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A genealogy of literary multiculturalism /

As an anthropology student studying with Franz Boas, Zora Neale Hurston recorded African American folklore in rural central Florida, studied hoodoo in New Orleans and voodoo in Haiti, talked with the last ex-slave to survive the Middle Passage, and collected music from Jamaica. Her ethnographic work...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Douglas, Christopher, 1968-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Ithaca : Cornell University Press, 2009.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Douglas, Christopher,  |d 1968- 
245 1 2 |a A genealogy of literary multiculturalism /  |c Christopher Douglas. 
260 |a Ithaca :  |b Cornell University Press,  |c 2009. 
300 |a 1 online resource (vii, 372 pages) 
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504 |a Includes bibliographical references (pages 327-361) and index. 
505 0 |a Zora Neale Hurston, D'Arcy McNickle, and the culture of anthropology -- Richard Wright, Robert Park, and the literature of sociology -- Jade Snow Wong, Ralph Ellison, and desegregation -- John Okada and the sociology of internment -- Américo Paredes and the folklore of the border -- Toni Morrison, Frank Chin, and cultural nationalisms, 1965-1975 -- N. Scott Momaday : blood and identity -- Ishmael Reed and the search for survivals -- Gloria Anzaldúa, Aztlán, and Aztec survivals -- Conclusion : the multicultural complex and the incoherence of literary multiculturalism. 
506 |3 Use copy  |f Restrictions unspecified  |2 star  |5 MiAaHDL 
533 |a Electronic reproduction.  |b [Place of publication not identified] :  |c HathiTrust Digital Library,  |d 2010.  |5 MiAaHDL 
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520 |a As an anthropology student studying with Franz Boas, Zora Neale Hurston recorded African American folklore in rural central Florida, studied hoodoo in New Orleans and voodoo in Haiti, talked with the last ex-slave to survive the Middle Passage, and collected music from Jamaica. Her ethnographic work would serve as the basis for her novels and other writings in which she shaped a vision of African American Southern rural folk culture articulated through an antiracist concept of culture championed by Boas: culture as plural, relative, and long-lived. Meanwhile, a very different antiracist model of culture learned from Robert Park's sociology allowed Richard Wright to imagine African American culture in terms of severed traditions, marginal consciousness, and generation gaps. In A Genealogy of Literary Multiculturalism, Christopher Douglas uncovers the largely unacknowledged role played by ideas from sociology and anthropology in nourishing the politics and forms of minority writers from diverse backgrounds. Douglas divides the history of multicultural writing in the United States into three periods. The first, which spans the 1920s and 1930s, features minority writers such as Hurston and D'Arcy McNickle, who were indebted to the work of Boas and his attempts to detach culture from race. The second period, from 1940 to the mid-1960s, was a time of assimilation and integration, as seen in the work of authors such as Richard Wright, Jade Snow Wong, John Okada, and Ralph Ellison, who were influenced by currents in sociological thought. The third period focuses on the writers we associate with contemporary literary multiculturalism, including Toni Morrison, N. Scott Momaday, Frank Chin, Ishmael Reed, and Gloria Anzaldúa. Douglas shows that these more recent writers advocated a literary nationalism that was based on a modified Boasian anthropology and that laid the pluralist grounds for our current conception of literary multiculturalism. Ultimately, Douglas's "unified field theory" of multicultural literature brings together divergent African American, Asian American, Mexican American, and Native American literary traditions into one story: of how we moved from thinking about groups as races to thinking about groups as cultures-and then back again. 
546 |a In English. 
590 |a JSTOR  |b Books at JSTOR Evidence Based Acquisitions 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
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650 0 |a American literature  |x Minority authors  |x History and criticism. 
650 0 |a American literature  |y 20th century  |x History and criticism. 
650 0 |a Multiculturalism in literature. 
650 0 |a Minorities in literature. 
650 0 |a Literature and anthropology  |z United States  |x History  |y 20th century. 
650 0 |a Multiculturalism  |z United States  |x History  |y 20th century. 
650 0 |a Anthropology  |z United States  |x History  |y 20th century. 
650 6 |a Littérature américaine  |x Auteurs issus des minorités  |x Histoire et critique. 
650 6 |a Littérature américaine  |y 20e siècle  |x Histoire et critique. 
650 6 |a Multiculturalisme dans la littérature. 
650 6 |a Littérature et anthropologie  |z États-Unis  |x Histoire  |y 20e siècle. 
650 6 |a Multiculturalisme  |z États-Unis  |x Histoire  |y 20e siècle. 
650 6 |a Anthropologie  |z États-Unis  |x Histoire  |y 20e siècle. 
650 7 |a LITERARY CRITICISM  |x American  |x General.  |2 bisacsh 
650 7 |a American literature  |2 fast 
650 7 |a American literature  |x Minority authors  |2 fast 
650 7 |a Anthropology  |2 fast 
650 7 |a Literature and anthropology  |2 fast 
650 7 |a Minorities in literature  |2 fast 
650 7 |a Multiculturalism  |2 fast 
650 7 |a Multiculturalism in literature  |2 fast 
651 7 |a United States  |2 fast 
650 7 |a Minderheitenliteratur  |2 gnd 
650 7 |a Multikulturelle Gesellschaft  |2 gnd 
651 7 |a USA  |2 gnd 
648 7 |a 1900-1999  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
655 7 |a History  |2 fast 
776 0 8 |i Print version:  |a Douglas, Christopher, 1968-  |t Genealogy of literary multiculturalism.  |d Ithaca : Cornell University Press, 2009  |w (DLC) 2008039460 
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