Extreme poetry : the South Asian movement of simultaneous narration /

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Beginning in the sixth century C.E. and continuing for more than a thousand years, an extraordinary poetic practice was the trademark of a major literary movement in South Asia. Authors invented a special language to depict both the apparent and hidden sides of disguised or dual characters, and then...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Bronner, Yigal
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York : Columbia University Press, 2010.
Colección:South Asia across the disciplines.
Temas:
Sanskrit poetry > History and criticism.
Puns and punning in literature.
Poésie sanscrite > Histoire et critique.
Mots d'esprit et jeux de mots dans la littérature.
TRAVEL > Special Interest > Literary.
LITERARY CRITICISM > General.
LITERARY CRITICISM > Asian > General.
Sanskrit poetry.
Criticism, interpretation, etc.
Acceso en línea:Texto completo

MARC

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100 1 |a Bronner, Yigal. 
245 1 0 |a Extreme poetry :  |b the South Asian movement of simultaneous narration /  |c Yigal Bronner. 
260 |a New York :  |b Columbia University Press,  |c 2010. 
300 |a 1 online resource 
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490 1 |a South Asia across the disciplines 
504 |a Includes bibliographical references and index. 
520 |a Beginning in the sixth century C.E. and continuing for more than a thousand years, an extraordinary poetic practice was the trademark of a major literary movement in South Asia. Authors invented a special language to depict both the apparent and hidden sides of disguised or dual characters, and then used it to narrate India's major epics, the Ramayana and the Mahabharata, simultaneously. Originally produced in Sanskrit, these dual narratives eventually worked their way into regional languages, especially Telugu and Tamil, and other artistic media, such as sculptur. 
588 0 |a Print version record. 
505 0 0 |t Frontmatter --  |t Contents --  |t Figures and Tables --  |t Acknowledgments --  |t A Note on Sanskrit Transliteration --  |t 1. INTRODUCTION --  |t 2. EXPERIMENTING WITH ŚLESA IN SUBANDHU'S PROSE LAB --  |t 3. THE DISGUISE OF LANGUAGE --  |t 4. AIMING AT TWO TARGETS --  |t 5. BRINGING THE GANGES TO THE OCEAN --  |t 6. ŚLESA AS READING PRACTICE --  |t 7. THEORIES OF ŚLESA IN SANSKRIT POETICS --  |t 8. TOWARD A THEORY OF ŚLEŞA --  |t Appendix 1: Bitextual and Multitextual Works in Sanskrit --  |t Appendix 2: Bitextual and Multitextual Works in Telugu --  |t Notes --  |t References --  |t Index 
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650 0 |a Sanskrit poetry  |x History and criticism. 
650 0 |a Puns and punning in literature. 
650 6 |a Poésie sanscrite  |x Histoire et critique. 
650 6 |a Mots d'esprit et jeux de mots dans la littérature. 
650 7 |a TRAVEL  |x Special Interest  |x Literary.  |2 bisacsh 
650 7 |a LITERARY CRITICISM  |x General.  |2 bisacsh 
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650 7 |a Sanskrit poetry.  |2 fast  |0 (OCoLC)fst01105263 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
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830 0 |a South Asia across the disciplines. 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.7312/bron15160  |z Texto completo 
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