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101215s1993 onca ob 001 0 eng d |
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|a OCLCE
|b eng
|e pn
|c OCLCE
|d OCLCQ
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|a 639417600
|a 654316351
|a 1096185115
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|a 9781487584177
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|a AU@
|b 000065231132
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|a (OCoLC)692612422
|z (OCoLC)639417600
|z (OCoLC)654316351
|z (OCoLC)1096185115
|z (OCoLC)1178678956
|z (OCoLC)1257349993
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|a 22573/ctvfqh5v6
|b JSTOR
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|a dlr
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|a e-uk-en
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|a t9u2
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|a ML457
|b .T6 1993
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|a MT892
|b .T64 1993
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|a ML457
|b T644 1993 fol.
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|a MUS
|x 042000
|2 bisacsh
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|a MUS
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|a 24.50
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|a UAMI
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|a Toft, Robert.
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|a Tune thy musicke to thy hart :
|b the art of eloquent singing in England, 1597-1622 /
|c Robert Toft.
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|a Toronto ;
|a Buffalo :
|b University of Toronto Press,
|c ©1993.
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| 300 |
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|a 1 online resource (viii, 194 pages) :
|b illustrations
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| 336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Includes bibliographical references (pages 175-186) and index.
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|a 1. Elocutio -- 2. Pronunciato. To sing eloquently. 'All the senses satisfied'. Pronouncing distinctly. 'Figures and passionate ornaments made manifest'. Divisions and graces. To act aptly -- 3. Passionate Ayres Pronounced.
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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| 533 |
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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1 |
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|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
|5 MiAaHDL
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|a Print version record.
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| 590 |
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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| 650 |
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|a Performance practice (Music)
|z England
|x History
|y 17th century.
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| 650 |
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0 |
|a Singing
|x Interpretation (Phrasing, dynamics, etc.)
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| 650 |
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|a Music
|x Philosophy and aesthetics.
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| 650 |
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|a Performance practice (Music)
|z England
|x History.
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| 650 |
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6 |
|a Pratique de l'exécution (Musique)
|z Angleterre
|x Histoire.
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| 650 |
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|a Chant
|x Interprétation.
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| 650 |
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|a Pratique de l'exécution (Musique)
|z Angleterre
|x Histoire
|y 17e siècle.
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| 650 |
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|a Musique
|x Philosophie et esthétique.
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| 650 |
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|a MUSIC
|x Instruction & Study
|x Voice.
|2 bisacsh
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| 650 |
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|a MUSIC
|x Religious
|x Christian.
|2 bisacsh
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| 650 |
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|a Music
|x Philosophy and aesthetics
|2 fast
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| 650 |
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|a Performance practice (Music)
|2 fast
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| 650 |
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|a Singing
|x Interpretation (Phrasing, dynamics, etc.)
|2 fast
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| 651 |
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|a England
|2 fast
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| 650 |
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|a Vokalmusik
|2 gnd
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|a Musikalische Aufführungspraxis
|2 gnd
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|a England
|2 gnd
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|a Zangkunst.
|2 gtt
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|a Retorica.
|2 gtt
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|a 1600-1699
|2 fast
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|a Geschichte 1597-1622.
|2 swd
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|a History
|2 fast
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|i Print version:
|a Toft, Robert.
|t Tune thy musicke to thy hart.
|d Toronto ; Buffalo : University of Toronto Press, ©1993
|w (DLC) 93191406
|w (OCoLC)30320221
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|u https://jstor.uam.elogim.com/stable/10.3138/j.ctvfrxcv7
|z Texto completo
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| 938 |
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|a EBSCOhost
|b EBSC
|n 2098401
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| 994 |
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|a 92
|b IZTAP
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