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The aesthetics of Antichrist : from Christian drama to Christopher Marlowe /
Crossing the divide between medieval and Renaissance theater while drawing heavily on New Testament scholarship, Patristics, and research into the apocrypha, this text proposes a wholesale rereading of pre-Shakespearean drama.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Ithaca :
Cornell University Press,
©2007.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 037 | |n Title subscribed to via ProQuest Academic Complete | ||
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| 100 | 1 | |a Parker, John, |d 1972- | |
| 245 | 1 | 4 | |a The aesthetics of Antichrist : |b from Christian drama to Christopher Marlowe / |c John Parker. |
| 260 | |a Ithaca : |b Cornell University Press, |c ©2007. | ||
| 300 | |a 1 online resource (xviii, 252 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction: After Strange Gods: the Making of Christ and his Doubles -- The Orthodoxy of Heresy -- From Script to Scripture-- The Gospel Truth -- Christ as Antichrist -- The Sign of Jonah -- Salvation through Antichrist -- Lying Likenesses: Typology and the Medieval Miracula -- Imago in Evangelio --The Typological Image -- Ad Imaginem in the York Cycle -- Miracula -- Salvaging the Audience, or Christ as Antichrist Redux -- Antichrist and Antitheatricalism -- The Chester Antichrist -- The Anagogical Promise of Art -- Blood Money: Antichristian Economics and the Drama of the Sacraments -- The Root of All Evil -- Blinde Reckeninge (Everyman) -- Judas Superstar -- The Offertory as Price of Admission -- The Miracle at Croxton -- Coda: the Blood Money of Mankind -- Vicarious Criminal: Christ as Representative -- Antigraphy (the Making of the Septuagint -- Christ and Vicarious Substitution -- Christian Appropriation -- The Deceiver Deceived and the Cycles' Descent -- Virgin Birth, or the Septuagint Redux -- The Curious Sovereignty of Art: Marlowe's Sacred Counterfeits -- Marlowe the Antichrist -- Jesus Barabbas, Son of God -- Apostolic Conquest (Tamburlaine and Paul) -- Faustus Magus. | |
| 520 | |a Crossing the divide between medieval and Renaissance theater while drawing heavily on New Testament scholarship, Patristics, and research into the apocrypha, this text proposes a wholesale rereading of pre-Shakespearean drama. | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 588 | 0 | |a Online resource; title from PDF title page (EBSCO, viewed July 23, 2018). | |
| 506 | |3 Use copy |f Restrictions unspecified. |2 star |5 MiAaHDL | ||
| 546 | |a English. | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 600 | 1 | 0 | |a Marlowe, Christopher, |d 1564-1593 |x Religion. |
| 600 | 1 | 1 | |a Marlowe, Christopher, |d 1564-1593 |x Religion. |
| 600 | 1 | 7 | |a Marlowe, Christopher, |d 1564-1593 |2 fast |
| 650 | 0 | |a English drama |y Early modern and Elizabethan, 1500-1600 |x History and criticism. | |
| 650 | 0 | |a Christian drama, English |x History and criticism. | |
| 650 | 0 | |a Christianity and literature |z England |x History |y 16th century. | |
| 650 | 0 | |a Antichrist in literature. | |
| 650 | 6 | |a Théâtre anglais |y 16e siècle |x Histoire et critique. | |
| 650 | 6 | |a Christianisme et littérature |z Angleterre |x Histoire |y 16e siècle. | |
| 650 | 7 | |a DRAMA |x English, Irish, Scottish, Welsh. |2 bisacsh | |
| 650 | 7 | |a Antichrist in literature |2 fast | |
| 650 | 7 | |a Christian drama, English |2 fast | |
| 650 | 7 | |a Christianity and literature |2 fast | |
| 650 | 7 | |a English drama |x Early modern and Elizabethan |2 fast | |
| 650 | 7 | |a Religion |2 fast | |
| 651 | 7 | |a England |2 fast | |
| 650 | 1 | 7 | |a Toneel. |2 gtt |
| 650 | 1 | 7 | |a Antichrist. |2 gtt |
| 651 | 7 | |a Engeland. |2 gtt | |
| 648 | 7 | |a 1500-1600 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Parker, John, 1972- |t Aesthetics of Antichrist. |d Ithaca : Cornell University Press, ©2007 |w (DLC) 2007018959 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.7591/j.ctt7zk8k |z Texto completo |
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