National performance : representing Quebec from Expo 67 to Céline Dion /

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In National Performance, Erin Hurley examines the complex relationship between performance and national identity. How do theatrical performances represent the nation in which they were created? How is Quebecois performance used to define Quebec as a nation and to cultivate a sense of 'Quebec-ne...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Hurley, Erin, 1969- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Francés
Publicado: Toronto [Ont.] : University of Toronto Press, ©2010
Colección:Cultural spaces.
Temas:
Theater audiences > Québec (Province) > Psychology.
Theater and society > Québec (Province)
Performing arts > Social aspects > Québec (Province)
Performing arts > Audiences > Québec (Province)
Nationalism > Québec (Province)
Théâtre et société > Québec (Province)
Arts du spectacle > Aspect social > Québec (Province)
Arts du spectacle > Publics > Québec (Province)
Nationalisme > Québec (Province)
PERFORMING ARTS > Theater > History & Criticism.
Nationalism
Performing arts > Audiences
Performing arts > Social aspects
Theater and society
Theater audiences > Psychology
Québec
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Introduction
  • Marginals, metaphors, and mimesis
  • National construction : Quebec's modernity at Expo 67
  • National reflection : Michel Tremblay's Les belles-soeurs and le nouvesu théâtre québécois
  • National simulation : Marco Micone's culture imigrée
  • National metonymy : arresting images in the devised works of Carbone 14
  • Naional affection : Céline Dion
  • Conclusion : feminist (re)production.

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