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|a 781.5/4209
|2 22
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|a UAMI
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|a Celluloid symphonies :
|b texts and contexts in film music history /
|c edited by Julie Hubbert.
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|a Berkeley :
|b University of California Press,
|c [2011]
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|c Ã2011
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|a 1 online resource (xiv, 507 pages)
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|a text
|b txt
|2 rdacontent
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|a online resource
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|a data file
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|a Includes bibliographical references and index.
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|t Playing the pictures : music and the silent film (1895-1925).
|t Plain talk to theater managers and operators (1909) /
|r F.H. Richardson ;
|t Incidental music for Edison Pictures (1909) ;
|t Jackass music (1911) /
|r Louis Reeves Harrison ;
|g from
|t What and how to play for pictures (1913) /
|r Eugene A. Ahern ;
|t Music for the picture (1911) /
|r Clarence E. Sinn ;
|t The art of exhibition : Rothapfel on motion picture music (1914) /
|r W. Stephen Bush ;
|g from
|t Musical accompaniment of moving pictures (1920) /
|r Edith Lang and George West ;
|g from
|t Musical presentation of motion pictures (1921) /
|r George Beynon ;
|g from
|t Encyclopaedia of music for pictures (1925) /
|r Erno Rapee ;
|t Two thematic music cue sheets : The thief of Bagdad (1924) and Dame chance (1926) ;
|t Music and motion pictures (1926) /
|r Hugo Riesenfeld ;
|t Publishers win movie music suit (1924) --
|t All singing, dancing, and talking : music in the early sound film (1926-1934).
|t New musical marvels in the movies (1926) ;
|t Musicians to fight sound-film devices (1928) ;
|t The truth about voice doubling (1929) /
|r Mark Larkin ;
|t Westward the course of Tin-Pan Alley (1929) /
|r Jerry Hoffman ;
|t What's wrong with musical pictures? (1930) /
|r Sigmund Romberg ;
|t Present day musical films and how they are made possible (1931) /
|r Verna Avery ;
|t Alfred Hitchcock on music in films (1934) /
|r Stephen Watts --
|t Carpet, wallpaper, and earmuffs : the Hollywood score (1935-1959).
|t Composers in movieland (1935) /
|r George Antheil ;
|t The aesthetics of the sound film (1935) /
|r Leonid Sabaneev ;
|t Scoring the film (1937) /
|r Max Steiner ;
|t Some experiences in film music (1940) /
|r Erich Wolfgang Korngold ;
|t What Is a filmusical? (1937) /
|r Denis Morrison ;
|t Music in the films (1941) /
|r Aaron Copland ;
|t Music or sound effects? (1947) /
|r Harold C. Schonberg ;
|t The new musical resources (1947) /
|r Theodor Adorno and Hanns Eisler ;
|t Movie music goes on record (1952) /
|r Arthur Knight ;
|t The man with the golden arm (1956) /
|r Elmer Bernstein ;
|t Forbidden planet (1956) /
|r Louis and Bebe Barron ;
|t Interview with Stanley Donen (1977) /
|r Jim Hillier ;
|t One thing's for sure, R 'n' R is boffo B.O. (1958) /
|r Alan Freed --
|t The recession soundtrack : from albums to auteurs, songs to serialism (1960-1977).
|t Film themes link movie, disk trades (1960) /
|r June Bundy ;
|t Mancini debunks album values (1961) /
|r Eddie Kalish ;
|t Herrmann says Hollywood tone deaf as to film scores (1964) ;
|t The new sound on the soundtracks (1967) /
|r Gene Lees ;
|t Movies : tuning in to the sound of new music (1968) /
|r Renata Adler ;
|t Towards an interior music (1997) /
|r Ennio Morricone ;
|t Keeping score on Schifrin : Lalo Schifrin and the art of film music (1969) /
|r Harvey Siders ;
|t BBC interview with Jerry Goldsmith (1969) ;
|t The jazz composers in Hollywood : a symposium (1972) /
|r Harvey Siders ;
|t George Lucas : stinky kid hits the bigtime (1974) /
|r Steven Farber ;
|t The annotated Friedkin (1974) /
|r Elmer Bernstein ;
|t Whatever became of movie music? (1974) /
|r David Raksin --
|t The postmodern soundtrack : film music in the video and digital age (1978-present).
|t Selling a hit soundtrack (1979) /
|r Susan Peterson ;
|t Interview with John Williams (1997) /
|r Craig L. Byrd ;
|t Scoring with synthesizers (1982) /
|r Terry Atkinson ;
|t Rock movideo (1985) /
|r Marianne Meyer ;
|t How rock is changing Hollywood's tune (1989) /
|r Stephen Holden ;
|t Danny Elfman : from boingo to Batman (1990) /
|r Randall D. Larson ;
|t Interviews from The celluloid jukebox (1995) /
|r Jonathan Romney and Adrian Wootton ;
|t Composing with a very wide palette : Howard Shore in conversation (1999) /
|r Philip Brophy ;
|t Hollywood sound (2005) /
|r Rob Bridgett.
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|a Online resource; title from digital title page (JSTOR, December 16, 2021).
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520 |
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|a "Celluloid Symphonies is a unique sourcebook of writings on music for film, bringing together fifty-three critical documents, many previously inaccessible. It includes essays by those who created the music--Max Steiner, Erich Korngold, Jerry Goldsmith, Elmer Bernstein, and Howard Shore--and outlines the major trends, aesthetic choices, technological innovations, and commercial pressures that have shaped the relationship between music and film from 1896 to the present."--From publisher's description.
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|a JSTOR
|b Books at JSTOR All Purchased
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590 |
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a Motion picture music
|x History and criticism.
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|a Symphony.
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650 |
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|a Film, Musique de
|x Histoire et critique.
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|a Symphonie.
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|a MUSIC
|x Instruction & Study
|x Theory.
|2 bisacsh
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|a PERFORMING ARTS
|x Film & Video
|x General.
|2 bisacsh
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|a Motion picture music
|2 fast
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|a Symphony
|2 fast
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|a Filmmuziek.
|2 gtt
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|a Filmmusik
|x historia.
|2 sao
|
650 |
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|a Symfonier.
|2 sao
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|a Criticism, interpretation, etc.
|2 fast
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1 |
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|a Hubbert, Julia Bess,
|e editor.
|
776 |
0 |
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|i Print version:
|t Celluloid symphonies.
|d Berkeley : University of California Press, 2011
|z 9780520241015
|w (DLC) 2010013985
|w (OCoLC)605019066
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.1525/j.ctt1pnb5m
|z Texto completo
|
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