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Spectacular blackness : the cultural politics of the Black power movement and the search for a Black aesthetic /
Annotation
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Charlottesville :
University of Virginia Press,
2010.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 082 | 0 | 4 | |a 322.4/20973 |2 22 |
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| 049 | |a UAMI | ||
| 100 | 1 | |a Ongiri, Amy Abugo, |d 1968- |e author. | |
| 245 | 1 | 0 | |a Spectacular blackness : |b the cultural politics of the Black power movement and the search for a Black aesthetic / |c Amy Abugo Ongiri. |
| 260 | |a Charlottesville : |b University of Virginia Press, |c 2010. | ||
| 300 | |a 1 online resource (x, 223 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references (pages 205-218) and index. | ||
| 505 | 0 | |a Cotton comes to Harlem, an introduction -- "Black is beautiful!", Black power culture, visual culture, and the Black Panther Party -- Radical chic, affiliation, identification, and the Black Panther Party -- "We waitin' on you", Black power, Black intellectuals, and the search to define a Black aesthetic -- "People get ready!", music, revolutionary nationalism, and the Black arts movement -- "You better watch this good shit!", Black spectatorship, Black masculinity, and Blaxploitation film -- Conclusion, Dick Gregory at the Playboy Club. | |
| 588 | 0 | |a Print version record. | |
| 520 | 8 | |a Annotation |b Exploring the interface between the cultural politics of the Black Power and the Black Arts movements and the production of postwar African American popular culture, Amy Ongiri shows how the reliance of Black politics on an oppositional image of African Americans was the formative moment in the construction of "authentic blackness" as a cultural identity. While other books have adopted either a literary approach to the language, poetry, and arts of these movements or a historical analysis of them, Ongiri's captures the cultural and political interconnections of the postwar period by using an interdisciplinary methodology drawn from cinema studies and music theory. She traces the emergence of this Black aesthetic from its origin in the Black Power movement's emphasis on the creation of visual icons and the Black Arts movement's celebration of urban vernacular culture. | |
| 546 | |a English. | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 610 | 2 | 0 | |a Black Panther Party |x History. |
| 610 | 2 | 7 | |a Black Panther Party. |2 fast |0 (OCoLC)fst00547265 |
| 610 | 2 | 7 | |a Black Power |2 gnd |
| 650 | 0 | |a Black power |z United States |x History |y 20th century. | |
| 650 | 0 | |a Black Arts movement. | |
| 650 | 0 | |a Black nationalism |z United States |x History |y 20th century. | |
| 650 | 0 | |a African American arts |y 20th century. | |
| 650 | 0 | |a African Americans |x Intellectual life |y 20th century. | |
| 650 | 0 | |a African Americans |x Race identity. | |
| 650 | 0 | |a Arts |x Political aspects |z United States |x History |y 20th century. | |
| 650 | 6 | |a Black power |z États-Unis |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Black Arts (Mouvement artistique) | |
| 650 | 6 | |a Nationalisme noir |z États-Unis |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Arts noirs américains |y 20e siècle. | |
| 650 | 6 | |a Noirs américains |x Vie intellectuelle |y 20e siècle. | |
| 650 | 6 | |a Noirs américains |x Identité ethnique. | |
| 650 | 7 | |a POLITICAL SCIENCE |x Political Process |x Political Advocacy. |2 bisacsh | |
| 650 | 7 | |a LITERARY CRITICISM |x American |x African American. |2 bisacsh | |
| 650 | 7 | |a African American arts. |2 fast |0 (OCoLC)fst00799021 | |
| 650 | 7 | |a African Americans |x Intellectual life. |2 fast |0 (OCoLC)fst00799627 | |
| 650 | 7 | |a African Americans |x Race identity. |2 fast |0 (OCoLC)fst00799666 | |
| 650 | 7 | |a Arts |x Political aspects. |2 fast |0 (OCoLC)fst00817791 | |
| 650 | 7 | |a Black Arts movement. |2 fast |0 (OCoLC)fst00833583 | |
| 650 | 7 | |a Black nationalism. |2 fast |0 (OCoLC)fst00833733 | |
| 650 | 7 | |a Black power. |2 fast |0 (OCoLC)fst00833747 | |
| 651 | 7 | |a United States. |2 fast |0 (OCoLC)fst01204155 | |
| 650 | 7 | |a Kulturelle Identität |2 gnd | |
| 650 | 7 | |a Pop-Kultur |2 gnd | |
| 650 | 7 | |a Ästhetik |2 gnd | |
| 650 | 7 | |a Kunst |2 gnd | |
| 651 | 7 | |a USA |2 gnd | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 648 | 7 | |a Geschichte 1945-1960. |2 swd | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 776 | 0 | 8 | |i Print version: |a Ongiri, Amy Abugo, 1968- |t Spectacular blackness. |d Charlottesville : University of Virginia Press, 2010 |z 9780813928593 |w (DLC) 2009023618 |w (OCoLC)401714905 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt6wrht8 |z Texto completo |
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