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|a UAMI
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|a Coon, Lynda L.
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|a Sacred fictions :
|b holy women and hagiography in late antiquity /
|c Lynda L. Coon.
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|a Philadelphia :
|b University of Pennsylvania Press,
|c ©1997.
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|a 1 online resource (xxiii, 228 pages) :
|b illustrations.
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
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|a text file
|2 rdaft
|0 http://rdaregistry.info/termList/fileType/1002
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|a The Middle Ages series
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|a Includes bibliographical references (pages 203-219) and index.
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|a Print version record.
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|t Frontmatter --
|t Contents --
|t Illustrations --
|t Acknowledgments --
|t Introduction --
|t 1. Hagiography and Sacred Models --
|t 2. Gender, Hagiography, and the Bible --
|t 3. The Rhetorical Uses of Clothing in the Lives of Sacred Males --
|t 4. God's Holy Harlots --
|t 5. "Through the Eye of a Needle" --
|t 6. Civilizing Merovingian Gaul --
|t Conclusion: Sacred Fictions --
|t Notes --
|t Bibliography --
|t Index
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|a Late antique and early medieval hagiographic texts present holy women as simultaneously pious and corrupt, hideous and beautiful, exemplars of depravity and models of sanctity. In Sacred Fictions Lynda Coon unpacks these paradoxical representations to reveal the construction and circumscription of women's roles in the early Christian centuries.Coon discerns three distinct paradigms for female sanctity in saints' lives and patristic and monastic writings. Women are recurrently figured as repentant desert hermits, wealthy widows, or cloistered ascetic nuns, and biblical discourse informs the narrative content, rhetorical strategies, and symbolic meanings of these texts in complex and multivalent ways. If hagiographers made their women saints walk on water, resurrect the dead, or consecrate the Eucharist, they also curbed the power of women by teaching that the daughters of Eve must make their bodies impenetrable through militant chastity or spiritual exile and must eradicate self-indulgence through ascetic attire or philanthropy. The windows the sacred fiction of holy women open on the past are far from transparent; driven by both literary invention and moral imperative, the stories they tell helped shape Western gender constructs that have survived into modern times.
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Women in Christianity
|x History
|y Early church, ca. 30-600.
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|a Women in Christianity
|x History
|y Middle Ages, 600-1500.
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|a Christian women saints
|x Biography
|x History and criticism.
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|a Christian hagiography
|x History
|y To 1500.
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|a Femmes dans le christianisme
|x Histoire
|y ca 30-600 (Église primitive)
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|a Femmes dans le christianisme
|x Histoire
|y 600-1500 (Moyen Âge)
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|a Saintes chrétiennes
|x Biographies
|x Histoire et critique.
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|a LITERARY CRITICISM
|x Medieval.
|2 bisacsh
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|a Christian hagiography
|2 fast
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|a Christian women saints
|x Biography
|2 fast
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|a Women in Christianity
|x Early church
|2 fast
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|a Women in Christianity
|x Middle Ages
|2 fast
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|a To 1500
|2 fast
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|a Biography
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|a Biographies
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|a Criticism, interpretation, etc.
|2 fast
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|a History
|2 fast
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|a Biographies.
|2 lcgft
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|a Biographies.
|2 rvmgf
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|i Print version:
|a Coon, Lynda L.
|t Sacred fictions.
|d Philadelphia : University of Pennsylvania Press, ©1997
|w (DLC) 97003136
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|a Middle Ages series.
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856 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt3fj3gm
|z Texto completo
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