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|a Vande Moortele, Steven.
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|a Two-dimensional sonata form :
|b form and cycle in single-movement instrumental works by Liszt, Strauss, Schoenberg, and Zemlinsky /
|c Steven Vande Moortele.
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|a Leuven :
|b Leuven University Press,
|c ©2009.
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|a 1 online resource (vii, 220 pages) :
|b illustrations, music
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|a text
|b txt
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|a Includes bibliographical references (pages 207-215) and index.
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|a Print version record.
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|a Two-DimensionalSonata Form; Contents; Acknowledgements; Introduction; Notes; Chapter 1 Two-Dimensional Sonata Form:A terminological and conceptual framework; Levels of form; Analogies between levels; Projection of hierarchies; Identification, interpolation, and exocyclic units; Integration, process, and tension; Further terminological considerations; Notes; Chapter 2Liszt's B-minor Sonata; The locus romanticus of two-dimensional sonata form; The exposition of the overarching sonata form; Identification: first movement and exposition; Interpolation: the slow movement.
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|a Identification: scherzo-finale and recapitulation-codaNotes; Chapter 3Liszt: Tasso and Die Ideale; Two-dimensional sonata formin the second half of the nineteenth century; Form in Liszt's symphonic poems; Tasso: Lamento e trionfo (1847-54) 9; Die Ideale (1856-57); Notes; Chapter 4Strauss: Don Juan and Ein Heldenleben; Strauss and Liszt; Don Juan Op. 20 (1888-89); Ein Heldenleben Op. 40 (1897-98); Notes; Chapter 5Schoenberg's Pelleas und Melisande; Before Pelleas; Pelleas und Melisande Op. 5 (1902-03); Notes; Chapter 6Schoenberg's First String Quartet; From program to absolute music.
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|a Issues of form in the overarching sonata formIdentification; Interpolation and integration; Overall form and tonal plan; Notes; Chapter 7Schoenberg's First Chamber Symphony; Overview; Identification; Interpolation; Recapitulation, coda, and finale; Notes; Chapter 8Zemlinsky's Second String Quartet; First approach; Identification; Interpolation; Notes; Conclusion The significanceof two-dimensional sonata form; Appendix:Measure-Number Tables; Bibliography; Index of Names and Works.
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|a Two-Dimensional Sonata Form is the first book dedicated to the combination of the movements of a multimovement sonata cycle with an overarching single-movement form that is itself organized as a sonata form. Drawing on a variety of historical and recent approaches to musical form (e.g., Marxian and Schoenbergian Formenlehre, Caplin's theory of formal functions, and Hepokoski and Darcy's Sonata Theory), it begins by developing an original theoretical framework for the analysis of this type of form that is so characteristic of the later nineteenth and early twentieth century. It then offers an in-
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a Sonata form.
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|a Instrumental music
|x Analysis, appreciation.
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|a Forme sonate.
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|a Musique instrumentale
|x Analyse et appréciation.
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|a MUSIC
|x Instruction & Study
|x Theory.
|2 bisacsh
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|a MUSIC
|x General.
|2 bisacsh
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|a Instrumental music
|x Analysis, appreciation.
|2 fast
|0 (OCoLC)fst00974415
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|a Sonata form.
|2 fast
|0 (OCoLC)fst01125800
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|i Print version:
|a Vande Moortele, Steven.
|t Two-dimensional sonata form.
|d Leuven : Leuven University Press, ©2009
|z 9789058677518
|w (DLC) 2009515203
|w (OCoLC)401145640
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt9qf14r
|z Texto completo
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