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|a UAMI
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|a Lock, Graham,
|d 1948-
|e author.
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|a Blutopia :
|b visions of the future and revisions of the past in the work of Sun Ra, Duke Ellington, and Anthony Braxton /
|c Graham Lock.
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|a Durham :
|b Duke University Press,
|c 1999.
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|a 1 online resource (xi, 314 pages) :
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
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|a Includes bibliographical references (pages 285-303) and index.
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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|a digitized
|c 2010
|h HathiTrust Digital Library
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|a Print version record.
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|a Introduction: Blutopia -- pt. I. Sun Ra: A Starward Eye. 1. Astro Black: Mythic Future, Mythic Past. 2. Of Aliens and Angels: Mythic Identity -- pt. II. Duke Ellington: Tone Parallels. 3. In the Jungles of America: History Without Saying It. 4. Zajj: Renegotiating Her Story -- pt. III. Anthony Braxton: Crossroad Axiums. 5. All the Things You Are: Legba's Legacy. 6. Going to the Territory: Sound Maps of the Meta-Real -- Coda: House of Voices, Sea of Music.
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|a In Blutopia Graham Lock studies the music and thought of three pioneering twentieth-century musicians: Sun Ra, Duke Ellington, and Anthony Braxton. Providing an alternative to previous analyses of their work, Lock shows how these distinctive artists were each influenced by a common musical and spiritual heritage and participated in self-conscious efforts to create a utopian vision of the future. A century after Ellington's birth, Lock reassesses his use of music as a form of black history and compares the different approaches of Ra, a band leader who focused on the future and cosmology, and Braxton, a contemporary composer whose work creates its own elaborate mythology. Arguing that the majority of writing on black music and musicians has, even if inadvertently, incorporated racial stereotypes, he explains how each artist reacted to criticism and sought to break free of categorical confines. Drawing on social history, musicology, biography, cultural theory, and, most of all, statements by the musicians themselves, Lock writes of their influential work. Blutopia will be a welcome contribution to the literature on twentieth-century African American music and creativity. It will interest students of jazz, American music, African American studies, American culture, and cultural studies.
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|b Books at JSTOR All Purchased
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|a Sun Ra
|x Criticism and interpretation
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1 |
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|a Ellington, Duke,
|d 1899-1974
|x Criticism and interpretation.
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|a Braxton, Anthony
|x Criticism and interpretation
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|a Braxton, Anthony
|x Criticism and interpretation.
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|a Ellington, Duke,
|d 1899-1974
|x Criticism and interpretation.
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|a Sun Ra
|x Criticism and interpretation.
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1 |
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|a Braxton, Anthony.
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|0 (OCoLC)fst00170731
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|a Ellington, Duke,
|d 1899-1974.
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|0 (OCoLC)fst00019509
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|a Sun Ra.
|2 fast
|0 (OCoLC)fst00222811
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|a Braxton, Anthony
|d 1945-
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|a Ellington, Duke
|d 1899-1974
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|a Sun Ra
|c Jazzmusiker
|d 1914-1993
|2 gnd
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|a Sun Ra.
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|a Ellington, Duke.
|2 swd
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|a Braxton, Anthony.
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|a Jazz
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|a MUSIC
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|a MUSIC
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|2 bisacsh
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|a Jazz.
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|0 (OCoLC)fst00982165
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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|a Hochschulschrift.
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|i Print version:
|a Lock, Graham, 1948-
|t Blutopia.
|d Durham : Duke University Press, 1999
|z 0822324040
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|w (OCoLC)41527998
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