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|a PN1995
|b .R6194 1997
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|a UAMI
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|a Rodowick, David Norman,
|e author.
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|a Gilles Deleuze's time machine /
|c D.N. Rodowick.
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|a Durham, NC :
|b Duke University Press,
|c 1997.
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|a 1 online resource (xviii, 258 pages) :
|b illustrations
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|a text
|b txt
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|a computer
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|a online resource
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|a Post-contemporary interventions
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|a Includes bibliographical references (pages 243-248) and index.
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
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|a Print version record.
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|a Placing Deleuze's two books on cinema - The Movement-Image and The Time-Image - in the context of French cultural theory of the 1960s and 1970s, Rodowick examines the logic of Deleuze's theories and their relationship to his influential philosophy of difference. Rodowick illuminates the connections between Deleuze's writings on visual and scientific texts and describes the formal logic of his theory of images and signs. Revealing how Deleuzian views on film speak to the broader network of philosophical problems addressed in Deleuze's other books - including his influential work with Felix Guattari - Rodowick shows not only how Deleuze modifies the dominant traditions of film theory, but also how the study of cinema is central to the project of modern philosophy.
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|a Contents -- Preface -- Part I. Movement, Image, Sign -- 1. A Short History of Cinema -- 2. Movement and Image -- 3. Image and Sign -- 4. Time and Memory, Orders and Powers -- Part II. Force, Power, Resistance -- 5. Critique, or Truth in Crisis -- 6. Series and Fabulation: Minor Cinema -- 7. Thought and Image -- 8. Conclusion: The Memory of Resistance -- Notes -- Bibliography -- Index
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|a JSTOR
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|a JSTOR
|b Books at JSTOR All Purchased
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|a Deleuze, Gilles,
|d 1925-1995.
|t Cinéma.
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|a Deleuze, Gilles,
|d 1925-1995
|x Criticism and interpretation.
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|a Deleuze, Gilles.
|t Cinéma.
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|a Deleuze, Gilles
|x Critique et interprétation.
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|a Deleuze, Gilles,
|d 1925-1995.
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|a Cinéma (Deleuze, Gilles)
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|a Deleuze, Gilles,
|d (1925-1995)
|x Et le cinéma.
|2 ram
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|a Deleuze, Gilles,
|d (1925-1995)
|x Critique et interprétation.
|2 ram
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|a Deleuze, Gilles.
|2 swd
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|a Motion pictures
|x Philosophy.
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|a Cinéma
|x Philosophie.
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|a PERFORMING ARTS
|x Reference.
|2 bisacsh
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|a PERFORMING ARTS
|x Film & Video
|x History & Criticism.
|2 bisacsh
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|a Motion pictures
|x Philosophy.
|2 fast
|0 (OCoLC)fst01027348
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|a Filmtheorie
|2 gnd
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|a Filmtheorie.
|2 gtt
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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|i Print version:
|a Rodowick, David Norman.
|t Gilles Deleuze's time machine.
|d Durham, NC : Duke University Press, 1997
|z 0822319624
|w (DLC) 96038132
|w (OCoLC)36112031
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|a Post-contemporary interventions.
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv1134f6c
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