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Dante's journey to polyphony /
"Although Dante's Commedia has inspired a number of musical compositions, such as Tchaikovsky's symphonic poem Francesca Da Rimini and Rachmaninov's opera by the same name, and various syncretic studies on these works, until now there has not been a study that addresses the actua...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Toronto [Ont.] :
University of Toronto Press,
©2010
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| Colección: | Toronto Italian studies.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000Ia 4500 | ||
|---|---|---|---|
| 001 | JSTOR_ocn759157303 | ||
| 003 | OCoLC | ||
| 005 | 20231005004200.0 | ||
| 006 | m o d | ||
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| 016 | |z 20099054116 (print) | ||
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| 020 | |a 1442698608 |q (electronic bk.) | ||
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| 055 | 3 | |a PQ4432 M8 |b C43 2009 | |
| 055 | 0 | 0 | |a PQ4432 M8 |b C43 2010 |
| 072 | 7 | |a LIT011000 |2 bisacsh | |
| 072 | 7 | |a LIT014000 |2 bisacsh | |
| 072 | 7 | |a LIT004200 |2 bisacsh | |
| 072 | 7 | |a POE |x 005030 |2 bisacsh | |
| 082 | 0 | 4 | |a 851/.1 |2 22 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Ciabattoni, Francesco. | |
| 245 | 1 | 0 | |a Dante's journey to polyphony / |c Francesco Ciabattoni. |
| 260 | |a Toronto [Ont.] : |b University of Toronto Press, |c ©2010 |e (Saint-Lazare, Quebec : |f Canadian Electronic Library, |g 2010) | ||
| 300 | |a 1 online resource (x, 250 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Toronto Italian studies | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Music to Dante's ears : exposure to polyphony -- Inferno's unholy racket -- Purgatorio : musical liturgy as Pharmakon -- Paradiso : the attuning of the sky -- The music of the spheres. | |
| 520 | |a "Although Dante's Commedia has inspired a number of musical compositions, such as Tchaikovsky's symphonic poem Francesca Da Rimini and Rachmaninov's opera by the same name, and various syncretic studies on these works, until now there has not been a study that addresses the actual underlying musical framework of Dante's poem. In Dante's Journey to Polyphony, Francesco Ciabattoni examines the role of the musical performances in the Commedia and, more specifically, how the presentation of sacred music unfolds throughout the entire poem and constitutes a structural pillar of the narrative discourse." "Thoroughly grounded in musicological and philological scholarship, Dance's Journey to Polyphony provides the first organic treatment of the theme of Dante and music. Moving from the philosophical foundations of music and from a study of the diffusion of polyphony in Tuscany during Dante's day, Ciabattoni outlines the intricate musical design in the texture of the poem. An analysis of the musical passages in the Commedia shows that, from infernal cacophony, through purgatorial monophony, to paradisiacal polyphony, sacred songs constitute a thoroughly planned system accompanying the pilgrim's itinerary. Far from being a mere decorative element, Ciabattoni argues, music in the Commedia can be regarded as a necessary complement to the great liturgy of the sacred poem."--Jacket. | ||
| 546 | |a English. | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 600 | 0 | 0 | |a Dante Alighieri, |d 1265-1321. |t Divina commedia. |
| 600 | 0 | 0 | |a Dante Alighieri, |d 1265-1321 |x Criticism and interpretation. |
| 600 | 0 | 6 | |a Dante Alighieri, |d 1265-1321 |t Divina commedia. |
| 600 | 0 | 6 | |a Dante Alighieri, |d 1265-1321 |x Critique et interprétation. |
| 600 | 0 | 7 | |a Dante Alighieri, |d 1265-1321 |2 fast |
| 630 | 0 | 7 | |a Divina commedia (Dante Alighieri) |2 fast |
| 650 | 0 | |a Sacred songs |z Italy |x History and criticism. | |
| 650 | 0 | |a Music |x Performance |z Italy |x History |y To 1500. | |
| 650 | 0 | |a Music in literature. | |
| 650 | 0 | |a Music and literature |z Italy |x History. | |
| 650 | 6 | |a Chants sacrés |z Italie |x Histoire et critique. | |
| 650 | 6 | |a Musique |x Exécution |z Italie |x Histoire |y Jusqu'à 1500. | |
| 650 | 6 | |a Musique dans la littérature. | |
| 650 | 6 | |a Musique et littérature |z Italie |x Histoire. | |
| 650 | 7 | |a LITERARY CRITICISM |x Medieval. |2 bisacsh | |
| 650 | 7 | |a POETRY |x Continental European. |2 bisacsh | |
| 650 | 7 | |a Music and literature |2 fast | |
| 650 | 7 | |a Music in literature |2 fast | |
| 650 | 7 | |a Music |x Performance |2 fast | |
| 650 | 7 | |a Sacred songs |2 fast | |
| 651 | 7 | |a Italy |2 fast | |
| 648 | 7 | |a To 1500 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 776 | |z 1-4426-2679-8 | ||
| 776 | |z 0-8020-9626-3 | ||
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| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.3138/9781442698604 |z Texto completo |
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