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|a Heisler, Wayne,
|d 1970-
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|a The ballet collaborations of Richard Strauss /
|c Wayne Heisler Jr.
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|a Rochester, NY :
|b University of Rochester Press,
|c 2009.
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|a 1 online resource (xi, 345 pages) :
|b illustrations, music
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|a text
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|a Eastman studies in music,
|x 1071-9989 ;
|v [v. 64]
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|a Includes bibliographical references (pages 309-330) and index.
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|a Introduction : Richard Strauss, dance and ballet -- Part one : becoming a ballet composer, 1895-1914. Strauss en route to Die Insel Kythere (The isle of Cythera, 1900) ; Josephslegende (The legend of Joseph, 1914), Léonide Massine, and the music box dancer -- Part two : to drive away all cloudy thoughts, 1919-1941. The Strauss-Heinrich Kröller Ballettsoirée (1923) and interwar Viennese cultural politics ; Kitsch and Schlagobers (Whipped cream, 1924) ; Verstrausster Couperin, Verklingender Strauss, Verklungene Feste : Tanzvisionen aus zwei Jahrhunderten (Bygone celebrations : dance visions from two centuries, 1941).
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|a Print version record.
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|f Restrictions unspecified
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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|a digitized
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|h HathiTrust Digital Library
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|a In 'The Ballet Collaborations of Richard Strauss', Heisler considers Strauss's ballet scores alongside story, mise-en-scène, and choreography, revealing Strauss's shift from a parodic conception of classical dance in the years leading up to World War I to a belated obsession with Romantic-era ballet in its aftermath. Heisler explores issues central to Strauss's relationship to modernism: his mining in 'Die Insel Kythere' (1900) of the decorative aspects of dance, suggesting a shared sensibility with fin-de-siècle Jugendstil and a critique of Romanticism; the dynamics of collective creation and Strauss's penchant for parody in relation to 'Josephslegende' (1914); his stance on interwar cultural politics through the 1923 'Ballettsoirée' and 'Schlagobers' (1924); and 'Verklungene Feste' (1941) as this composer's autumnal meditation on the conceit of music and dance as vehicles for transcendence. 'The Ballet Collaborations of Richard Strauss' is a richly interdisciplinary study that promises to nuance the popular, critical, and academic reception of this ever-popular composer. Wayne Heisler Jr. is assistant professor and Coordinator of Historical and Cultural Studies in Music at The College of New Jersey.
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Strauss, Richard,
|d 1864-1949.
|t Ballets.
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|a Ballets (Strauss, Richard)
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|0 (OCoLC)fst01911767
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|a Strauss, Richard.
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|a Ballets
|y 20th century
|x History and criticism.
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|a Ballets
|y 20e siècle
|x Histoire et critique.
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|a MUSIC
|x Genres & Styles
|x Ballet.
|2 bisacsh
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|a MUSIC
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|a Ballets.
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|a Aufführung
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|a Ballettmusik
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|a Ballett
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|a 1900-1999
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|a Criticism, interpretation, etc.
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|0 (OCoLC)fst01411635
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|i Print version:
|a Heisler, Wayne, 1970-
|t Ballet collaborations of Richard Strauss.
|d Rochester, NY : University of Rochester Press, 2009
|z 9781580463218
|w (DLC) 2009013799
|w (OCoLC)255899553
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|a Eastman studies in music ;
|v v. 64.
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|u https://jstor.uam.elogim.com/stable/10.7722/j.ctt81vpc
|z Texto completo
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