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American cinema and the southern imaginary /

Employing innovations in media studies, southern cultural studies, and approaches to the global South, this collection of essays examines aspects of the southern imaginary in American cinema and offers fresh insight into the evolving field of southern film studies.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Barker, Deborah, 1956- (Editor ), McKee, Kathryn B. (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Athens : University of Georgia Press, ©2011.
Colección:New southern studies.
Temas:
Acceso en línea:Texto completo

MARC

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245 0 0 |a American cinema and the southern imaginary /  |c edited by Deborah E. Barker and Kathryn McKee. 
260 |a Athens :  |b University of Georgia Press,  |c ©2011. 
300 |a 1 online resource (ix, 374 pages) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
347 |a data file 
490 1 |a The new southern studies 
504 |a Includes bibliographical references and index. 
505 0 |a Introduction : the southern imaginary / Deborah E. Barker and Kathryn McKee -- Rereading the Hollywood South. The celluloid war before The birth : race and history in early American film / Robert Jackson -- Mammy's "mules" and the rules of marriage in Gone with the Wind / Riché Richardson -- Bodies and expectations : chain gang discipline / Leigh Anne Duck -- The postwar cinematic South : realism and the politics of liberal consensus / Chris Cagle -- A "professional southerner" in the Hollywood studio system : Lamar Trotti at work, 1934-1952 / Matthew H. Bernstein -- Viewing the civil rights South. Black passing and white pluralism : Imitation of life in the civil rights struggle / Ryan DeRosa -- Remembering Birmingham Sunday : Spike Lee's 4 little girls / Valerie Smith -- Exploitation movies and the freedom struggle of the 1960s / Sharon Monteith -- Crossing borders. Mapping out a postsouthern cinema : three contemporary films / Jay Watson -- The native screen : American Indians in contemporary southern film / Melanie R. Benson -- The city that Déjà vu forgot : memory, mapping, and the Americanization of New Orleans / Briallen Hopper -- Humid time : independent film, gay sexualities, and southernscapes / R. Bruce Brasell -- Papa Legba and the liminal spaces of the Blues : roots music in Deep South film / Christopher J. Smith -- Revamping the South : thoughts on labor, relationality, and southern representation / Tara McPherson. 
588 0 |a Print version record. 
520 |a Employing innovations in media studies, southern cultural studies, and approaches to the global South, this collection of essays examines aspects of the southern imaginary in American cinema and offers fresh insight into the evolving field of southern film studies. 
520 |a Ranging from the silent era to the present and considering Hollywood movies, documentaries, and independent films, the contributors incorporate the latest scholarship in a range of disciplines. The volume is divided into three sections:"Rereading the Hollywood South" uses new critical perspectives to reassess classic Hollywood films;"Viewing the Civil Rights South"examines changing approaches to viewing race and class in the post-civil rights era; and "Crossing Borders" considers the influence of postmodernism, postcolonialism, and media studies on recent southern films 
520 |a "Placing the New Southern Studies in conversation with film studies, this book is simply the best edited collection available on film and the U.S. South.--Grace Hale. University of Virginia 
520 |a "Besides adeptly taking on concepts and questions circulating in the field, American Cinema and the Southern Imaginary intervenes in new exciting ways, ̀rereading the South'(old, new, and postmodern) and insightfully interrogating the South on film, from Birth of a Nation to ̀Birmingham Sunday, ' Slacker, and beyond."--Ed Guerrero New York University 
520 |a "Edgy yet teachable, with essays by many of the best younger scholars in the field, Barker and McKee's landmark collection reminds us why ̀the South' remains central to the Hollywood--and indie--imaginary."--Jon Smith, coeditor of Look Away! The U.S. South in New World Studies --Book Jacket 
546 |a English. 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
590 |a JSTOR  |b Books at JSTOR All Purchased 
651 0 |a Southern States  |x In motion pictures. 
650 0 |a Motion pictures and history. 
650 0 |a Race relations in motion pictures. 
650 0 |a African Americans in motion pictures. 
650 0 |a Memory in motion pictures. 
650 6 |a Cinéma et histoire. 
650 6 |a Relations raciales au cinéma. 
650 6 |a Noirs américains au cinéma. 
650 6 |a Mémoire au cinéma. 
650 7 |a PERFORMING ARTS  |x Film & Video  |x Reference.  |2 bisacsh 
650 7 |a PERFORMING ARTS  |x Film & Video  |x History & Criticism.  |2 bisacsh 
650 7 |a African Americans in motion pictures  |2 fast 
650 7 |a Memory in motion pictures  |2 fast 
650 7 |a Motion pictures  |2 fast 
650 7 |a Motion pictures and history  |2 fast 
650 7 |a Race relations in motion pictures  |2 fast 
651 7 |a Southern States  |2 fast 
648 7 |a Geschichte.  |2 swd 
655 4 |a Aufsatzsammlung. 
700 1 |a Barker, Deborah,  |d 1956-  |e editor. 
700 1 |a McKee, Kathryn B.,  |e editor. 
776 0 8 |i Print version:  |t American cinema and the southern imaginary.  |d Athens : University of Georgia Press, ©2011  |z 9780820333809  |w (DLC) 2010020388  |w (OCoLC)614990699 
830 0 |a New southern studies. 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt46nhzp  |z Texto completo 
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