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The naked gaze : reflections on Chinese modernity /
"This is a study of visuality in early modern and modern China. Its focus, however, is not so much on imagery per se but rather on how vision itself has been conceived, imagined, and deployed in a variety of discursive contexts. Of particular interest is how these discourses of vision have been...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge, Mass. :
Published by the Harvard University Asia Center : Distributed by Harvard University Press,
2008.
|
| Colección: | Harvard East Asian monographs ;
308. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Rojas, Carlos, |d 1970- |e author. | |
| 245 | 1 | 4 | |a The naked gaze : |b reflections on Chinese modernity / |c Carlos Rojas. |
| 260 | |a Cambridge, Mass. : |b Published by the Harvard University Asia Center : |b Distributed by Harvard University Press, |c 2008. | ||
| 300 | |a 1 online resource (xii, 330 pages, 16 unnumbered pages of plates) : |b illustrations (some color) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Harvard East Asian monographs ; |v 308 | |
| 504 | |a Includes bibliographical references (pages 305-317) and index. | ||
| 505 | 0 | |a The errant gaze -- Specularity and the limits of vision -- Li Ruzhen and laughing at the gibbon -- Chen Sen and the coin of gender -- Wumingshi and pictorial fetishism -- Jin Yong and picturing nationalism -- Eileen Chang and photographic nostalgia -- Li Yung-pʻing and spectral cartography -- Gao Xingjian and maternal photographs -- Wang Shuo and historical portraiture -- Chu Tʻien-wen and cinematic shadows. | |
| 520 | 1 | |a "This is a study of visuality in early modern and modern China. Its focus, however, is not so much on imagery per se but rather on how vision itself has been conceived, imagined, and deployed in a variety of discursive contexts. Of particular interest is how these discourses of vision have been used to articulate issues of gender and desire, and specifically processes of gendered subject formation. Through detailed readings of narrative works by eight nineteenth- and twentieth-century authors - ranging from the canonical to the popular to the esoteric - the study identifies three distinct constellations of visual concerns corresponding to the late imperial, mid-twentieth century, and contemporary periods, respectively. At the same time, however, it argues that those historical periodizations themselves do not reflect a smooth, unidirectional temporal movement; rather, they are the result of a complex process of retrospection and anticipatory projection. The goal of this volume is to use a focus on tropes of visuality and gender to reflect on shifting understandings of the significance of Chineseness, modernity, and Chinese modernity."--Jacket | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 588 | 0 | |a Print version record. | |
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a Chinese literature |y 19th century |x History and criticism. | |
| 650 | 0 | |a Chinese literature |y 20th century |x History and criticism. | |
| 650 | 6 | |a Littérature chinoise |y 19e siècle |x Histoire et critique. | |
| 650 | 6 | |a Littérature chinoise |y 20e siècle |x Histoire et critique. | |
| 650 | 7 | |a PHILOSOPHY |x Aesthetics. |2 bisacsh | |
| 650 | 7 | |a Chinese literature. |2 fast |0 (OCoLC)fst00857595 | |
| 650 | 7 | |a Literatur |2 gnd | |
| 650 | 7 | |a Sehen |g Motiv |2 gnd | |
| 650 | 7 | |a Författare |x litteraturvetenskap |x modernismen |z Kina |y 1800-talet |y 1900-talet. |2 kao | |
| 650 | 7 | |a Självporträtt |x fotografi. |2 kao | |
| 650 | 7 | |a Samhällsutveckling. |2 kao | |
| 650 | 7 | |a Kinesisk litteratur |x historia |y 1800-talet |y 1900-talet. |2 sao | |
| 651 | 7 | |a Chinesisch. |2 swd | |
| 648 | 7 | |a 1800-1999 |2 fast | |
| 648 | 7 | |a Geschichte 1800-2000. |2 swd | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 776 | 0 | 8 | |i Print version: |a Rojas, Carlos, 1970- |t Naked gaze. |d Cambridge, Mass. : Published by the Harvard University Asia Center : Distributed by Harvard University Press, 2008 |w (DLC) 2008032984 |w (OCoLC)225874306 |
| 830 | 0 | |a Harvard East Asian monographs ; |v 308. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt1x07wwn |z Texto completo |
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