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|a 963750176
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|a pcc
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|a PN1998.3.F85
|b A3 2012
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|2 23
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|a UAMI
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|a Fuller, Samuel,
|d 1912-1997.
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|a Samuel Fuller :
|b interviews /
|c edited by Gerald Peary.
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|a Jackson :
|b University Press of Mississippi,
|c 2012.
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|a 1 online resource.
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|a text
|b txt
|2 rdacontent
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|a computer
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|2 rdamedia
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|a online resource
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|a Conversations with filmmakers series
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|a Includes bibliographical references and index.
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|a Introduction -- Fuller makes sleeper but can't tell how / William R. Weaver (1949) -- Fuller emblem: big red one signifies Sammy's wartime days / James Bacon (1958) -- Samuel Fuller: interview / Stig Bjorkman (1965) -- Samuel Fuller / Eric Sherman and Martin Rubin (1968) -- Samuel Fuller: a cinema interview / Ian Christie [and others] (1969) -- Proust's Madeleine, that's pure cinema / Dominique Rabourdin and Tristan Renaud (1974) -- Sam Fuller's suicide note / Richard Thompson (1976) -- "Being wrong is the right way of living": an interview with Samuel Fuller / Russell Merritt and Peter Lehman (1980) -- Rough trade on Ivar Boulevard: Griffith Meets Sam Fuller / Russell Merritt (1980) -- Cigars and cinema with Sam Fuller / Gerald Peary (1980) -- Samuel Fuller: survivor / Tom Ryan (1980) -- Fuller without a script / Noel Simsolo (1982) -- An interview with Sam Fuller / Don Ranvaud (1982) -- A long chat with Sam Fuller / Richard Schickel (1982) -- Seven questions for foreign filmmakers shooting in France / Hubert Niogret [and others] (1988) -- Interview with Samuel Fuller: "I was at the premiere of Dracula" / Francois Guerif.
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|a Print version record and CIP data provided by publisher; resource not viewed.
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|a In the early twentieth century, the art world was captivated by the imaginative, totally original paintings of Henri Rousseau, who, seemingly without formal art training, produced works that astonished not only the public but great artists such as Pablo Picasso. Samuel Fuller (1912-1997) is known as the ""Rousseau of the cinema, "" a mostly ""B"" genre Hollywood moviemaker deeply admired by ""A"" filmmakers as diverse as Jim Jarmusch, Martin Scorsese, Francois Truffaut, Jean-Luc Godard, and John Cassavetes, all of them dazzled by Fuller's wildly idiosyncratic primitivist style. A hig.
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Fuller, Samuel,
|d 1912-1997
|v Interviews.
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|a Fuller, Samuel,
|d 1912-1997.
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|a Fuller, Samuel,
|d 1912-1997
|2 fast
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|a PERFORMING ARTS
|x Film & Video
|x Direction & Production.
|2 bisacsh
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|a Interviews
|2 fast
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|i Print version:
|a Fuller, Samuel, 1912-1997.
|t Samuel Fuller.
|d Jackson : University Press of Mississippi, 2012
|z 9781617033063
|w (DLC) 2011044957
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830 |
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|a Conversations with filmmakers series.
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt24hts6
|z Texto completo
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