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101112s1996 nyua ob 001 0 eng d |
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|a OCLCE
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|a 622190682
|a 1100868995
|a 1132223788
|a 1155262400
|a 1162465281
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|a 9781501725692
|q (electronic bk.)
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|a 1501725696
|q (electronic bk.)
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|z 080143209X
|q (cloth ;
|q alk. paper)
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|z 9780801432095
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|z 0801483026
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|a GBVCP
|b 104898186X
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|a (OCoLC)681183481
|z (OCoLC)622190682
|z (OCoLC)1100868995
|z (OCoLC)1132223788
|z (OCoLC)1155262400
|z (OCoLC)1162465281
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|a 22573/ctv5qt7q4
|b JSTOR
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|a dlr
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|a N71
|b .H63 1996
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|a ART
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|2 bisacsh
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|a ART
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|a UAMI
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|a Holly, Michael Ann.
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|a Past looking :
|b historical imagination and the rhetoric of the image /
|c Michael Ann Holly.
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|a Ithaca :
|b Cornell University Press,
|c ©1996.
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|a 1 online resource (xvi, 214 pages) :
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Includes bibliographical references and index.
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
|5 MiAaHDL
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|a Print version record.
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|t Frontmatter --
|t Contents --
|t Illustrations --
|t Preface --
|t 1. Telling a Picture --
|t 2. Picturing Cultural History --
|t 3. Looking into the Past --
|t 4. Imagining the Baroque --
|t 5. Writing Leonardo Backwards --
|t 6. Witnessing an Annunciation --
|t 7. Reading Critical Theory --
|t Index
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|a Michael Ann Holly asserts that historical interpretation of the pictorial arts is always the intellectual product of a dynamic exchange between past and present. Recent theory emphasizes the subjectivity of the historian and the ways in which any interpretation betrays the presence of an interpreter. In Past Looking, she challenges that view, arguing that historical objects of representational art are actively engaged in prefiguring the kinds of histories that can be written about them. Holly directs her attention to early modern works of visual art and their rhetorical roles in legislating the kind of tales told bout them by a few classic cultural commentaries of the nineteenth and twentieth centuries: Burckhardt's synchronic vision of the Italian Renaissance, Wölfflin's exemplification of the Baroque, Schapiro's and Freud's dispute over the meanings of Leonardo's art, and Panofsky's exegesis of the disguised symbolism of Northern Renaissance painting.
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Visual communication in art.
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|a Art
|x Philosophy.
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|a Art
|x Historiography.
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|a Communication visuelle dans l'art.
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|a Art
|x Philosophie.
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|a Art
|x Historiographie.
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|a ART
|x Criticism & Theory.
|2 bisacsh
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|a Art
|x Historiography.
|2 fast
|0 (OCoLC)fst00815259
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650 |
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|a Art
|x Philosophy.
|2 fast
|0 (OCoLC)fst00815307
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650 |
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|a Visual communication in art.
|2 fast
|0 (OCoLC)fst01168010
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650 |
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|a Kunst
|2 gnd
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|a Kulturgeschichtsschreibung
|2 gnd
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|a Visuelle Kommunikation
|2 gnd
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|a Kunstgeschichtsschreibung
|2 gnd
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1 |
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|a Beeldende kunsten.
|2 gtt
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1 |
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|a Interpretatie.
|2 gtt
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1 |
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|a Kunstgeschiedenis (wetenschap)
|2 gtt
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|a Geschichte 1860-1960.
|2 swd
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653 |
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|a Visual arts
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776 |
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8 |
|i Print version:
|a Holly, Michael Ann.
|t Past looking.
|d Ithaca : Cornell University Press, ©1996
|w (DLC) 95040984
|w (OCoLC)33161523
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856 |
4 |
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|u https://jstor.uam.elogim.com/stable/10.7591/j.ctv5rf649
|z Texto completo
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|a Askews and Holts Library Services
|b ASKH
|n AH35661209
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|a Project MUSE
|b MUSE
|n muse71379
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|a YBP Library Services
|b YANK
|n 15709036
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