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The twelve-tone music of Luigi Dallapiccola /
"Luigi Dallapiccola was one of twentieth century's most accomplished and admired composers. His music incorporated many of the twelve-tone techniques developed by Arnold Schoenberg, Alban Berg, and Anton von Webern, but blended their expressionistic impulses with an Italianate sense of lyr...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Rochester, NY :
University of Rochester Press,
2010.
|
| Colección: | Eastman studies in music ;
v. 76. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Alegant, Brian, |d 1960- | |
| 245 | 1 | 4 | |a The twelve-tone music of Luigi Dallapiccola / |c Brian Alegant. |
| 260 | |a Rochester, NY : |b University of Rochester Press, |c 2010. | ||
| 300 | |a 1 online resource (326 pages) : |b music | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 490 | 1 | |a Eastman studies in music, |x 1071-9989 | |
| 504 | |a Includes bibliographical references (pages 311-316) and index. | ||
| 505 | 0 | |a 1 On the Twelve-Tone Road (1942-1950) -- 2 Aphorism and the Appropriation of Webernian Techniques (1950-1955) -- 3 The Apex of the Schoenbergian and Webernian Influence (1956-1960) -- 4 Consolidation and Synthesis (1960-1972) -- Part Two More Detailed Analyses -- 5 Dallapiccola's Idiosyncratic Approach to "Octatonic Serialism" -- 6 An Mathilde: An Unsung Cantata -- 7 Parole di San Paolo: "A Performance under a Glass Bell." | |
| 520 | |a "Luigi Dallapiccola was one of twentieth century's most accomplished and admired composers. His music incorporated many of the twelve-tone techniques developed by Arnold Schoenberg, Alban Berg, and Anton von Webern, but blended their expressionistic impulses with an Italianate sense of lyricism. Brian Alegant's The Twelve-Tone Music of Luigi Dallapiccola traces the evolution of Dallapiccola's compositional technique over a thirty-year period (1942-74). Using both historical and music-analytical lenses, this book documents the influences of Webern and Schoenberg, highlights Dallapiccola's innovative handling of harmony, form, and text setting, and sheds light on several works that have been virtually ignored. Alegant's book will be a crucial source of insights for scholars and other readers interested in twentieth-century music. Brian Alegant is professor of music theory at the Oberlin College Conservatory." | ||
| 588 | 0 | |a Print version record. | |
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| 600 | 1 | 0 | |a Dallapiccola, Luigi, |d 1904-1975 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Dallapiccola, Luigi, |d 1904-1975 |2 fast |
| 650 | 7 | |a MUSIC |x Individual Composer & Musician. |2 bisacsh | |
| 650 | 7 | |a BIOGRAPHY & AUTOBIOGRAPHY |x Composers & Musicians. |2 bisacsh | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Alegant, Brian, 1960- |t Twelve-tone music of Luigi Dallapiccola. |d Rochester, NY : University of Rochester Press, 2010 |z 9781580463256 |w (DLC) 2009051096 |w (OCoLC)432981448 |
| 830 | 0 | |a Eastman studies in music ; |v v. 76. |x 1071-9989 | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.7722/j.ctt14brrs9 |z Texto completo |
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