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Cutting across media : appropriation art, interventionist collage, and copyright law /
The contributors to this book focus on collage and appropriation art, exploring the legal ramifications of such practices in an age when private companies can own culture using copyright and trademark law.
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham ; London :
Duke University Press,
2011.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Cutting across media : |b appropriation art, interventionist collage, and copyright law / |c edited by Kembrew McLeod and Rudolf Kuenzli. |
| 264 | 1 | |a Durham ; |a London : |b Duke University Press, |c 2011. | |
| 264 | 4 | |c ©2011 | |
| 300 | |a 1 online resource (viii, 361 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a I collage, therefore I am : an introduction to cutting across media / Kembrew McLeod and Rudolf Kuenzli -- Digital Mana: on the source of the infinite proliferation of mutant copies in contemporary culture / Marcus Boon -- Copyrights and copywrongs: an interview with Siva Vaidhyanathan / Carrie McLaren -- Das Plagiierenwerk : convolute Uii / David Tetzlaff -- PhotoStatic Magazine and the rise of the casual publisher / Lloyd Dunn -- Plagiarism 101 : an appropriated oral history of The Tape-beatles / Kembrew McLeod -- Ambiguity and theft / Joshua Clover -- Where does sad news come from? / Douglas Kahn -- Excerpts from "Two relationships to a cultural public domain" / Negativland -- Everybody's got something to hide except for me and my lawsuit: William S. Burroughs, DJ Danger Mouse, and the politics of Grey Tuesday / Davis Schneiderman -- How copyright law changed hip-hop: an interview with Public Enemy's Chuck D and Hank Shocklee / Kembrew McLeod -- Hip-hop meets the avant-garde: a cease and desist letter from Philip Glass / Warner Special Products -- Getting snippety / Philo T. Farnsworth -- Crashing the spectacle: a forgotten history of digital sampling, infringement, copyright liberation, and the end of recorded music / Kembrew McLeod -- Billboard liberation: a photo essay / Craig Baldwin -- On the seamlessly nomadic future of collage / Pierre Joris -- Cultural sampling and social critique: the collage aesthetic of Chris Ofili / Lorraine Morales Cox -- Remixing cultures: Bartók and Kodály in the age of Indigenous cultural rights / Gábor Vályi -- A day to sing: creativity, diversity, and freedom of expression in the network society / Jeff Chang -- Visualizing copyright, seeing hegemony: toward a meta-critique of intellectual property / Eva Hemmungs Wirtén -- Collage as practice and metaphor in popular culture / David Banash -- Assassination weapons: the visual culture of New Wave science fiction / Rob Latham -- Free culture: a conversation with Jonathan Lethem / Kembrew McLeod -- The ecstasy of influence: a plagiarism / Jonathan Lethem. | |
| 520 | 8 | |a The contributors to this book focus on collage and appropriation art, exploring the legal ramifications of such practices in an age when private companies can own culture using copyright and trademark law. | |
| 588 | 0 | |a Online resource (HeinOnline, viewed February 7, 2018). | |
| 546 | |a English. | ||
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified]: |c HathiTrust Digital Library. |d 2020. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
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| 610 | 2 | 7 | |a Collage |g Musikgruppe |2 gnd |
| 650 | 0 | |a Copyright |v Art. | |
| 650 | 0 | |a Collage |x Social aspects. | |
| 650 | 0 | |a Intellectual property. | |
| 650 | 0 | |a Quotation |x Social aspects. | |
| 650 | 0 | |a Fair use (Copyright) | |
| 650 | 0 | |a Fair use (Copyright) |z United States. | |
| 650 | 6 | |a Droit d'auteur |v Art. | |
| 650 | 6 | |a Collage (Art) |x Aspect social. | |
| 650 | 6 | |a Propriété intellectuelle. | |
| 650 | 6 | |a Citation |x Aspect social. | |
| 650 | 7 | |a intellectual property. |2 aat | |
| 650 | 7 | |a LAW |x Intellectual Property |x Copyright. |2 bisacsh | |
| 650 | 7 | |a ART |x History |x General. |2 bisacsh | |
| 650 | 7 | |a Copyright |2 fast | |
| 650 | 7 | |a Fair use (Copyright) |2 fast | |
| 650 | 7 | |a Intellectual property |2 fast | |
| 651 | 7 | |a United States |2 fast | |
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| 650 | 7 | |a Kunst |2 gnd | |
| 651 | 7 | |a USA |2 gnd | |
| 655 | 7 | |a Art |2 fast | |
| 700 | 1 | |a McLeod, Kembrew, |d 1970- |e editor. | |
| 700 | 1 | |a Kuenzli, Rudolf E., |e editor. | |
| 776 | 0 | 8 | |i Print version: |a Cutting across media |d Durham, N.C. : Duke University Press, 2011 |z 9780822348115 |z 082234811X |w (DLC) 2010049739 |w (OCoLC)692084771 |
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