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Music speaks : on the language of opera, dance, and song /
Explores the meaning[s] of music, the most intricate and significant language invented by our culture. From Daniel Albright, author of Musicking Shakespeare and Berlioz's Semi-Operas, comes a collection of essays on music and on dance, probing the problems of articulating the meaning[s] of musi...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Rochester, NY :
University of Rochester Press,
2009.
|
| Colección: | Eastman studies in music.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Albright, Daniel, |d 1945-2015. | |
| 245 | 1 | 0 | |a Music speaks : |b on the language of opera, dance, and song / |c Daniel Albright. |
| 260 | |a Rochester, NY : |b University of Rochester Press, |c 2009. | ||
| 300 | |a 1 online resource (xiv, 218 pages) : |b illustrations, music | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file | ||
| 490 | 1 | |a Eastman studies in music, |x 1071-9989 | |
| 504 | |a Includes bibliographical references (pages 209-212) and index. | ||
| 505 | 0 | |a Music's Pentecost, music's stupidity -- Heine and the composers -- The diabolical Senta -- Les Troyens : the undoing of opera -- Far sounds in Zemlinsky and Schreker -- Butchering Moses -- Elliott Carter and poetry : listening to, listening through -- Sophoclean opera -- Belletristic music in the twentieth century -- Golden calves : the role of dance in opera -- Elephant swan space grace. | |
| 588 | 0 | |a Print version record. | |
| 546 | |a English. | ||
| 520 | |a Explores the meaning[s] of music, the most intricate and significant language invented by our culture. From Daniel Albright, author of Musicking Shakespeare and Berlioz's Semi-Operas, comes a collection of essays on music and on dance, probing the problems of articulating the meaning[s] of music; the larger question of how music and language interact; how text-setting highlights certain areas of meter, theme, or ironic undertone, and leaves others in darkness; how a musical composition can behave as a critique of a previous composition; and how one might rehabilitate certain underappreciated or much-scorned figures, such as Meyerbeer, by showing that the very terms of invective used against them can be seen, from another angle, as an indication of what is exciting in their work. Albright shows that music history has an aesthetic of its own, and how music history interacts with intellectual history (from Rousseau to Paul de Man). By abutting music against literature and painting, and by juxtaposing the musics of different centuries, Albright frames a particular work, isolating what is arresting and important in it. The essays range widely, but they rarely stray far from opera, for the opera house is the venue where the performances speak the most intricate and significant language invented by our culture -- a language that speaks in music, words, pictures, and light. Daniel Albright teaches courses in the English, ComparativeLiterature, and Music departments at Harvard University. | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
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| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a Opera. | |
| 650 | 0 | |a Songs |x History and criticism. | |
| 650 | 0 | |a Music and literature. | |
| 650 | 0 | |a Dance |x History. | |
| 650 | 6 | |a Chansons |x Histoire et critique. | |
| 650 | 6 | |a Musique et littérature. | |
| 650 | 6 | |a Danse |x Histoire. | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Appreciation. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x General. |2 bisacsh | |
| 650 | 7 | |a Dance |2 fast | |
| 650 | 7 | |a Music and literature |2 fast | |
| 650 | 7 | |a Opera |2 fast | |
| 650 | 7 | |a Songs |2 fast | |
| 650 | 7 | |a Darstellende Kunst |2 gnd | |
| 650 | 7 | |a Kunstlied |2 gnd | |
| 650 | 7 | |a Musik |2 gnd | |
| 650 | 7 | |a Literatur |2 gnd | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Albright, Daniel, 1945- |t Music speaks. |d Rochester, NY : University of Rochester Press, 2009 |z 9781580463249 |w (DLC) 2009033160 |w (OCoLC)429601596 |
| 830 | 0 | |a Eastman studies in music. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.7722/j.ctt81mn1 |z Texto completo |
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