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|a The philosophy of horror /
|c edited by Thomas Fahy.
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|a Lexington, Ky. :
|b University Press of Kentucky,
|c ©2010.
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|a 1 online resource (vi, 259 pages) :
|b illustrations
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|a text
|b txt
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|a The philosophy of popular culture
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|a Includes bibliographical references and index.
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|a Introduction / Thomas Fahy -- Horror and the idea of everyday life: on skeptical threats in Psycho and The birds / Philip J. Nickel -- Through a mirror, darkly: art-horror as a medium for moral reflection / Philip Tallon -- The justification of torture-horror: retribution and sadism in Saw, Hostel, and The devil's rejects / Jeremy Morris -- Hobbes, human nature, and the culture of American violence in Truman Capote's In cold blood / Thomas Fahy -- Making their presence known: TV's ghost-hunter phenomenon in a "post-" world / Jessica O'Hara -- The vampire with a soul: Angel and the quest for identity / Amy Kind -- Ideological formations of the nuclear family in The hills have eyes / Lorena Russell -- Zombies of the world, unite: class struggle and alienation in Land of the dead / John Lutz -- The fall of the house of Ulmer: Europe vs. America in the gothic vision of The black cat / Paul A. Cantor -- From domestic nightmares to the nightmare of history: uncanny eruptions of violence in King's and Kubrick's versions of The Shining / John Lutz -- "Hot with rapture and cold with fear": grotesque, sublime, and postmodern transformations in Patrick Süskind's Perfume / Susann Cokal -- Shock value: a deleuzean Encounter with James Purdy's Narrow rooms / Robert F. Gross -- Making monsters: the philosophy of reproduction in Mary Shelley's Frankenstein and the Universal Films Frankenstein and The bride of Frankenstein / Ann C. Hall -- Kitsch and camp and things that go bump in the night; or, Sontag and Adorno at the (horror) movies / David MacGregor Johnston.
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|a Sitting on pins and needles, anxiously waiting to see what will happen next, horror audiences crave the fear and exhilaration generated by a terrifying story; their anticipation is palpable. But they also breathe a sigh of relief when the action is over, when they are able to close their books or leave the movie theater. Whether serious, kitschy, frightening, or ridiculous, horror not only arouses the senses but also raises profound questions about fear, safety, justice, and suffering. From literature and urban legends to film and television, horror's ability to thrill has made it an integral p.
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|a Print version record.
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a Horror films
|x History and criticism.
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|a Horror television programs
|x History and criticism.
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|a Horror in literature.
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|a Horror tales, American
|x History and criticism.
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|a Popular culture.
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|a Films d'horreur
|x Histoire et critique.
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|a Émissions d'horreur télévisées
|x Histoire et critique.
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|a Horreur dans la littérature.
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|a Récits d'horreur américains
|x Histoire et critique.
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|a Culture populaire.
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|a popular culture.
|2 aat
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|a PERFORMING ARTS
|x Film & Video
|x General.
|2 bisacsh
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|a PHILOSOPHY
|x General.
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|a Horror films
|2 fast
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|a Horror in literature
|2 fast
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|a Horror tales, American
|2 fast
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|a Horror television programs
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|a Popular culture
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|a Electronic books.
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|a Criticism, interpretation, etc.
|2 fast
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|a Fahy, Thomas Richard.
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|i Print version:
|t Philosophy of horror.
|d Lexington, Ky. : University Press of Kentucky, ©2010
|z 9780813125732
|w (DLC) 2009053152
|w (OCoLC)460059262
|
830 |
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|a Philosophy of popular culture.
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