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The unfinished Enlightenment : description in the age of the encyclopedia /

In The Unfinished Enlightenment, Joanna Stalnaker offers a fresh look at the French Enlightenment by focusing on the era's vast, collective attempt to compile an ongoing and provisional description of the world. Through a series of readings of natural histories, encyclopedias, scientific poetry...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Stalnaker, Joanna
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Ithaca [N.Y.] : Cornell University Press, 2010.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Stalnaker, Joanna. 
245 1 4 |a The unfinished Enlightenment :  |b description in the age of the encyclopedia /  |c Joanna Stalnaker. 
260 |a Ithaca [N.Y.] :  |b Cornell University Press,  |c 2010. 
300 |a 1 online resource (xvi, 240 pages) :  |b illustrations 
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504 |a Includes bibliographical references (pages 219-231) and index. 
505 0 |a Buffon and Daubenton's two horses -- Bernardin de Saint-Pierre's strawberry plant -- Diderot's word machine -- Delille's little encyclopedia -- Mercier's unframed Paris -- Description in revolution -- Conclusion : virtual encyclopedias. 
588 0 |a Print version record. 
520 |a In The Unfinished Enlightenment, Joanna Stalnaker offers a fresh look at the French Enlightenment by focusing on the era's vast, collective attempt to compile an ongoing and provisional description of the world. Through a series of readings of natural histories, encyclopedias, scientific poetry, and urban topographies, the book uncovers the deep epistemological and literary tensions that made description a central preoccupation for authors such as Buffon, Bernardin de Saint-Pierre, Diderot, Delille, and Mercier. Stalnaker argues that Enlightenment description was the site of competing truth claims that would eventually resolve themselves in the modern polarity between literature and science. By the mid-nineteenth century, the now habitual association between description and the novel was already firmly anchored in French culture, but just a century earlier, in the diverse network of articles on description in Diderot and d'Alembert's Encyclopédie and in the works derived from it, there was not a single mention of the novel. Instead, we find articles on description in natural history, geometry, belles-lettres, and poetry. Stalnaker builds on the premise that the tendency to view description as the inevitable (and subservient) partner of narration-rather than as a universal tool for making sense of knowledge in all fields-has obscured the central place of description in Enlightenment discourse. As a result, we have neglected some of the most original and experimental works of the eighteenth century. 
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650 0 |a French literature  |y 18th century  |x History and criticism. 
650 0 |a Description (Rhetoric)  |x History  |y 18th century. 
650 0 |a Encyclopedias and dictionaries, French  |x History and criticism. 
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650 6 |a Littérature française  |y 18e siècle  |x Histoire et critique. 
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648 7 |a 1700-1799  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
655 7 |a History  |2 fast 
776 0 8 |i Print version:  |a Stalnaker, Joanna.  |t Unfinished Enlightenment.  |d Ithaca [N.Y.] : Cornell University Press, 2010  |w (DLC) 2009036987 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.7591/j.ctt7v7tg  |z Texto completo 
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