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The aesthetics of Antichrist : from Christian drama to Christopher Marlowe /
Crossing the divide between medieval and Renaissance theater while drawing heavily on New Testament scholarship, Patristics, and research into the apocrypha, this text proposes a wholesale rereading of pre-Shakespearean drama.
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Ithaca :
Cornell University Press,
©2007.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Introduction: After Strange Gods: the Making of Christ and his Doubles
- The Orthodoxy of Heresy
- From Script to Scripture-- The Gospel Truth
- Christ as Antichrist
- The Sign of Jonah
- Salvation through Antichrist
- Lying Likenesses: Typology and the Medieval Miracula
- Imago in Evangelio
- The Typological Image
- Ad Imaginem in the York Cycle
- Miracula
- Salvaging the Audience, or Christ as Antichrist Redux
- Antichrist and Antitheatricalism
- The Chester Antichrist
- The Anagogical Promise of Art
- Blood Money: Antichristian Economics and the Drama of the Sacraments
- The Root of All Evil
- Blinde Reckeninge (Everyman)
- Judas Superstar
- The Offertory as Price of Admission
- The Miracle at Croxton
- Coda: the Blood Money of Mankind
- Vicarious Criminal: Christ as Representative
- Antigraphy (the Making of the Septuagint
- Christ and Vicarious Substitution
- Christian Appropriation
- The Deceiver Deceived and the Cycles' Descent
- Virgin Birth, or the Septuagint Redux
- The Curious Sovereignty of Art: Marlowe's Sacred Counterfeits
- Marlowe the Antichrist
- Jesus Barabbas, Son of God
- Apostolic Conquest (Tamburlaine and Paul)
- Faustus Magus.