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|a UAMI
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|a Wagner, Tamara S.,
|d 1976-
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|a Financial speculation in Victorian fiction :
|b plotting money and the novel genre, 1815-1901 /
|c Tamara S. Wagner.
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|a Columbus :
|b Ohio State University Press,
|c ©2010.
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|a 1 online resource (viii, 232 pages)
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|a text
|b txt
|2 rdacontent
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|a online resource
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|a Includes bibliographical references (pages 210-224) and index.
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|a Plotting financial speculation : the making of stock-market villains -- Silver-fork speculation and the making of financial fiction -- The sensational stock-market novel -- Speculators abroad -- Speculators at home.
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|a This book explores the ways in which financial speculation was imagined and turned into narratives in Victorian Britain. Since there clearly was more to literature's use of the stock market than a mere reflection of contemporary economic crises alone, a reappraisal of the Victorians' fascination with extended fiscal plots and metaphors also asks for a close reading of the ways in which this fascination remodeled the novel genre. It was not merely that interchanges between literary productions and the credit economy's new instruments became self-consciously worked into fiction. Financial uncertainties functioned as an expression of indeterminacy and inscrutability, of an encompassing sense of instability. This study analyzes the making and adaptation of specific motifs, of variously adapted tropes, extended metaphors, and recurring figures, including their transformation of a series of crises into narratives. Since these crises were often personal and emotional as well as financial, the new plots of speculation described maps of some of the major themes of nineteenth-century literature. These maps led across overlapping categories of literary culture, generating zones of intersection between otherwise markedly different subgenres that ranged from silver-fork fiction to the surprisingly protean versions of the sensation novel's domestic Gothic. Financial plots operated as the intersecting points in these overlapping developments, compelling a reconsideration of literary form.
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2011.
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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|a digitized
|c 2011
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
|5 MiAaHDL
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|a Print version record.
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a English fiction
|y 19th century
|x History and criticism.
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|a Finance in literature.
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|a Money in literature.
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650 |
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|a Roman anglais
|y 19e siècle
|x Histoire et critique.
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650 |
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|a LITERARY CRITICISM
|x General.
|2 bisacsh
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650 |
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|a English fiction.
|2 fast
|0 (OCoLC)fst00910817
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650 |
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|a Finance in literature.
|2 fast
|0 (OCoLC)fst00924444
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|a Money in literature.
|2 fast
|0 (OCoLC)fst01025320
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|a Speculatie.
|2 gtt
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|a Geld.
|2 gtt
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|a Romans.
|2 gtt
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|a Victoriaanse tijd.
|2 gtt
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|a 1800-1899
|2 fast
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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776 |
0 |
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|i Print version:
|a Wagner, Tamara S., 1976-
|t Financial speculation in Victorian fiction.
|d Columbus : Ohio State University Press, ©2010
|w (DLC) 2009039277
|w (OCoLC)456551202
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv16rddkx
|z Texto completo
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|a YBP Library Services
|b YANK
|n 12228867
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|a 92
|b IZTAP
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