Performance in the texts of Mallarmé : the passage from art to ritual /

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Performance in the Texts of Mallarm ̌offers a new theory of performance in the poetic and critical texts of Stephane Mallarm, ̌ a theory challenging the prevailing interpretation of his work as epitomizing literary purism and art for art's sake. Following an analytical presentation of the conce...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Shaw, Mary Lewis
Formato: Electrónico eBook
Idioma:Inglés
Publicado: University Park, Pa. : Pennsylvania State University Press, ©1993.
Colección:Book collections on Project MUSE.
Temas:
Mallarmé, Stéphane, > 1842-1898 > Knowledge > Performing arts.
Mallarmé, Stéphane, > 1842-1898 > Aesthetics.
Mallarme, Stephane, > 1842-1898 > Aesthetics.
Mallarme, Stephane, > 1842-1898 > Knowledge > Performing arts.
Mallarmé, Stéphane, > 1842-1898
Mallarmé, Stéphane, > 1842-1898.
Mallarmé, Stéphane.
Performing arts in literature.
Avant-garde (Aesthetics)
Ritual in literature.
Arts du spectacle dans la littérature.
Rituel dans la littérature.
18.25 French literature.
POETRY > Continental European.
LITERARY CRITICISM > European > French.
Aesthetics
Performing arts
Performing arts in literature
Ritual in literature
Darstellende Kunst
Musik
Uitvoerende kunsten.
Letterkunde.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Intro
  • Title Page
  • Copyright
  • Dedication
  • Contents
  • Acknowledgments
  • Introduction
  • 1. Performance as Ritual
  • 2. Music: "Le dernier et plénier culte humain"
  • 3. Dance: "Rite ... énoncé de l'Idée"
  • 4. Theater: "Le vrai culte moderne"
  • 5. Opera: "Le Monstre-Qui-ne-peut-Être"
  • 6. "La fausse entrée des sorcières dans Macbeth"
  • 7. Hérodiade
  • 8. L'après-midi d'un faune
  • 9. Igitur
  • 10. Un coup de dés
  • 11. Le Livre
  • 12. Avant-Garde Performance
  • Notes
  • Bibliography
  • Index
  • Back Cover

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