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Renaissance papers 2006 /

This volume collects the best scholarly essays submitted to the Southeastern Renaissance Conference in 2006. Two focus on Shakespeare: one on twins in 'The Comedy of Errors, ' one on differences between the Quarto and Folio versions of the reunion of Lear and Cordelia. Three essays deal wi...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor Corporativo: Southeastern Renaissance Conference University of North Carolina
Otros Autores: Cobb, Christopher J., 1968-, Hester, M. Thomas
Formato: Electrónico Congresos, conferencias eBook
Idioma:Inglés
Publicado: Rochester, N.Y. : Woodbridge : Published for the Southeastern Renaissance Conference by Camden House ; Boydell & Brewer [distributor], 2006.
Colección:Renaissance Papers.
Temas:
Acceso en línea:Texto completo

MARC

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111 2 |a Southeastern Renaissance Conference  |n (63rd :  |d 2006 :  |c University of North Carolina) 
245 1 0 |a Renaissance papers 2006 /  |c editors, Christopher Cobb, M. Thomas Hester. 
260 |a Rochester, N.Y. :  |b Published for the Southeastern Renaissance Conference by Camden House ;  |a Woodbridge :  |b Boydell & Brewer [distributor],  |c 2006. 
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520 |a This volume collects the best scholarly essays submitted to the Southeastern Renaissance Conference in 2006. Two focus on Shakespeare: one on twins in 'The Comedy of Errors, ' one on differences between the Quarto and Folio versions of the reunion of Lear and Cordelia. Three essays deal with non-Shakespearean drama, examining the unvarying prefatory matter in frequently reprinted dramatic texts, economic systems in Middleton's city comedy, and theories of political resistance in revenge tragedy. Political resistance is also the theme of an essay on the satires of Donne and Propertius, while political legitimation is the subject of one on Medici family portraiture. Two essays concern Elizabethan anthologies: one on the unexamined collection 'Youthes Witte, ' the other on childbirth prayers in 'The Monument of Matrones.' One essay on Milton's treatment of forgiveness and two on his 'Samson Agonistes' conclude the volume, showing the unexpected affinities between Milton's tragedy and Jonson's comedy 'Bartholomew Fair' and meditating upon the challenge to interpretation posed by end of the play. CONTRIBUTORS: JOHN ADRIAN, DAVID BERGERON, KEVIN DONOVAN, HEATHER L. SALE HOLIAN, MATTHEW T. LYNCH, STEVEN W. MAY, ANDREW SHIFFLETT, GERALD SNARE, SUSAN C. STAUB, EMILY STOCKARD, LEWIS WALKER, and GEORGE WALTON WILLIAMS. M. THOMAS HESTER is professor of English at North Carolina State University, and CHRISTOPHER COBB is assistant professor of English at Saint Mary's College. 
505 0 |a Frontcover -- CONTENTS -- Youthes Witte: An Unstudied Elizabethan Anthology of Printed Verse and Prose Fiction -- The Power of Association: A Study in the Legitimization of Bianca Cappello through Medici Matriarchal Portraiture -- Vindicta and Vindiciae on the Early English Stage: Imagining Revenge through Huguenot Resistance Theory -- Breaking the Head of the Serpent: Womenâ€?s Childbirth Prayers in The Monument of Matrones -- “Conquered nations mean nothing in loveâ€?: Political Dissent in Propertiusâ€?s Elegy II.7 and Donneâ€?s “Loveâ€?s Warreâ€? 
505 8 |a Correcting Double Vision in The Comedy of ErrorsLearâ€?s Awakening: Texts and Contexts -- The Power of Fantasy in Middletonâ€?s Chaste Maid: A Cost/Benefit Analysis -- Invariant Paratexts in English Dramatic Texts -- Milton and Forgiveness -- Samson at the Fair -- The End of Samson Agonistes -- Backcover 
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