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Unsung voices : opera and musical narrative in the nineteenth century /
Who "speaks" to us in The Sorcerer's Apprentice, in Wagner's operas, in a Mahler symphony? In asking this question, Carolyn Abbate opens nineteenth-century operas and instrumental works to new interpretations as she explores the voices projected by music. The nineteenth-century m...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Princeton, N.J. :
Princeton University Press,
1996
|
| Edición: | Second printing, and first paperback printing. |
| Colección: | Princeton studies in opera.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Abbate, Carolyn, |e author. | |
| 245 | 1 | 0 | |a Unsung voices : |b opera and musical narrative in the nineteenth century / |c Carolyn Abbate. |
| 250 | |a Second printing, and first paperback printing. | ||
| 264 | 1 | |a Princeton, N.J. : |b Princeton University Press, |c 1996 | |
| 264 | 4 | |c ©1991 | |
| 300 | |a 1 online resource (xvi, 288 pages) : |b music | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a text file | ||
| 347 | |b PDF | ||
| 490 | 1 | |a Princeton studies in opera | |
| 504 | |a Includes bibliographical references (pages 275-282) and index. | ||
| 505 | 0 | |a Music's voices -- What the sorcerer said -- Cherubino uncovered : reflexivity in operatic narration -- Mahler's deafness : opera and the scene of narration in Todtenfeier -- Wotan's monologue and the morality of musical narration -- Brunnhilde walks by night. | |
| 588 | 0 | |a Print version record and on online resource; title from PDF title page (ProQuest, viewed December 6, 2015). | |
| 520 | |a Who "speaks" to us in The Sorcerer's Apprentice, in Wagner's operas, in a Mahler symphony? In asking this question, Carolyn Abbate opens nineteenth-century operas and instrumental works to new interpretations as she explores the voices projected by music. The nineteenth-century metaphor of music that "sings" is thus reanimated in a new context, and Abbate proposes interpretive strategies that "de-center" music criticism, that seek the polyphony and dialogism of music, and that celebrate musical gestures often marginalized by conventional music analysis | ||
| 546 | |a In English. | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 650 | 0 | |a Opera |y 19th century. | |
| 650 | 0 | |a Music |y 19th century |x Philosophy and aesthetics. | |
| 650 | 6 | |a Musique |y 19e siècle |x Philosophie et esthétique. | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Voice. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Lyrics. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Printed Music |x Vocal. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Opera. |2 bisacsh | |
| 650 | 7 | |a Music |x Philosophy and aesthetics |2 fast | |
| 650 | 7 | |a Opera |2 fast | |
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| 650 | 1 | 7 | |a Verteltheorie. |2 gtt |
| 650 | 1 | 7 | |a Libretto's. |2 gtt |
| 648 | 7 | |a 1800-1899 |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Abbate, Carolyn. |t Unsung voices. |d Princeton, N.J. : Princeton University Press, ©1991 |w (DLC) 90008972 |
| 830 | 0 | |a Princeton studies in opera. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt13x0rk0 |z Texto completo |
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