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Misrepresentations : Shakespeare and the materialists /

Just at the moment when conflicts between critical "isms" are threatening to turn the study of English literature into a game park for endangered texts, Graham Bradshaw arrives with a work of liberating wit and insight. His subject is double: the Shakespeare he reads and the Shakespeare th...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Bradshaw, Graham
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Ithaca : Cornell University Press, 1993.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Misrepresentations :  |b Shakespeare and the materialists /  |c Graham Bradshaw. 
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504 |a Includes bibliographical references and index. 
520 |a Just at the moment when conflicts between critical "isms" are threatening to turn the study of English literature into a game park for endangered texts, Graham Bradshaw arrives with a work of liberating wit and insight. His subject is double: the Shakespeare he reads and the Shakespeare that critics in the ranks of the new historicists and cultural materialists are representing (or misrepresenting). In writing on Henry V, Othello, The Tempest, and The Merchant of Venice, Bradshaw probes the complex dramatic thinking behind the plays. He is much concerned with Shakespeare's "dramatic rhyming," the manner in which different parts of the plays are brought to bear on one another within a complex design. Branching out from these readings, he shows how frequently politicized materialist readings expose and contradict one another in their partial and opportunistic samplings of Shakespeare's texts. Bradshaw argues that the plays can help us to historicize our present, if we allow them to test - instead of using them to "instantiate"--Our cherished theories. Far more than elegant nay-saying, Misrepresentations moves toward a rich new conceptualization of cultural poetics, one responsive to our present critical situation and to the intricate designs of Shakespeare's poetic drama 
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588 0 |a Print version record. 
505 0 |a Cover; Misrepresentations; Title; Copyright; Dedication; Contents; Acknowledgments; A Note on the Text; PROLOGUE Is Shakespeare Evil?; Reviving Tillyard; Buddies; Chaotic Sites; The E-Effect; CHAPTER ONE Being Oneself: New Historicists, Cultural Materialists, and Henry V; The Trouble with Harry; The Historiographical Challenge; Dramatic ""Rhyming; Who Them? Where Us?; Systems in Force; Being Oneself; CHAPTER TWO Dramatic Intentions: Two-Timing in Shakespeare's Venice; Jessica's Lie; Complex Designs; Obeying the Time; Fashioning Othello; A Choice of Delusions; A Horrible Conceite. 
505 8 |a EPILOGUE The New Historicist as IagoSeeing Through Seeing Through; The Fear of Being Taken In; The Riverbed; Othello 1980; APPENDIX Dashing Othello's Spirits; Notes; Index. 
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600 1 0 |a Shakespeare, William,  |d 1564-1616  |x Criticism and interpretation  |x History  |y 20th century. 
600 1 1 |a Shakespeare, William,  |d 1564-1616  |x Criticism and interpretation  |x History  |y 20th century. 
600 1 6 |a Shakespeare, William,  |d 1564-1616  |x Critique et interprétation  |x Histoire  |y 20e siècle. 
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600 1 7 |a Shakespeare, William.  |t King Henry the Fifth.  |2 swd 
600 1 7 |a Shakespeare, William.  |t Othello.  |2 swd 
600 1 7 |a Tillyard, Eustace Mandeville Wetenhall.  |2 swd 
650 0 |a Historical criticism (Literature) 
650 0 |a Criticism  |x History  |y 20th century. 
650 0 |a Literature and anthropology. 
650 0 |a Materialism. 
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650 6 |a Critique  |x Histoire  |y 20e siècle. 
650 6 |a Littérature et anthropologie. 
650 6 |a Matérialisme. 
650 7 |a materialism (philosophical movement)  |2 aat 
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650 7 |a Literature and anthropology  |2 fast 
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650 7 |a Literaturkritik  |2 gnd 
650 7 |a Rezeption  |2 gnd 
650 1 7 |a Materialisme.  |2 gtt 
648 7 |a 1900-1999  |2 fast 
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655 7 |a Criticism, interpretation, etc.  |2 fast 
655 7 |a History  |2 fast 
776 0 8 |i Print version:  |a Bradshaw, Graham.  |t Misrepresentations.  |d Ithaca : Cornell University Press, 1993  |w (DLC) 93030897  |w (OCoLC)28631465 
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