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Reading performance : Spanish golden age theatre and Shakespeare on the modern stage /
"Oscar Wilde once observed that 'it is the spectator, and not life, that art really mirrors'. This thought is borne out in this volume, which brings together two different and often mutually exclusive constituencies: the academic critic and the theatre practitioner. In looking at the...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Woodbridge, Suffolk, UK ; Rochester, NY :
Tamesis,
[2009]
|
| Colección: | Colección Támesis. Monografías ;
272. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Fischer, Susan L., |e author. | |
| 245 | 1 | 0 | |a Reading performance : |b Spanish golden age theatre and Shakespeare on the modern stage / |c Susan L. Fischer. |
| 264 | 1 | |a Woodbridge, Suffolk, UK ; |a Rochester, NY : |b Tamesis, |c [2009] | |
| 264 | 4 | |c ©2009 | |
| 300 | |a 1 online resource (xxiv, 368 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 490 | 1 | |a Colección Támesis. Serie A, Monografías ; |v 272 | |
| 504 | |a Includes bibliographical references (pages 327-352) and index. | ||
| 505 | 0 | |a Foreword / Jonathan W. Thacker -- Calderon and semiological self-exorcism : El medico de su honra (The Physician of his Honor) -- Calderon and "L'illusion cinematographique'' subverted : Antes que todo es mi dama (Above All She's My Lady) -- Rojas and the interrogation of textual author(ity): La Celestina (The Spanish Bawd) -- Calderon and the ideology of egalitarianism "mas bien dado'' : El alcalde de Zalamea (The Mayor of Zalamea) -- Tirso de Molina and "deadly'' theatre : El vergonzoso en palacio (The Shy Man at Court) -- Lope's carnivalesque theatre of terror : Fuenteovejuna (The Sheepwell) -- Tirso and the restaging of eschatology : El burlador de Sevilla y convidado de piedra (The Trickster of Seville and the Stone Guest) -- Lope's aspectuality and performativity : El castigo sin venganza (Punishment without Revenge) -- Calderon and the "Warrant of Womanhood'' : Life's a Dream (La vida es sueno) -- Calderon and the contingency of radical tragedy : The Painter of Dishonour (El pintor de su deshonra) -- Lope and the problem of an ending : Peribanez (Peribanez y el comendador de Ocana) -- Lope and the politics of truth : The Dog in the Manger (El perm del hortelano) -- Lope and the masks of reality : Pedro et le Commandeur (Peribanez y el comendador de Ocana) -- Spanish appropriations of Shakespeare : El mercader de Venecia (The Merchant of Venice) -- French appropriation of Shakespeare : Le Marchand de Venise (The Merchant of Venice). | |
| 520 | |a "Oscar Wilde once observed that 'it is the spectator, and not life, that art really mirrors'. This thought is borne out in this volume, which brings together two different and often mutually exclusive constituencies: the academic critic and the theatre practitioner. In looking at the ways in which theatre is a barometer of society, the essays in this book form part of a larger theoretical inquiry into performance as interpretation, contingent upon the cultural context. Engaging with theoretical approaches to culture, and theoreticians from Elam to Brook, and from Derrida to Bakhtin, the author analyzes in detail productions of plays by Lope de Vega, Tirso de Molina, and Calderón de la Barca, as well as an adaptation of Rojas' Celestina, on the Spanish, or French, or Anglo-American stage. Two chapters deal with appropriations of Shakespeare's Merchant of Venice in translation on the Spanish and French boards. As they read performance in [trans]national productions, these essays are not only at the cutting-edge of theatre studies on the 'foreign' stage, but they also bring Spanish Golden-Age plays, long neglected by professional directors of the classics because of the lack of a continuous performance tradition, closer to assuming their rightful place amongst 'the great theatre of the world'."-- |c Provided by publisher. | ||
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 588 | 0 | |a Print version record. | |
| 506 | 1 | |a Legal Deposit; |c Only available on premises controlled by the deposit library and to one user at any one time; |e The Legal Deposit Libraries (Non-Print Works) Regulations (UK). |5 WlAbNL | |
| 540 | |a Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force. |5 WlAbNL | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
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| 600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616 |x Stage history. |
| 600 | 1 | 7 | |a Shakespeare, William |d 1564-1616 |x Puesta en escena |x Historia |2 embne |
| 600 | 1 | 7 | |a Shakespeare, William, |d 1564-1616. |2 fast |0 (OCoLC)fst00029048 |
| 600 | 1 | 7 | |a Shakespeare, William. |2 swd |
| 650 | 0 | |a Spanish drama |y Classical period, 1500-1700 |x History and criticism. | |
| 650 | 7 | |a LITERARY CRITICISM |x European |x Spanish & Portuguese. |2 bisacsh | |
| 650 | 7 | |a Teatro español |y S.XVI-XVII |x Historia y crítica |2 embne | |
| 650 | 7 | |a Teatro |v Historia |2 embne | |
| 650 | 7 | |a Spanish drama |x Classical period. |2 fast |0 (OCoLC)fst01710999 | |
| 650 | 7 | |a Comedia |2 gnd | |
| 650 | 7 | |a Aufführung |2 gnd | |
| 648 | 7 | |a 1500-1700 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 776 | 0 | 8 | |i Print version: |a Fischer, Susan L. |t Reading performance. |d Woodbridge, Suffolk [England] ; Rochester, NY : Tamesis, ©2009 |z 9781855661813 |w (DLC) 2009464490 |w (OCoLC)259254685 |
| 830 | 0 | |a Colección Támesis. |n Serie A, |p Monografías ; |v 272. | |
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