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|a Coutu, Joan Michèle,
|d 1964-
|e author.
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1 |
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|a Persuasion and propaganda :
|b monuments and the eighteenth-century British Empire /
|c Joan Coutu.
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|a Montréal [Que.] :
|b McGill-Queen's University Press,
|c ©2006
|e (Saint-Lazare, Quebec :
|f Canadian Electronic Library,
|g 2010)
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|a 1 online resource (xxix, 465 pages :
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|a Includes bibliographical references (pages 407-433) and index.
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|a Display and dynasty -- The colonial trade in monuments -- Heroic imagery? The monument to Wolfe in Westminster Abbey -- Precedents and parallels: the Grenville Commission -- Magnanimity? The bust of George III in Montreal -- Reassurances of liberty: public monuments in the American colonies -- Reassurances of loyalty: public commissions in the West Indies -- India: building as a moral imperative.
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|3 Use copy
|f Restrictions unspecified
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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|a English.
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|a Lavishly illustrated, Persuasion and Propaganda is the first study of these works of art within the framework of colonial politics and political culture. While examining the rise of the idea of the public in the modern world, Joan Coutu also explores how "empire" was constantly being redefined. From private funeral monuments in the West Indies to works erected by the East India Company and the British Parliament, Coutu shows how the youthful British Empire saw itself and validated its mission through sculpture.
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|a Monuments
|z Great Britain
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|a Imperialism
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|a Symbolism in politics.
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|a Great Britain
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