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The cinema of economic miracles : visuality and modernization in the Italian art film /
This text will interest scholars and students in all areas of film studies, especially those studying theories of the image, national cinema theory, and Italian cinema, and those engaged in poststructuralist theory and philosophy.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham, NC :
Duke University Press,
2002.
|
| Colección: | Post-contemporary interventions.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Restivo, Angelo, |d 1949- |e author. | |
| 245 | 1 | 4 | |a The cinema of economic miracles : |b visuality and modernization in the Italian art film / |c Angelo Restivo. |
| 260 | |a Durham, NC : |b Duke University Press, |c 2002. | ||
| 300 | |a 1 online resource (212 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a text file | ||
| 347 | |b PDF | ||
| 490 | 1 | |a Post-contemporary interventions | |
| 504 | |a Includes bibliographical references (pages 195-202) and index. | ||
| 505 | 0 | |a pt. I. Neorealism and Nation. 1. Writing the National Cinema. 2. Neorealism and the Stain -- pt. II. The Nation, the Body, and Pasolini. 3. Tropes of Modernization: The Bandit and the Road. 4. Spatial Transformations: Mapping the New Italy. 5. Pasolini and the Limits of Resistance -- pt. III. Antonioni and the Postmodern Sublime. 6. The Object Antonioni. 7. The Sublime and the Disaster -- pt. IV. Boundaries. 8. The Erotics of the Periphery. | |
| 520 | 8 | |a This text will interest scholars and students in all areas of film studies, especially those studying theories of the image, national cinema theory, and Italian cinema, and those engaged in poststructuralist theory and philosophy. | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 588 | 0 | |a Print version record. | |
| 546 | |a English. | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 600 | 1 | 0 | |a Pasolini, Pier Paolo, |d 1922-1975 |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Antonioni, Michelangelo |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Antonioni, Michelangelo |2 fast |
| 600 | 1 | 7 | |a Pasolini, Pier Paolo, |d 1922-1975 |2 fast |
| 600 | 1 | 7 | |a Pasolini, Pier Paolo, |d (1922-1975) |x Critique et interprétation. |2 ram |
| 600 | 1 | 7 | |a Antonioni, Michelangelo, |d (1912-2007) |x Critique et interprétation. |2 ram |
| 650 | 0 | |a Motion pictures |z Italy |x History. | |
| 650 | 6 | |a Cinéma |z Italie |x Histoire. | |
| 650 | 7 | |a PERFORMING ARTS |x General. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 651 | 7 | |a Italy |2 fast | |
| 650 | 7 | |a Visualisierung |2 gnd | |
| 651 | 7 | |a Italien |2 gnd | |
| 650 | 7 | |a Film |2 gnd | |
| 650 | 1 | 7 | |a Filmkunst. |2 gtt |
| 650 | 7 | |a Cinéma |z Italie |x Histoire et critique. |2 ram | |
| 650 | 7 | |a Néo-réalisme (cinéma) |2 ram | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Restivo, Angelo, 1949- |t Cinema of economic miracles. |d Durham, NC : Duke University Press, 2002 |w (DLC) 2001040683 |w (OCoLC)47696340 |
| 830 | 0 | |a Post-contemporary interventions. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv1220m0v |z Texto completo |
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