Screening Cuba : film criticism as political performance during the Cold War /

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In examining cultural production through the lens of the Cold War, Amaya reveals how contrasting interpretations by Cuban and U.S. critics are the result of the political cultures in which they operated. While Cuban critics viewed the films as powerful symbols of the social promises of the Cuban rev...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Amaya, Hector
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Urbana : University of Illinois Press, [2010]
Colección:Book collections on Project MUSE.
Temas:
1900-1999
Motion pictures, Cuban > United States.
Motion pictures > Cuba > History > 20th century.
Motion pictures > Political aspects > Cuba.
Film criticism > United States > History > 20th century.
Film criticism > Cuba > History > 20th century.
Cinéma cubain > États-Unis.
Cinéma > Cuba > Histoire > 20e siècle.
Critique cinématographique > États-Unis > Histoire > 20e siècle.
Critique cinématographique > Cuba > Histoire > 20e siècle.
ART > Film & Video.
PERFORMING ARTS > Film & Video > Reference.
PERFORMING ARTS > Film & Video > History & Criticism.
Film criticism.
Motion pictures.
Motion pictures, Cuban.
Motion pictures > Political aspects.
Cuba.
United States.
History.
Acceso en línea:Texto completo

MARC

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100 1 |a Amaya, Hector. 
245 1 0 |a Screening Cuba :  |b film criticism as political performance during the Cold War /  |c Hector Amaya. 
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505 0 |a Staging film criticism. Cuban culture, institutions, policies, and citizens -- The Cuban revolutionary hermeneutics : criticism and citizenship -- The U.S. field of culture -- U.S. criticism, dissent, and hermeneutics -- Performing film criticism. Memories of underdevelopment -- Lucia -- One way or another -- Portrait of Teresa -- Conclusion. 
504 |a Includes bibliographical references (pages 201-214) and index. 
588 0 |a Print version record. 
520 |a In examining cultural production through the lens of the Cold War, Amaya reveals how contrasting interpretations by Cuban and U.S. critics are the result of the political cultures in which they operated. While Cuban critics viewed the films as powerful symbols of the social promises of the Cuban revolution, liberal and leftist American critics found meaning in the films as representations of anti-establishment progressive values and Cold War discourses. By contrasting the hermeneutics of Cuban and U.S. culture, criticism, and citizenship, Amaya argues that critical receptions of political films constitute a kind of civic public behavior"--Publisher 
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650 0 |a Motion pictures  |z Cuba  |x History  |y 20th century. 
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650 0 |a Film criticism  |z United States  |x History  |y 20th century. 
650 0 |a Film criticism  |z Cuba  |x History  |y 20th century. 
650 6 |a Cinéma cubain  |z États-Unis. 
650 6 |a Cinéma  |z Cuba  |x Histoire  |y 20e siècle. 
650 6 |a Critique cinématographique  |z États-Unis  |x Histoire  |y 20e siècle. 
650 6 |a Critique cinématographique  |z Cuba  |x Histoire  |y 20e siècle. 
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