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Othmar Schoeck : life and works /
In this, the first extended study of Schoeck in English, Walton places the man and the artist squarely in the context of his time. The work of the late-Romantic Swiss composer Othmar Schoeck (1886-1957) has in recent years enjoyed a surge of interest. His 300 songs with piano accompaniment are now a...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Rochester, NY :
University of Rochester Press,
2009.
|
| Colección: | Eastman studies in music ;
v. 65. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Walton, Chris, |d 1963- | |
| 245 | 1 | 0 | |a Othmar Schoeck : |b life and works / |c Chris Walton. |
| 260 | |a Rochester, NY : |b University of Rochester Press, |c 2009. | ||
| 300 | |a 1 online resource (xvii, 447 pages) : |b illustrations, music | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 347 | |a data file | ||
| 380 | |a Catalog | ||
| 380 | |a Discography | ||
| 490 | 1 | |a Eastman studies in music, |x 1071-9989 ; |v v. 65 | |
| 504 | |a "Concise work catalogue and discography": pages 327-381 | ||
| 504 | |a Includes bibliographical references (pages 403-411) and index. | ||
| 505 | 0 | |a Introduction : Schoeck and the Swiss -- Childhood and youth -- Wolf amidst the sheep -- Leipzig, Munich, and an awful little moustache -- Back in the fold -- Hermann Hesse, via the dentist -- Look back in melancholy -- Chamber music -- The art of counterpoint -- Busoni -- The picture on the wall -- Touch of Venus -- Silent bronze -- Sucking sweet folly -- Self portrait, with sandwich -- Elegy -- Goodbye to Geneva -- The bee in the rose -- Raging queen -- Storms in the pigeon loft -- Into the vortex -- Wrong-note rag -- Hildebill -- Variations and fugue on an age-old theme -- Put to the wheel -- Gisela -- Lost in the stars -- Whores and madonnas -- "-- he can write music all right-- " -- Tea with (Ms.) Hitler -- Aryanizing music -- Arms and the man -- Castles in the air -- Goering's bullshit -- Collapse -- The people at home -- The reckoning -- Transfigured summer nights -- Silent lights -- Fair measure -- Rather nice horn -- Sleepless in Wollishofen -- Echoes and elegies -- Running on empty -- Epilogue. | |
| 588 | 0 | |a Print version record. | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 520 | |a In this, the first extended study of Schoeck in English, Walton places the man and the artist squarely in the context of his time. The work of the late-Romantic Swiss composer Othmar Schoeck (1886-1957) has in recent years enjoyed a surge of interest. His 300 songs with piano accompaniment are now all on CD, as are his orchestral song cycles and five of his eight stage works. Yet despite an impressive discography featuring names such as Dietrich Fischer-Dieskau, Lucia Popp and Ian Bostridge, no biographical study of Schoeck has ever been available in English. Chris Walton, author of <I>Richard Wagner in Zurich: The Muse of Place</I>, charts the turbulent course of Schoeck's life and career with care and candor, from a rampant youth to midlife monogamy and an old age ravaged by fears of neglect. He traces Schoeck's relationships to musicians such as Max Reger, Ferruccio Busoni, Wilhelm Furtwängler, Paul Hindemith, and Igor Stravinsky, and to writers Thomas Mann, Hermann Hesse, and James Joyce. New light is also shed on Schoeck's uneasy relationship with Nazi Germany and its culmination, for him, in public humiliation and private catastrophe. As an accompanist, Schoeck was an arch-Romantic master of 'rubato'; as a conductor, he was a fervent champion of the new; and in his compositions, he moved from late-Romanticism through a modernist vortex to emerge in full mastery of an individual musical language both sensuous and stringent. Chris Walton is Extraordinary Professor at the University of Stellenbosch in South Africa and managing director of the Orchestre Symphonique Bienne in Switzerland. He is the recipient of the 2010 Max Geilinger Prize honoring exemplary contributions to the literary and cultural relationship between Switzerland and the English-speaking world. | ||
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| 600 | 1 | 0 | |a Schoeck, Othmar, |d 1886-1957. |
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| 776 | 0 | 8 | |i Print version: |a Walton, Chris, 1963- |t Othmar Schoeck. |d Rochester, NY : University of Rochester Press, 2009 |z 9781580463003 |w (DLC) 2009025847 |w (OCoLC)262426580 |
| 830 | 0 | |a Eastman studies in music ; |v v. 65. | |
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