Cargando…

Speaking of the Moor : from Alcazar to Othello /

"Selected by Choice magazine as an Outstanding Academic Title "Speak of me as I am," Othello, the Moor of Venice, bids in the play that bears his name. Yet many have found it impossible to speak of his ethnicity with any certainty. What did it mean to be a Moor in the early modern per...

Descripción completa

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Bartels, Emily Carroll (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Philadelphia : University of Pennsylvania Press, [2008].
Temas:
Acceso en línea:Texto completo

MARC

LEADER 00000cam a2200000Ii 4500
001 JSTOR_ocn759158242
003 OCoLC
005 20231005004200.0
006 m o d
007 cr cn|||||||||
008 080825s2008 pau ob 001 0 eng d
040 |a E7B  |b eng  |e rda  |e pn  |c E7B  |d OCLCQ  |d OCLCO  |d YDXCP  |d OCLCQ  |d JSTOR  |d P@U  |d DKDLA  |d COO  |d OCLCQ  |d OCLCO  |d IDEBK  |d OCLCO  |d OCLCQ  |d OCLCO  |d EBLCP  |d OCLCQ  |d AZK  |d OCLCO  |d LOA  |d COCUF  |d MOR  |d PIFAG  |d ZCU  |d OCLCQ  |d MERUC  |d OCLCQ  |d IOG  |d OCLCO  |d U3W  |d EZ9  |d OCLCA  |d STF  |d WRM  |d NRAMU  |d ICG  |d TXC  |d INT  |d VT2  |d AU@  |d OCLCQ  |d OCLCO  |d WYU  |d LVT  |d TKN  |d OCL  |d OCLCQ  |d DKC  |d OCLCO  |d OCLCQ  |d YKC  |d OCLCQ  |d OCLCO  |d ESU  |d HS0  |d YDX  |d OCLCA  |d OCL  |d OCLCO  |d IHT  |d OCLCA  |d OCLCQ  |d OCLCO 
019 |a 748533293  |a 816855258  |a 824104056  |a 961548266  |a 962639556  |a 1058543882  |a 1126152451 
020 |a 9780812200294  |q (electronic bk.) 
020 |a 0812200292  |q (electronic bk.) 
020 |a 1283210770 
020 |a 9781283210775 
020 |z 9780812240764  |q (acid-free paper) 
020 |z 9780812221015 
029 1 |a AU@  |b 000050982960 
029 1 |a AU@  |b 000053272289 
029 1 |a AU@  |b 000062427899 
029 1 |a DEBBG  |b BV044117510 
029 1 |a GBVCP  |b 1003682138 
029 1 |a HEBIS  |b 286067900 
029 1 |a NZ1  |b 14168173 
029 1 |a AU@  |b 000070011212 
035 |a (OCoLC)759158242  |z (OCoLC)748533293  |z (OCoLC)816855258  |z (OCoLC)824104056  |z (OCoLC)961548266  |z (OCoLC)962639556  |z (OCoLC)1058543882  |z (OCoLC)1126152451 
037 |a 22573/ctt35gdbv  |b JSTOR 
043 |a e-uk-en 
050 4 |a PR658.A4  |b B37 2008eb 
072 7 |a LIT015000  |2 bisacsh 
072 7 |a DSBD  |2 bicssc 
082 0 4 |a 822.309355  |2 22 
049 |a UAMI 
100 1 |a Bartels, Emily Carroll.  |e author. 
245 1 0 |a Speaking of the Moor :  |b from Alcazar to Othello /  |c Emily C. Bartels. 
264 1 |a Philadelphia :  |b University of Pennsylvania Press,  |c [2008]. 
264 4 |c ©2008. 
300 |a 1 online resource (viii, 252 pages) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
347 |a data file  |2 rda 
504 |a Includes bibliographical references and index. 
505 0 |a Introduction: On Sitting Down to Read Othello Once Again -- Ch. 1 Enter Barbary: The Battle of Alcazar and "the World" -- Ch. 2 Imperialist Beginnings: Hakluyt's Navigations and the Place and Displacement of Africa -- Ch. 3 "Incorporate in Rome": Titus Andronicus and the Consequence of Conquest -- Ch. 4 Too Many Blackamoors: Deportation, Discrimination, and Elizabeth I -- Ch. 5 Banishing "all the Moors": Lust's Dominion and the Story of Spain -- Ch. 6 Cultural Traffic: The History and Description of Africa and the Unmooring of the Moor -- Ch. 7 The "stranger of here and everywhere": Othello and the Moor of Venice -- Conclusion: A Brave New World -- Notes -- Bibliography -- Index. 
520 |a "Selected by Choice magazine as an Outstanding Academic Title "Speak of me as I am," Othello, the Moor of Venice, bids in the play that bears his name. Yet many have found it impossible to speak of his ethnicity with any certainty. What did it mean to be a Moor in the early modern period? In the late sixteenth and early seventeenth centuries, when England was expanding its reach across the globe, the Moor became a central character on the English stage. In The Battle of Alcazar, Titus Andronicus, Lust's Dominion, and Othello, the figure of the Moor took definition from multiple geographies, histories, religions, and skin colors. Rather than casting these variables as obstacles to our—and England's—understanding of the Moor's racial and cultural identity, Emily C. Bartels argues that they are what make the Moor so interesting and important in the face of growing globalization, both in the early modern period and in our own. In Speaking of the Moor, Bartels sets the early modern Moor plays beside contemporaneous texts that embed Moorish figures within England's historical record—Richard Hakluyt's Principal Navigations, Queen Elizabeth's letters proposing the deportation of England's "blackamoors," and John Pory's translation of The History and Description of Africa. Her book uncovers the surprising complexity of England's negotiation and accommodation of difference at the end of the Elizabethan era." --  |c Provided by publisher. 
588 0 |a Print version record. 
590 |a JSTOR  |b Books at JSTOR All Purchased 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
590 |a JSTOR  |b Books at JSTOR Evidence Based Acquisitions 
600 1 0 |a Peele, George,  |d 1556-1596.  |t Battle of Alcazar. 
600 1 0 |a Shakespeare, William,  |d 1564-1616.  |t Othello. 
600 1 0 |a Shakespeare, William,  |d 1564-1616.  |t Titus Andronicus. 
630 0 0 |a Lust's dominion; or, The lascivious queen. 
600 1 1 |a Shakespeare, William,  |d 1564-1616.  |t Titus Andronicus. 
600 1 1 |a Shakespeare, William,  |d 1564-1616.  |t Othello. 
600 1 1 |a Peele, George,  |d 1556-1596.  |t Battle of Alcazar. 
630 0 7 |a Battle of Alcazar (Peele, George)  |2 fast 
630 0 7 |a Othello (Shakespeare, William)  |2 fast 
630 0 7 |a Titus Andronicus (Shakespeare, William)  |2 fast 
650 0 |a English drama  |y Early modern and Elizabethan, 1500-1600  |x History and criticism. 
650 0 |a Black people in literature. 
650 0 |a Race in literature. 
651 0 |a Africa  |x In literature. 
651 0 |a England  |x Race relations  |x History  |y 16th century. 
650 6 |a Théâtre anglais  |y 16e siècle  |x Histoire et critique. 
650 6 |a Personnes noires dans la littérature. 
650 6 |a Race dans la littérature. 
651 6 |a Afrique  |x Dans la littérature. 
651 6 |a Angleterre  |x Relations raciales  |x Histoire  |y 16e siècle. 
650 7 |a DRAMA.  |2 bisac 
650 7 |a Shakespeare.  |2 bisac 
650 7 |a LITERARY CRITICISM  |x Shakespeare.  |2 bisacsh 
650 7 |a Black people in literature  |2 fast 
650 7 |a English drama  |x Early modern and Elizabethan  |2 fast 
650 7 |a Literature  |2 fast 
650 7 |a Race in literature  |2 fast 
650 7 |a Race relations  |2 fast 
651 7 |a Africa  |2 fast 
651 7 |a England  |2 fast 
650 7 |a English.  |2 hilcc 
650 7 |a Languages & Literatures.  |2 hilcc 
650 7 |a English Literature.  |2 hilcc 
648 7 |a 1500 - 1600  |2 fast 
655 7 |a History  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
776 0 8 |i Print version:  |a Bartels, Emily Carroll.  |t Speaking of the Moor.  |d Philadelphia : University of Pennsylvania Press, ©2008  |w (DLC) 2008298715 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt3fhngc  |z Texto completo 
938 |a YBP Library Services  |b YANK  |n 7158480 
938 |a Project MUSE  |b MUSE  |n muse3170 
938 |a ProQuest MyiLibrary Digital eBook Collection  |b IDEB  |n 321077 
938 |a ebrary  |b EBRY  |n ebr10491997 
938 |a EBL - Ebook Library  |b EBLB  |n EBL3441540 
994 |a 92  |b IZTAP