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A divided world : Hollywood cinema and emigré directors in the era of Roosevelt and Hitler, 1933-1948 /

Roosevelt's New Deal introduced sweeping social, political and cultural change across the United States, which the Hollywood film community embraced enthusiastically. When the heady idealism of the 1930s was replaced by the paranoia and fear of the post-war years, Hollywood became an easy targe...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Smedley, Nicholas
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bristol, UK ; Chicago : Intellect, 2011.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Smedley, Nicholas. 
245 1 2 |a A divided world :  |b Hollywood cinema and emigré directors in the era of Roosevelt and Hitler, 1933-1948 /  |c Nick Smedley. 
260 |a Bristol, UK ;  |a Chicago :  |b Intellect,  |c 2011. 
300 |a 1 online resource (277 pages) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
347 |a data file  |2 rda 
504 |a Includes bibliographical references and index. 
588 0 |a Print version record. 
505 0 |a Once upon a time in America: American society and culture, 1933-1948 -- The keeper of the flame: Hollywood and the cinema of liberal idealism -- Trouble in paradise: Hollywood films and American social change -- Case study 1: 'Everything that happens must be strictly American': Fritz Lang and Hollywood idealism -- Case study 2: Sex, violence and alcohol: Billy Wilder in the 1940s -- The devil is a woman: Hollywood films and the American woman -- 'Definitely bawdy and offensively suggestive': Lubitsch and the American woman -- 'Love cures the wounds it makes': Lang and Wilder: conventional portraits of the American woman -- The world changes: Hollywood and international affairs -- Case study 5: 'World political theater': Lubitsch and foreign affairs -- Case study 6: 'As corruptible as the others': Wilder on America and Europe -- Case study 7: 'Propaganda can be art': Lang and international affairs -- Conclusion. 
520 0 |a Roosevelt's New Deal introduced sweeping social, political and cultural change across the United States, which the Hollywood film community embraced enthusiastically. When the heady idealism of the 1930s was replaced by the paranoia and fear of the post-war years, Hollywood became an easy target for the anti-communists. A Divided World examines some of the important programs of the New Deal and the subsequent response of the Hollywood film community - especially in relation to social welfare, women's rights and international affairs. The book then charts what happened in Hollywood when the mood turned sour as the Cold War set in. A Divided World also provides in-depth analysis of the major works of three European directors in particular - Billy Wilder, Ernst Lubitsch, and Fritz Lang. The contributions of these three are compared and contrasted with the products of mainstream Hollywood. The author utilizes extensive new archival material to shed light on the production histories of the emigres' films. 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
590 |a JSTOR  |b Books at JSTOR All Purchased 
600 1 0 |a Lubitsch, Ernst,  |d 1892-1947  |x Criticism and interpretation. 
600 1 0 |a Lang, Fritz,  |d 1890-1976  |x Criticism and interpretation. 
600 1 0 |a Wilder, Billy,  |d 1906-2002  |x Criticism and interpretation. 
600 1 7 |a Lang, Fritz,  |d 1890-1976.  |2 fast  |0 (OCoLC)fst00034110 
600 1 7 |a Lubitsch, Ernst,  |d 1892-1947.  |2 fast  |0 (OCoLC)fst00015025 
600 1 7 |a Wilder, Billy,  |d 1906-2002.  |2 fast  |0 (OCoLC)fst00047437 
650 0 |a Motion picture industry  |z California  |z Los Angeles  |x History  |y 20th century. 
650 0 |a Expatriate motion picture producers and directors  |z United States. 
650 0 |a Motion pictures  |x Political aspects  |z United States. 
650 0 |a Germans  |z California  |z Los Angeles. 
650 0 |a Sex role in motion pictures. 
650 0 |a Immigrants  |z California  |z Los Angeles. 
651 0 |a United States  |x Politics and government  |y 1933-1953. 
650 6 |a Cinéma  |x Industrie  |z Californie  |z Los Angeles  |x Histoire  |y 20e siècle. 
650 6 |a Allemands  |z Californie  |z Los Angeles. 
650 6 |a Rôle selon le sexe au cinéma. 
651 6 |a États-Unis  |x Politique et gouvernement  |y 1933-1953. 
650 7 |a PERFORMING ARTS  |x Reference.  |2 bisacsh 
650 7 |a Expatriate motion picture producers and directors.  |2 fast  |0 (OCoLC)fst01745987 
650 7 |a Germans.  |2 fast  |0 (OCoLC)fst00942100 
650 7 |a Immigrants.  |2 fast  |0 (OCoLC)fst00967712 
650 7 |a Motion picture industry.  |2 fast  |0 (OCoLC)fst01027150 
650 7 |a Motion pictures  |x Political aspects.  |2 fast  |0 (OCoLC)fst01027353 
650 7 |a Politics and government  |2 fast  |0 (OCoLC)fst01919741 
650 7 |a Sex role in motion pictures.  |2 fast  |0 (OCoLC)fst01114654 
651 7 |a California  |z Los Angeles.  |2 fast  |0 (OCoLC)fst01204540 
651 7 |a United States.  |2 fast  |0 (OCoLC)fst01204155 
650 7 |a PERFORMING ARTS / Film & Video / Reference  |2 bisacsh 
648 7 |a 1900-1999  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
776 0 8 |i Print version:  |a Smedley, Nicholas.  |t Divided world.  |d Bristol, UK ; Chicago : Intellect, 2011  |w (DLC) 2010041838 
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