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|a The essential Sopranos reader /
|c edited by David Lavery, Douglas L. Howard, and Paul Levinson ; foreword by David Bianculli.
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|a Lexington :
|b University Press of Kentucky,
|c 2011.
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|a 1 online resource (xi, 392 pages)
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|a text
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|a Essential readers in contemporary media and culture
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|a Includes bibliographical references and index.
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|a Introduction -- The Sopranos, David Chase, HBO, and television. The Sopranos as tipping point in the second coming of HBO / Gary R. Edgerton -- From made men to Mad men: what Matthew Weiner learned from David Chase / David Lavery -- The Sopranos: if nothing Is real, you have overpaid for your carpet / Martha P. Nochimson -- Author(iz)ing Chase / Robin Nelson -- Characters. "Half a wiseguy": Paulie Walnuts, meet Tom Stoppard / Paul Wright -- Christopher, Osama, and A.J.: contemporary narcissism and terrorism in The Sopranos / Jason Jacobs -- "When it comes to daughters, all bets are off": the seductive father-daughter relationship of Tony and Meadow Soprano / Marisa Carroll -- Gendering The Sopranos. "Blabbermouth cunts", or, speaking in tongues: narrative crises for women in The Sopranos and feminist dilemmas / Kim Akass and Janet McCabe -- Honoring the social compact: the last temptation of Melfi / Nancy McGuire Roche -- A "finook" in the crew: Vito Spatafore, The Sopranos, and the queering of the Mafia genre / George De Stefano -- Cinematic Concerns. The producers: the dangers of filmmaking in The Sopranos / Cameron Golden -- Comfortably numb? The Sopranos, new brutalism, and the last temptation of Chris / Glen Creeber -- -- dreams and therapy. fishes and football coaches: the narrative necessity of dreams in the sopranos / Cynthia Burkhead -- From here to InFinnerty: Tony Soprano and the American Way / Terri Carney -- "Whatever Happened to Stop and Smell the Roses?": The Sopranos as anti-therapeutic narrative / David Pattie -- Ethnic and Social Concerns. Mangia Mafia! food, punishment, and cultural identity in The Sopranos / Michael M. Grynbaum -- The guinea as tragic hero: the complex representation of Italian Americans in The Sopranos / Frank P. Tomasulo -- "All Caucasians look alike": dreams of whiteness at the end of The Sopranos / Christopher Kocela -- Images of justice and The Sopranos. Representations of law and justice in The Sopranos: an introduction / Barbara Villez -- Lawyer-client relations as seen in The Sopranos / James M. Keneally -- "This isn't a negotiation": "getting to yes" with Tony Soprano / Sharon Sutherland and Sarah Swan -- The price of stereotype: the representation of the Mafia in Italy and the United States in The Sopranos / Antonio Ingroia -- The image of justice in The Sopranos / Fabio Licata -- Narrative and intertextuality. "Funny about God, and fate, and shit like that": the imminent unexpected in The Sopranos / Robert Piluso -- The Sopranos and history / Albert Auster -- Silence in The Sopranos / Steven Peacock -- Cut to black: the finale and the Sopranos legacy. "What's different between you and me": Carmela, the audience, and the end / Joseph S. Walker -- Unpredictable but inevitable: that last scene / -- Maurice yacowar -- no justice for all: the fbi, cut to black, and david chase's final hit / Douglas L. Howard -- The Sopranos and the closure junkies / Paul Levinson -- Acknowledgments -- Appendix a: characters -- Appendix b: episode guide.
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|a Print version record.
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|a The Sopranos is recognized as the most successful cable series in the history of television. The Washington Post has called the popular series, winner of twenty-one Emmys and five Golden Globes, "the television landmark that leaves other landmarks in the dust." In every aspect-narrative structure, visual artistry, writing, intertextuality, ensemble acting, controversial themes, dark humor, and unflinching examinations of American life-The Sopranos has had few equals. Offering a definitive final assessment of the series, The Essential Sopranos Reader aims to comprehensively examine the show's th
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|a JSTOR
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|a Sopranos (Television program)
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|a The Sopranos
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|a PERFORMING ARTS
|x Television
|x History & Criticism.
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|a SOCIAL SCIENCE
|x Media Studies.
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|a Lavery, David,
|d 1949-
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|a Howard, Douglas L.,
|d 1966-
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|a Levinson, Paul.
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|i Print version:
|t Essential Sopranos reader.
|d Lexington : The University Press of Kentucky, 2011
|z 9780813130125
|w (DLC) 2011019762
|w (OCoLC)682894769
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|a Essential readers in contemporary media and culture.
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