Comrades and critics : women, literature and the Left in 1930s Canada /

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While Canadian historians have studied socialism in the 1930s, and although there have been many studies of American and British literary leftists from this period, Comrades and Critics is the first full-length study of Canada's 1930s literary left. Challenging dominant perceptions that this de...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Rifkind, Candida, 1972-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Toronto [Ont.] : University of Toronto Press, ©2009
Temas:
1900-1999
Canadian literature > 20th century > History and criticism.
Women authors, Canadian > 20th century > Political and social views.
Socialism and literature > Canada > History > 20th century.
Right and left (Political science) in literature.
Modernism (Literature) > Canada.
Nineteen thirties.
Socialisme et littérature > Canada > Histoire > 20e siècle.
Modernisme (Littérature) > Canada.
Années trente (Vingtième siècle)
LITERARY CRITICISM > American > General.
LITERARY CRITICISM > Canadian.
Canadian literature
Modernism (Literature)
Nineteen thirties
Right and left (Political science) in literature
Socialism and literature
Canada
Criticism, interpretation, etc.
History
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Acknowledgments
  • Abbreviations
  • Introduction: The Socialist-Modernist Encounter
  • Women, Modernism, and Socialism
  • Dialectics of Scarcity and Abundance
  • The Literary Left and the Field of Cultural Production
  • 1 Revolution, Gender, and Third Period Modernism
  • Dorothy Livesay and the Third Period
  • Communist Periodicals and Counterpublics
  • The Revolutionary Chorus
  • The Social Work of Documentary Poetry
  • 2 The Poet, the Public, and Popular Front Modernism
  • The Dustbowl and the Spanish Civil War
  • Popular Front Periodicals and Poetics
  • Anne Marriott's The Wind Our Enemy: A Modernist Poem
  • Anne Marriott's The Wind Our Enemy: A Popular Front Poem
  • 3 Leftist Theatre and the Performance of Gender
  • The Socialist Stage and Amateur Theatre
  • Reconstructing Leftist Performances
  • Women and the Communist Stage
  • The Comradely Ideal and Social Democratic Drama
  • 4 The Novel and Documentary Modernism
  • Irene Baird's Waste Heritage and Mass Unemployment
  • Documentary Modernism
  • Radical Manhood in Waste Heritage
  • Writing Women, Reading Men
  • Conclusion: New Formations-the Second World War and Beyond.

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