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The essential Sopranos reader /

The Sopranos is recognized as the most successful cable series in the history of television. The Washington Post has called the popular series, winner of twenty-one Emmys and five Golden Globes, "the television landmark that leaves other landmarks in the dust." In every aspect-narrative st...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Lavery, David, 1949-, Howard, Douglas L., 1966-, Levinson, Paul
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Lexington : University Press of Kentucky, 2011.
Colección:Essential readers in contemporary media and culture.
Temas:
Acceso en línea:Texto completo

MARC

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245 0 4 |a The essential Sopranos reader /  |c edited by David Lavery, Douglas L. Howard, and Paul Levinson ; foreword by David Bianculli. 
260 |a Lexington :  |b University Press of Kentucky,  |c 2011. 
300 |a 1 online resource (xi, 392 pages) 
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490 1 |a Essential readers in contemporary media and culture 
504 |a Includes bibliographical references and index. 
505 0 |a Introduction -- The Sopranos, David Chase, HBO, and television. The Sopranos as tipping point in the second coming of HBO / Gary R. Edgerton -- From made men to Mad men: what Matthew Weiner learned from David Chase / David Lavery -- The Sopranos: if nothing Is real, you have overpaid for your carpet / Martha P. Nochimson -- Author(iz)ing Chase / Robin Nelson -- Characters. "Half a wiseguy": Paulie Walnuts, meet Tom Stoppard / Paul Wright -- Christopher, Osama, and A.J.: contemporary narcissism and terrorism in The Sopranos / Jason Jacobs -- "When it comes to daughters, all bets are off": the seductive father-daughter relationship of Tony and Meadow Soprano / Marisa Carroll -- Gendering The Sopranos. "Blabbermouth cunts", or, speaking in tongues: narrative crises for women in The Sopranos and feminist dilemmas / Kim Akass and Janet McCabe -- Honoring the social compact: the last temptation of Melfi / Nancy McGuire Roche -- A "finook" in the crew: Vito Spatafore, The Sopranos, and the queering of the Mafia genre / George De Stefano -- Cinematic Concerns. The producers: the dangers of filmmaking in The Sopranos / Cameron Golden -- Comfortably numb? The Sopranos, new brutalism, and the last temptation of Chris / Glen Creeber -- -- dreams and therapy. fishes and football coaches: the narrative necessity of dreams in the sopranos / Cynthia Burkhead -- From here to InFinnerty: Tony Soprano and the American Way / Terri Carney -- "Whatever Happened to Stop and Smell the Roses?": The Sopranos as anti-therapeutic narrative / David Pattie -- Ethnic and Social Concerns. Mangia Mafia! food, punishment, and cultural identity in The Sopranos / Michael M. Grynbaum -- The guinea as tragic hero: the complex representation of Italian Americans in The Sopranos / Frank P. Tomasulo -- "All Caucasians look alike": dreams of whiteness at the end of The Sopranos / Christopher Kocela -- Images of justice and The Sopranos. Representations of law and justice in The Sopranos: an introduction / Barbara Villez -- Lawyer-client relations as seen in The Sopranos / James M. Keneally -- "This isn't a negotiation": "getting to yes" with Tony Soprano / Sharon Sutherland and Sarah Swan -- The price of stereotype: the representation of the Mafia in Italy and the United States in The Sopranos / Antonio Ingroia -- The image of justice in The Sopranos / Fabio Licata -- Narrative and intertextuality. "Funny about God, and fate, and shit like that": the imminent unexpected in The Sopranos / Robert Piluso -- The Sopranos and history / Albert Auster -- Silence in The Sopranos / Steven Peacock -- Cut to black: the finale and the Sopranos legacy. "What's different between you and me": Carmela, the audience, and the end / Joseph S. Walker -- Unpredictable but inevitable: that last scene / -- Maurice yacowar -- no justice for all: the fbi, cut to black, and david chase's final hit / Douglas L. Howard -- The Sopranos and the closure junkies / Paul Levinson -- Acknowledgments -- Appendix a: characters -- Appendix b: episode guide. 
588 0 |a Print version record. 
520 |a The Sopranos is recognized as the most successful cable series in the history of television. The Washington Post has called the popular series, winner of twenty-one Emmys and five Golden Globes, "the television landmark that leaves other landmarks in the dust." In every aspect-narrative structure, visual artistry, writing, intertextuality, ensemble acting, controversial themes, dark humor, and unflinching examinations of American life-The Sopranos has had few equals. Offering a definitive final assessment of the series, The Essential Sopranos Reader aims to comprehensively examine the show's th 
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650 7 |a PERFORMING ARTS  |x Television  |x History & Criticism.  |2 bisacsh 
650 7 |a SOCIAL SCIENCE  |x Media Studies.  |2 bisacsh 
700 1 |a Lavery, David,  |d 1949- 
700 1 |a Howard, Douglas L.,  |d 1966- 
700 1 |a Levinson, Paul. 
776 0 8 |i Print version:  |t Essential Sopranos reader.  |d Lexington : The University Press of Kentucky, 2011  |z 9780813130125  |w (DLC) 2011019762  |w (OCoLC)682894769 
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