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Dark borders : film noir and American citizenship /
Reads film noir as a cold war genre focused on cultural anxieties surrounding espionage, borders, and citizenship, as well as mounting government scrutiny of "un-American" activities
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham [N.C.] :
Duke University Press,
©2011.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Auerbach, Jonathan, |d 1954- | |
| 245 | 1 | 0 | |a Dark borders : |b film noir and American citizenship / |c Jonathan Auerbach. |
| 260 | |a Durham [N.C.] : |b Duke University Press, |c ©2011. | ||
| 300 | |a 1 online resource (x, 268 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references (pages 245-260) and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Introduction: The un-Americaness of film noir -- Gestapo in America: Confessions of a Nazi spy, and Stranger on the third floor -- White-collar murder: Double indemnity -- Cuba, gangsters, vets, and other outcasts of the islands: The chase, and Key Largo -- North from Mexico: Border incident, Hold back the dawn, Secret beyond the door, and Out of the past -- Bad boy patriots: This gun for hire, Ride the pink horse, and Pickup on South Street -- Postscript: Darkness visible. | |
| 520 | |a Reads film noir as a cold war genre focused on cultural anxieties surrounding espionage, borders, and citizenship, as well as mounting government scrutiny of "un-American" activities | ||
| 546 | |a English. | ||
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified]: |c HathiTrust Digital Library. |d 2022. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2022. |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Film noir |z United States |x History and criticism. | |
| 650 | 0 | |a Motion pictures |z United States |x History. | |
| 650 | 6 | |a Films noirs |z États-Unis |x Histoire et critique. | |
| 650 | 6 | |a Cinéma |z États-Unis |x Histoire. | |
| 650 | 7 | |a ART |x Film & Video. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Reference. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Performing Arts. |2 eflch | |
| 650 | 7 | |a Film noir. |2 fast |0 (OCoLC)fst00924273 | |
| 650 | 7 | |a Motion pictures. |2 fast |0 (OCoLC)fst01027285 | |
| 651 | 7 | |a United States. |2 fast |0 (OCoLC)fst01204155 | |
| 650 | 7 | |a Film noir |2 gnd | |
| 650 | 7 | |a Ausländer |g Motiv |2 gnd | |
| 650 | 7 | |a Politische Identität |g Motiv |2 gnd | |
| 650 | 7 | |a Nationalcharakter |2 gnd | |
| 650 | 7 | |a Staatsangehörigkeit |2 gnd | |
| 651 | 7 | |a USA |2 gnd | |
| 650 | 7 | |a Film noir. |2 idszbz | |
| 651 | 7 | |a USA. |2 idszbz | |
| 650 | 7 | |a Film noir |z Förenta staterna. |2 sao | |
| 650 | 7 | |a Film noir, USA. |2 sfit | |
| 655 | 4 | |a Electronic resource. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 776 | 0 | 8 | |i Print version: |a Auerbach, Jonathan, 1954- |t Dark borders. |d Durham, N.C. : Duke University Press, 2011 |z 9780822349938 |z 0822349930 |w (DLC) 2010038071 |w (OCoLC)663459725 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv111jhcg |z Texto completo |
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