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101112s2009 nyua ob 100 0 eng d |
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|a 021162579
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|b .S68 2008eb
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|a UAMI
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|a Southeastern Renaissance Conference
|n (65th :
|d 2008 :
|c Staunton, Va.)
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|a Renaissance papers 2008 /
|c editor, Christopher Cobb.
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|a Rochester, New York :
|b Published for The Southeastern Renaissance Conference by Camden House ;
|a Woodbridge :
|b Boydell & Brewer [distributor],
|c ©2009.
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|a .1 online resource (175 pages) :
|b illustrations.
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
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|a data file
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|a Renaissance Papers
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|a Includes bibliographical references.
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|a Print version record.
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|a ""Frontcover ""; ""CONTENTS""; ""Cardinal Wolsey: The English Cardinal Italianate""; ""Pope Gregory and the Gens Anglorum: Thomas Stapleton�s Translation of Bede""; ""The Spenserian Paradox of Intended Response""; ""Lucan, Marlowe, and the Poetics of Violence""; ""Hell Is Discovered""; ""Private and Public Plays in the Private Theaters: Speculation on the Mercenary Methods of Second Paul�s and Second Blackfriars""; ""Staging Dismemberment in Early Modern Drama: Playing Mnemonics and Meaning""; ""Serving Theater in Volpone""; ""Troilus and Cressida: An Epitaph for the History Play""
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|a 'Renaissance Papers' collects the best scholarly essays submitted each year to the Southeastern Renaissance Conference. The 2008 volume, in keeping with the Conference's meeting at the new Blackfriars Playhouse at the American Shakespeare Center in Staunton, Virginia, has a special emphasis on the performance history of Renaissance drama. It includes essays on the use of trap doors in London theaters, on the staging of dismemberment in Renaissance plays, on the economics of the boys' companies, and on Jonson's engagement with changing patterns of theatrical patronage in 'Volpone'. An essay on 'Troilus and Cressida' and the history play rounds out the volume's studies in drama. Three essays treat epic from a variety of perspectives, considering in turn Spenser's techniques for leading readers to doubt his narrator in Book Three of the 'Faerie Queene', Marlowe's allusions to Lucan in 'Hero and Leander', and Milton's treatment of names and materialism in 'Paradise Lost'. Two essays examine decidedly different incidents of sixteenth-century religious controversy: Wolsey's use of Italian models to display his magnificence through his building program, and Thomas Stapleton's translation of Bede during the Great Controversy to refute Protestant claims about the origins of the English Church. Contributors: Jane Blanchard, Kevin M. Carr, Nicholas Crawford, Sara Nair James, Claire Kimball, C. Bryan Love, Pamela Royston Macfie, James J. Mainard O'Connell, Paul J. Stapleton, and Lewis Walker. Christopher Cobb is assistant professor of English at Saint Mary's College.
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|a English.
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a English literature
|y Early modern, 1500-1700
|x History and criticism
|v Congresses.
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|a Renaissance
|v Congresses.
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|a Great Britain
|x History
|y Stuarts, 1603-1714
|v Congresses.
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|a Renaissance
|v Congrès.
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|a Grande-Bretagne
|x Histoire
|y 1603-1714 (Stuarts)
|v Congrès.
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|a LITERARY CRITICISM
|x European
|x English, Irish, Scottish, Welsh.
|2 bisacsh
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|a English literature
|x Early modern.
|2 fast
|0 (OCoLC)fst01710960
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|a Renaissance.
|2 fast
|0 (OCoLC)fst01094518
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|a Great Britain.
|2 fast
|0 (OCoLC)fst01204623
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|a 1500 - 1714
|2 fast
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|a Conference papers and proceedings.
|2 fast
|0 (OCoLC)fst01423772
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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|a History.
|2 fast
|0 (OCoLC)fst01411628
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|a Cobb, Christopher J.,
|d 1968-
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|i Print version:
|a Southeastern Renaissance Conference (65th : 2008 : Staunton, Va.).
|t Renaissance papers 2008.
|z 9781571133977
|w (OCoLC)390774859
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|a Renaissance Papers.
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|u https://jstor.uam.elogim.com/stable/10.7722/j.ctt81ws4
|z Texto completo
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|a ProQuest MyiLibrary Digital eBook Collection
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|n 279555
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|a 92
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