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Past looking : historical imagination and the rhetoric of the image /

Michael Ann Holly asserts that historical interpretation of the pictorial arts is always the intellectual product of a dynamic exchange between past and present. Recent theory emphasizes the subjectivity of the historian and the ways in which any interpretation betrays the presence of an interpreter...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Holly, Michael Ann
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Ithaca : Cornell University Press, ©1996.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Holly, Michael Ann. 
245 1 0 |a Past looking :  |b historical imagination and the rhetoric of the image /  |c Michael Ann Holly. 
260 |a Ithaca :  |b Cornell University Press,  |c ©1996. 
300 |a 1 online resource (xvi, 214 pages) :  |b illustrations 
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588 0 |a Print version record. 
505 0 0 |t Frontmatter --  |t Contents --  |t Illustrations --  |t Preface --  |t 1. Telling a Picture --  |t 2. Picturing Cultural History --  |t 3. Looking into the Past --  |t 4. Imagining the Baroque --  |t 5. Writing Leonardo Backwards --  |t 6. Witnessing an Annunciation --  |t 7. Reading Critical Theory --  |t Index 
520 |a Michael Ann Holly asserts that historical interpretation of the pictorial arts is always the intellectual product of a dynamic exchange between past and present. Recent theory emphasizes the subjectivity of the historian and the ways in which any interpretation betrays the presence of an interpreter. In Past Looking, she challenges that view, arguing that historical objects of representational art are actively engaged in prefiguring the kinds of histories that can be written about them. Holly directs her attention to early modern works of visual art and their rhetorical roles in legislating the kind of tales told bout them by a few classic cultural commentaries of the nineteenth and twentieth centuries: Burckhardt's synchronic vision of the Italian Renaissance, Wölfflin's exemplification of the Baroque, Schapiro's and Freud's dispute over the meanings of Leonardo's art, and Panofsky's exegesis of the disguised symbolism of Northern Renaissance painting. 
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650 0 |a Visual communication in art. 
650 0 |a Art  |x Philosophy. 
650 0 |a Art  |x Historiography. 
650 6 |a Communication visuelle dans l'art. 
650 6 |a Art  |x Philosophie. 
650 6 |a Art  |x Historiographie. 
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650 7 |a Visual communication in art.  |2 fast  |0 (OCoLC)fst01168010 
650 7 |a Kunst  |2 gnd 
650 7 |a Kulturgeschichtsschreibung  |2 gnd 
650 7 |a Visuelle Kommunikation  |2 gnd 
650 7 |a Kunstgeschichtsschreibung  |2 gnd 
650 1 7 |a Beeldende kunsten.  |2 gtt 
650 1 7 |a Interpretatie.  |2 gtt 
650 1 7 |a Kunstgeschiedenis (wetenschap)  |2 gtt 
650 0 7 |a Geschichte 1860-1960.  |2 swd 
653 0 |a Visual arts 
776 0 8 |i Print version:  |a Holly, Michael Ann.  |t Past looking.  |d Ithaca : Cornell University Press, ©1996  |w (DLC) 95040984  |w (OCoLC)33161523 
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