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Fields of vision : essays in film studies, visual anthropology, and photography /
Filmed images dominate our time, from the movies and TV that entertain us to the news and documentary that inform us and shape our cultural vocabulary. Crossing disciplinary boundaries, Fields of Vision is a path-breaking collection that inquires into the power (and limits) of film and photography t...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Berkeley :
University of California Press,
©1995.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Fields of vision : |b essays in film studies, visual anthropology, and photography / |c edited by Leslie Devereaux and Roger Hillman. |
| 264 | 1 | |a Berkeley : |b University of California Press, |c ©1995. | |
| 300 | |a 1 online resource (xiv, 362 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a The national / Paul Willemen -- The modernist sensibility in recent ethnographic writing and the cinematic metaphor of montage / George E. Marcus -- Experience, re-presentation, and film / Leslie Devereaux -- Photography and film: figures in/of history / Anne-Marie Willis -- Modernism and the photographic representation of war and destruction / Bernd Huppauf -- Horro and the carnivalesque: the body-monstrous / Barbara Creed -- Barrymore, the body, and bliss: issues of male representation and female spectatorship in the 1920s / Gaylyn Studlar. | |
| 505 | 0 | |a Narrative, sound, and film: Fassbinder's the marriage of Maria Braun / Roger Hillma -- Novel into film: the name of the Rose / Gino Moliterno -- The subjective voice in ethnographic film / David MacDougall -- Mediating culture: indigenous media, ethnographic film, and the production of identity / Faye Ginsburg -- The pressure of the unconscious upon the image: the subjective voice in documentary / Susan Dermody -- Robert Gardner's Rivers of Sand: toward a reappraisal / Peter Loizos -- Cultures, disciplines, cinemas / Leslie Devereaux. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a Filmed images dominate our time, from the movies and TV that entertain us to the news and documentary that inform us and shape our cultural vocabulary. Crossing disciplinary boundaries, Fields of Vision is a path-breaking collection that inquires into the power (and limits) of film and photography to make sense of ourselves and others. As critics, social scientists, filmmakers, and literary scholars, the contributors converge on the issues of representation and the construction of visual meaning across cultures. From the dismembered bodies of horror film to the exotic bodies of ethnographic film and the gorgeous bodies of romantic cinema, Fields of Vision moves through eras, genres, and societies. Always asking how images work to produce meaning, the essays address the way the "real" on film creates fantasy, news, as well as "science," and considers this problematic process as cultural boundaries are crossed. One essay discusses the effects of Hollywood's high-capital, world-wide commercial hegemony on local and non-Western cinemas, while another explores the response of indigenous people in central Australia to the forces of mass media and video. Other essays uncover the work of the unconscious in cinema, the shaping of "female spectatorship" by the "women's film" genre of the 1920s, and the effects of the personal and subjective in documentary films and the photographs of war reportage. -- Back cover | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Motion pictures. | |
| 650 | 0 | |a Motion pictures in ethnology. | |
| 650 | 0 | |a Visual anthropology. | |
| 650 | 0 | |a Photography. | |
| 650 | 2 | |a Photography | |
| 650 | 2 | |a Motion Pictures | |
| 650 | 6 | |a Cinéma. | |
| 650 | 6 | |a Cinéma en ethnologie. | |
| 650 | 6 | |a Photographie. | |
| 650 | 6 | |a Anthropologie visuelle. | |
| 650 | 7 | |a PERFORMING ARTS / Film / General |2 bisacsh | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 650 | 7 | |a Motion pictures in ethnology |2 fast | |
| 650 | 7 | |a Photography |2 fast | |
| 650 | 7 | |a Visual anthropology |2 fast | |
| 650 | 7 | |a Aufsatzsammlung |2 gnd | |
| 650 | 7 | |a Ethnologie |2 gnd | |
| 650 | 7 | |a Film |2 gnd | |
| 650 | 1 | 7 | |a Etnografische films. |2 gtt |
| 650 | 1 | 7 | |a Fotografie. |2 gtt |
| 650 | 7 | |a Films documentaires. |2 ram | |
| 650 | 7 | |a Photographie. |2 ram | |
| 650 | 7 | |a Films ethnographiques. |2 ram | |
| 650 | 7 | |a Photographie ethnographique. |2 ram | |
| 650 | 7 | |a Cinéma |x Aspect cognitif. |2 ram | |
| 650 | 7 | |a Cinéma et société. |2 ram | |
| 653 | 0 | |a Cinema |a Films (Motion pictures) |a Sociology | |
| 700 | 1 | |a Devereaux, Leslie. | |
| 700 | 1 | |a Hillman, Roger. | |
| 776 | 0 | 8 | |i Print version: |t Fields of vision. |d Berkeley : University of California Press, ©1995 |z 0520085221 |w (DLC) 94000646 |w (OCoLC)29670667 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/jj.2711614 |z Texto completo |
| 938 | |a ACLS Humanities E-Book |b ACLS |n HEB08055 | ||
| 938 | |a Internet Archive |b INAR |n fieldsofvisiones00lesl | ||
| 994 | |a 92 |b IZTAP | ||