general consent does not exist as a given in Austen's texts. Instead, her texts reveal the process of manufacturing consent - of achieving ideological dominance by silencing dissent. Drawing on the theories of Mikhail Bakhtin, Seeber interrogates academic and popular constructions of Jane Austen, opening up Austen's "unresolvable dialogues.""--Jacket | |
| 588 | 0 | |a Print version record. | |
| 546 | |a English. | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 600 | 1 | 0 | |a Austen, Jane, |d 1775-1817 |x Political and social views. |
| 600 | 1 | 6 | |a Austen, Jane, |d 1775-1817 |x Critique et interprétation. |
| 600 | 1 | 7 | |a Austen, Jane, |d 1775-1817. |2 fast |0 (OCoLC)fst00032929 |
| 600 | 1 | 7 | |a Austen, Jane. |2 idsbb |
| 600 | 1 | 7 | |a Austen, Jane. |2 swd |
| 650 | 0 | |a Consensus (Social sciences) in literature. | |
| 650 | 0 | |a Dialogism (Literary analysis) | |
| 650 | 6 | |a Dialogisme. | |
| 650 | 7 | |a LITERARY CRITICISM |x European |x English, Irish, Scottish, Welsh. |2 bisacsh | |
| 650 | 7 | |a FICTION |x General. |2 bisacsh | |
| 650 | 7 | |a Consensus (Social sciences) in literature. |2 fast |0 (OCoLC)fst00875474 | |
| 650 | 7 | |a Dialogism (Literary analysis) |2 fast |0 (OCoLC)fst00892485 | |
| 650 | 7 | |a Political and social views. |2 fast |0 (OCoLC)fst01353986 | |
| 650 | 0 | 7 | |a Roman. |2 swd |
| 776 | 0 | 8 | |i Print version: |a Seeber, Barbara Karolina, 1968- |t General consent in Jane Austen. |d Montreal ; Ithaca [NY] : McGill-Queen's University Press, ©2000 |z 077352066X |w (DLC) 2001411310 |w (OCoLC)43390839 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt811z1 |z Texto completo |
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