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Two-dimensional sonata form : form and cycle in single-movement instrumental works by Liszt, Strauss, Schoenberg, and Zemlinsky /

Two-Dimensional Sonata Form is the first book dedicated to the combination of the movements of a multimovement sonata cycle with an overarching single-movement form that is itself organized as a sonata form. Drawing on a variety of historical and recent approaches to musical form (e.g., Marxian and...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Vande Moortele, Steven
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Leuven : Leuven University Press, ©2009.
Temas:
Acceso en línea:Texto completo

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245 1 0 |a Two-dimensional sonata form :  |b form and cycle in single-movement instrumental works by Liszt, Strauss, Schoenberg, and Zemlinsky /  |c Steven Vande Moortele. 
260 |a Leuven :  |b Leuven University Press,  |c ©2009. 
300 |a 1 online resource (vii, 220 pages) :  |b illustrations, music 
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504 |a Includes bibliographical references (pages 207-215) and index. 
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505 0 |a Two-DimensionalSonata Form; Contents; Acknowledgements; Introduction; Notes; Chapter 1 Two-Dimensional Sonata Form:A terminological and conceptual framework; Levels of form; Analogies between levels; Projection of hierarchies; Identification, interpolation, and exocyclic units; Integration, process, and tension; Further terminological considerations; Notes; Chapter 2Liszt's B-minor Sonata; The locus romanticus of two-dimensional sonata form; The exposition of the overarching sonata form; Identification: first movement and exposition; Interpolation: the slow movement. 
505 8 |a Identification: scherzo-finale and recapitulation-codaNotes; Chapter 3Liszt: Tasso and Die Ideale; Two-dimensional sonata formin the second half of the nineteenth century; Form in Liszt's symphonic poems; Tasso: Lamento e trionfo (1847-54) 9; Die Ideale (1856-57); Notes; Chapter 4Strauss: Don Juan and Ein Heldenleben; Strauss and Liszt; Don Juan Op. 20 (1888-89); Ein Heldenleben Op. 40 (1897-98); Notes; Chapter 5Schoenberg's Pelleas und Melisande; Before Pelleas; Pelleas und Melisande Op. 5 (1902-03); Notes; Chapter 6Schoenberg's First String Quartet; From program to absolute music. 
505 8 |a Issues of form in the overarching sonata formIdentification; Interpolation and integration; Overall form and tonal plan; Notes; Chapter 7Schoenberg's First Chamber Symphony; Overview; Identification; Interpolation; Recapitulation, coda, and finale; Notes; Chapter 8Zemlinsky's Second String Quartet; First approach; Identification; Interpolation; Notes; Conclusion The significanceof two-dimensional sonata form; Appendix:Measure-Number Tables; Bibliography; Index of Names and Works. 
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