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|a 015837571
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|a 1195472925
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|a 9781846157943
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|a The writer in the academy :
|b creative interfrictions /
|c edited by Richard Marggraf Turley.
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|a Cambridge :
|b D.S. Brewer,
|c ©2011.
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|a 1 online resource (xi, 234 pages)
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|a text
|b txt
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|a Catalog
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|a Essays and studies 2011,
|x 0071-1357 ;
|v v. 64
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|a Includes bibliographical references (pages 221-228) and index.
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|a Print version record.
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|a Acknowledgements -- List of contributors -- Editor's essay: interfrictions / Richard Marggraf Turley -- 1. 'This alabaster spell': poetry as historicist method / Damian Walford Davies -- 2. Then again what do I know: reflections on reflection in creative writing / Philip Gross -- 3. Writers as readers, readers as writers: 'focal-plane' activities in creative writing practice / Peter Barry -- 4. The theology of Marilyn Monroe / Kevin Mills -- 5. Black and white and re(a)d all over: the poetics of embarrassment / Tiffany Atkinson -- 6. Linguistically wounded: the poetical scholarship of Veronica Forrest-Thomson / Robert Sheppard -- 7. 'Jump to the skies': critical and creative responses to creative writing, theory and practice / Deryn Rees-Jones -- 8. Translating cities: walking and poetry / Zoë Skoulding -- 9. Noisy, like a frog ... / Jasmine Donahaye -- Bibliography -- Index.
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|a "For many years now the professional 'creative writer' within universities and other institutions has encompassed a range of roles, embracing a plurality of scholarly and crative identities. The often complex relation between those identities forms the broad focus of this book, which also examines various, and variously fraught, dialogues between creative writers, 'hybrid' writers and academic colleagues from other subjects within single institutions, and with the public and the media. At the heart of th book is the principle of 'creative writing' as a fully-fledged discipline, an important subject for debate at a time when the future of the humanities is in crisis; the contributors, all writers and teachers themselves, provide first-hand views on crucial questions: What are the most fruitful intersections between creative writing and scholarship? What methodological overlaps exist between creative writing and literary studies, and what can each side of the 'divide' learn from its counterpart? Equally, from a pedagogical perspective, what kind of writing should be taught to students to ensure that the discipline remains relevant? And is the writing workshop still the best way of teaching creative writing? The essays here tackle these points from a range of perspectives, including close readings, historical contextualisation and theoretical exploration."--Back cover
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|a Creative writing (Higher education)
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|a Création littéraire
|x Étude et enseignement (Supérieur)
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|a LANGUAGE ARTS & DISCIPLINES
|x Composition & Creative Writing.
|2 bisacsh
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|a LANGUAGE ARTS & DISCIPLINES
|x Rhetoric.
|2 bisacsh
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|a REFERENCE
|x Writing Skills.
|2 bisacsh
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|a LITERARY CRITICISM
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|2 bisacsh
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|a Creative writing (Higher education)
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|a Turley, Richard Marggraf,
|d 1970-
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|i Print version:
|t Writer in the academy.
|d D.S. Brewer 2011
|z 9781843842781
|w (OCoLC)704381339
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830 |
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|a Essays and studies (London, England : 1950) ;
|v v. 64.
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|u https://jstor.uam.elogim.com/stable/10.7722/j.ctt9qdhz6
|z Texto completo
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