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Celluloid symphonies : texts and contexts in film music history /

"Celluloid Symphonies is a unique sourcebook of writings on music for film, bringing together fifty-three critical documents, many previously inaccessible. It includes essays by those who created the music--Max Steiner, Erich Korngold, Jerry Goldsmith, Elmer Bernstein, and Howard Shore--and out...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Hubbert, Julia Bess (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Berkeley : University of California Press, [2011]
Temas:
Acceso en línea:Texto completo

MARC

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245 0 0 |a Celluloid symphonies :  |b texts and contexts in film music history /  |c edited by Julie Hubbert. 
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504 |a Includes bibliographical references and index. 
505 0 0 |t Playing the pictures : music and the silent film (1895-1925).  |t Plain talk to theater managers and operators (1909) /  |r F.H. Richardson ;  |t Incidental music for Edison Pictures (1909) ;  |t Jackass music (1911) /  |r Louis Reeves Harrison ;  |g from  |t What and how to play for pictures (1913) /  |r Eugene A. Ahern ;  |t Music for the picture (1911) /  |r Clarence E. Sinn ;  |t The art of exhibition : Rothapfel on motion picture music (1914) /  |r W. Stephen Bush ;  |g from  |t Musical accompaniment of moving pictures (1920) /  |r Edith Lang and George West ;  |g from  |t Musical presentation of motion pictures (1921) /  |r George Beynon ;  |g from  |t Encyclopaedia of music for pictures (1925) /  |r Erno Rapee ;  |t Two thematic music cue sheets : The thief of Bagdad (1924) and Dame chance (1926) ;  |t Music and motion pictures (1926) /  |r Hugo Riesenfeld ;  |t Publishers win movie music suit (1924) --  |t All singing, dancing, and talking : music in the early sound film (1926-1934).  |t New musical marvels in the movies (1926) ;  |t Musicians to fight sound-film devices (1928) ;  |t The truth about voice doubling (1929) /  |r Mark Larkin ;  |t Westward the course of Tin-Pan Alley (1929) /  |r Jerry Hoffman ;  |t What's wrong with musical pictures? (1930) /  |r Sigmund Romberg ;  |t Present day musical films and how they are made possible (1931) /  |r Verna Avery ;  |t Alfred Hitchcock on music in films (1934) /  |r Stephen Watts --  |t Carpet, wallpaper, and earmuffs : the Hollywood score (1935-1959).  |t Composers in movieland (1935) /  |r George Antheil ;  |t The aesthetics of the sound film (1935) /  |r Leonid Sabaneev ;  |t Scoring the film (1937) /  |r Max Steiner ;  |t Some experiences in film music (1940) /  |r Erich Wolfgang Korngold ;  |t What Is a filmusical? (1937) /  |r Denis Morrison ;  |t Music in the films (1941) /  |r Aaron Copland ;  |t Music or sound effects? (1947) /  |r Harold C. Schonberg ;  |t The new musical resources (1947) /  |r Theodor Adorno and Hanns Eisler ;  |t Movie music goes on record (1952) /  |r Arthur Knight ;  |t The man with the golden arm (1956) /  |r Elmer Bernstein ;  |t Forbidden planet (1956) /  |r Louis and Bebe Barron ;  |t Interview with Stanley Donen (1977) /  |r Jim Hillier ;  |t One thing's for sure, R 'n' R is boffo B.O. (1958) /  |r Alan Freed --  |t The recession soundtrack : from albums to auteurs, songs to serialism (1960-1977).  |t Film themes link movie, disk trades (1960) /  |r June Bundy ;  |t Mancini debunks album values (1961) /  |r Eddie Kalish ;  |t Herrmann says Hollywood tone deaf as to film scores (1964) ;  |t The new sound on the soundtracks (1967) /  |r Gene Lees ;  |t Movies : tuning in to the sound of new music (1968) /  |r Renata Adler ;  |t Towards an interior music (1997) /  |r Ennio Morricone ;  |t Keeping score on Schifrin : Lalo Schifrin and the art of film music (1969) /  |r Harvey Siders ;  |t BBC interview with Jerry Goldsmith (1969) ;  |t The jazz composers in Hollywood : a symposium (1972) /  |r Harvey Siders ;  |t George Lucas : stinky kid hits the bigtime (1974) /  |r Steven Farber ;  |t The annotated Friedkin (1974) /  |r Elmer Bernstein ;  |t Whatever became of movie music? (1974) /  |r David Raksin --  |t The postmodern soundtrack : film music in the video and digital age (1978-present).  |t Selling a hit soundtrack (1979) /  |r Susan Peterson ;  |t Interview with John Williams (1997) /  |r Craig L. Byrd ;  |t Scoring with synthesizers (1982) /  |r Terry Atkinson ;  |t Rock movideo (1985) /  |r Marianne Meyer ;  |t How rock is changing Hollywood's tune (1989) /  |r Stephen Holden ;  |t Danny Elfman : from boingo to Batman (1990) /  |r Randall D. Larson ;  |t Interviews from The celluloid jukebox (1995) /  |r Jonathan Romney and Adrian Wootton ;  |t Composing with a very wide palette : Howard Shore in conversation (1999) /  |r Philip Brophy ;  |t Hollywood sound (2005) /  |r Rob Bridgett. 
588 0 |a Online resource; title from digital title page (JSTOR, December 16, 2021). 
520 |a "Celluloid Symphonies is a unique sourcebook of writings on music for film, bringing together fifty-three critical documents, many previously inaccessible. It includes essays by those who created the music--Max Steiner, Erich Korngold, Jerry Goldsmith, Elmer Bernstein, and Howard Shore--and outlines the major trends, aesthetic choices, technological innovations, and commercial pressures that have shaped the relationship between music and film from 1896 to the present."--From publisher's description. 
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650 6 |a Symphonie. 
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700 1 |a Hubbert, Julia Bess,  |e editor. 
776 0 8 |i Print version:  |t Celluloid symphonies.  |d Berkeley : University of California Press, 2011  |z 9780520241015  |w (DLC) 2010013985  |w (OCoLC)605019066 
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